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Performance Art as a Border Form of Artistic Expression
Vatulíková, Andrea ; Daněk, Josef (referee) ; Havlík, Vladimír (referee) ; Chamonikolasová, Kaliopi (advisor)
While taking into account the field of study of performing arts, I assume that the category called „performing arts“ underwent many reforms in the 20th century, making it almost impossible to set clear boundaries between theatre, dance and performance art. Therefore I deal with their common ground that I call the zero point and that allows me to explore means of expression of human body and also time – space dimension of live action. The zero point is located in the pelvic region of the body and it is the center of stability, balance and life enegry. In my dissertation I focus on the analysis of physical trainings that work with the zero point in theater, dance and performance arts. Primary output of this work is then analysis of physicality as culturally encoded construct and the practical part of disseration is focused on the realisation of the point zero symposium.
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Return of Baťa Lost: Post-socialist Transformation of Czech Cultural Memory
Babička, Martin ; Činátl, Kamil (advisor) ; Randák, Jan (referee)
After 1989, Czechoslovakia, or the Czech Republic, undergoes a transformation not only political or economic, but also a broader cultural or semiotic one. Collective remembering processes are entered by multiple agents who compete with, pass, complement or contradict each other. They further differ in the extent of their institutionalization, motivation, or way of representation. Legitimizing role of the past becomes an issue of negotiation, linked to the search for different collective identities and arrival of different ideologies. The case of Baťa can well render this process: at the beginning of the 1990s, Baťa's historical significance is changing; he starts to be used by diverse actors in diverse representations (news articles, memoirs, non-fiction and popularizing books, documentary films, public space) for diverse purposes; at the same time, Baťa is a synecdoche of remembering interwar Czechoslovakia and can thus become an instrument of constructed continuity. Mapping the forms of Baťa's representations in Czech historical culture after 1989 will point to broader changes and consequences of the transformation of Czech collective remembering in its heterogeneity. The paper proceeds primarily from memory studies concepts approaches of contemporary history to the study of post-socialism. Key...
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Figures and Traces of Memory. Changes in Dynamics of Cultural Memory in Relation to Visual Culture
Průchová, Andrea ; Dvořák, Tomáš (advisor) ; Činátl, Kamil (referee) ; Reifová, Irena (referee)
Thesis Abstract The thesis deals with the visual content of the media of official memory, in particular the visual material of history textbooks and the exhibition of the National Museum. It examines the formal and content features of the representation of four key events of modern Czechoslovak and Czech history which entered the awareness of the general public as "eight" events: the founding of Czechoslovakia (1918), the signing of the Munich Agreement (1938), the communist coup (1948) and the invasion of the Warsaw Pact armies (1968). Moreover, it relates the modes of representation of these events to the issue of the political transition of 1989. By means of mixed methods research, it examines a sample of textbooks published during the communist era (1967, 1973, 1982, 1983, 1983), the post-communist era (1995, 1996, 1999, 1999, 2000, 2009, 2011) and the exhibits from the permanent exhibition Crossroads of Czech and Czechoslovak Statehood (opened in 2009). In its findings, the thesis presents 34 visual memory figures related to the representation of the selected historical events. It points out the circulation of these images between the medium of the textbook and the historical exposition, thus following the dynamic concept of memory discussed in the theoretical part of the thesis. It finds both...
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Poetic Spaces of Memory (on Chosen Czech Poets of the Second Half of the 20th Century)
Flanderka, Jakub ; Trávníček, Jiří (advisor) ; Hrdlička, Josef (referee) ; Málková, Iva (referee)
Poetic Spaces of Memory (on Chosen Czech Poets of the Second Half of the 20th Century) Abstract The dissertation Poetic Spaces of Memory (on Chosen Czech Poets of the Second Half of the 20th Century) offers interpretations of six Czech poetic works of the second half of the 20th century, with focus on the perspective of cultural memory. Chosen poetic works represent synecdoches of poetic description of (general) historical events and experience that are connected with the time during the World War II (the Nazi regime) and with communist regime after 1948 and to some extent are connected with spatial dimension - be it poetic reflection of space which is modelled on a phenomenon from real, "topical" world, be it (completely) imaginary description of space. Methodology of this dissertation is based on the concept of cultural memory by Aleida Assmann, particularly as presented in her book Cultural Memory and Western Civilization. Functions, Media, Archives. Individual chapters of the dissertation deal with interpretations of following poetic works: "Návrat" by Vladimír Holan is a poetic story that develops the topos of coming back - coming back home, to a space that the lyrical narrator enters after twenty years in order to look for his mother's grave in local graveyard; he fails. A verse book Dům Strach by Jan...
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Reprezentation of Master Jan Hus Being Burned in Contemporary Czech Society
Chládková, Kateřina ; Činátl, Kamil (advisor) ; Randák, Jan (referee)
The presented bachelor's thesis is concerned with the topic of the portrayal of Jan Hus in the connection with the 600th jubiliee of his death, which was commemorated in year 2015. It is focused primarily on the way particular media perform the story of Jan Hus and on the influence of the nature of the media to the resulting image of Hus. There are three types of media which serves for this thesis as the main source: an exhibition of the Hussite museum in Tábor called Jan Hus 1415/2015, a movie by Jiří Svoboda also called Jan Hus, and a novel by Vlastimil Vonduška called The Hussite's Epopeia I. The character of contemporary commemorative practice is here analyzed by way of comparation with the older representations. This thesis also observes mechanisms which are used by particular representations in order to push through within the commemorative culture. The analyses of the sources in this paper is based on the concept of Cultural Memory Studies (Jan Assmann, Astrid Erll, Aleida Assmann) and on the concept of Memory Sites by Pierre Nora. Key words: Jan Hus, cultural memory, memory site, new media, politics of memory, historical culture Powered by TCPDF (www.tcpdf.org)
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The Term of Palimpsest and its Application in Examining of the Urban Space
Šilhavý, Petr ; Marcelli, Miroslav (advisor) ; Jarošová, Emília (referee)
This thesis called The Term of Palimpsest and its Application in Examining of the Urban Space focuses on providing a more complex perspective of the analysis of urban space through the metaphor of text and also palimpsest. Thanks to the disintegration of the concept of the text multiple layers of reality began to be progressively viewed - from the literature to the culture text. This opens up the possibility to contemplate the city as well as another type of text, respectively in a metaphorical sense of intertextuality as so-called palimpsest. The work focuses on these terms in the theoretical part and suggests the urban space term and the possibility of examination. The empirical part is dedicated to the application of developer theoretical basis onto the site-specific urban space of the Prague's Peter's district. The anchoring of the palimpsest in the semiosphere of culture and cultural texts of historical depth but does not provide possibilities of complete renovation and securing the continuity of interpretation. This does not seem to be an obstacle for the set more complex view of palimpsest, on contrary it better reflects and deals with such this continuity. It helps to seek roots and identity of cities and their inhabitants.
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Mountain Žalý on Harrach's estate in the Giant Mountains as a place of memory. Tourism: a new way of noble representation in Bohemia in the 19th century.
Korbel, Tomáš ; Altová, Blanka (advisor) ; Štemberk, Jan (referee)
The intention of this work is to monitor changes significant natural place - the Giant Mountains Heidelberg / Zaly in the 19th century, when the topographical point in the country without national or sacred past, becoming a symbolic place of memory, based on an analysis of available sources to determine which social "entities "the creation of this symbolic" construct "involved. The culmination of this symbolic metamorphosis in the place of memory was the construction of the observation tower atop Czech tourists in the nineties, who within the nationalist "rivalry" between the Czech and German tourist organizations of "dominating the hill" reluctant to use toponomastic arguments interpreting the origin of the Czech name of the mountain, that, however, not based on the real facts, but only on certain notions of local "culture of remembrance". These ideas survived and were kept for centuries in memories as a myth a symbolic level the collective memory of the local ethnic (Czech) population during the 19th century, and spread thanks to a first layer of civil servants-topographers and later mainly due to expansion of tourist clubs. To form Heidelberg / Žalý as a place of memory also contributed to the domain owner - provincial and local patriot - Count Harrach, who supported these efforts financially...
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František Gellner. Text - Image - Context
Kořínková, Lucie ; Wiendl, Jan (advisor) ; Merhaut, Luboš (referee) ; Tureček, Dalibor (referee)
The Ph.D. thesis deals with the Czech author František Gellner. It deliberately endeavours not to exclude any of the segments of his both literary and visual work out of consideration, but to present them all in their heterogeneity, yet in mutual connections. Works of Gellner's art are therefore interpreted in novel ways, especially in consideration of the contexts of the period from which they origin (and above others those contexts that have become obscure and forgotten in the nearly hundred years since the original publication of Gellner's work). The first chapter summarizes the previous critical reception of Gellner's work and at the same time deals with this author's image in the Czech cultural milieu. Analysing some of Gellner's manuscripts, the second chapter aims to describe the specific type of the author's creativity. The third chapter is devoted to the problem of ambiguously constructed national identity of František Gellner and to the impact it had on the ways he dealt with the themes of Jewishness and anti-Semitism. The fourth chapter describes the various relations between Gellner's works and the periodicals these were prepared for. The next chapter is dedicated solely to Lidové noviny, as this was the newspaper periodical with which Gellner co-operated most intensely; the detailed...
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Film as a Medium of Cultural Memory: Cinematic Representations of the Post - War Expulsion of Germans and its Changes
Řehořová, Irena ; Šubrt, Jiří (advisor) ; Jirák, Jan (referee) ; Klimeš, Ivan (referee)
As a result of the development of visual media and the related tendency in social sciences described as "pictorial turn", many disciplines have incorporated in the field of their research also the study of phenomena that used to stay out of their attention. In sociology, this tendency resulted in the emergence of a new sub-discipline, referred to as sociology of the image or visual sociology. The subject of this dissertation falls within this sub-field: the attention is focused on movies, which today stand as a powerful media of cultural memory. The main goal of this project is to describe the specific practices of cultural remembering following from the nature of the film medium, and to explore the significance of the film as a source of sociological cognition. In the first part, film is recognized as a cultural/social phenomenon, which shouldn't be understood only as a product of individual authors, as there are many institutions and other subjects (which together form a cinematographic field) who also contribute to the making of a film by defining its possibilities and thus influence the way how particular events are represented. The second part of the work presents different theoretical approaches that map the nature of relation between film representation and reality - they describe the...
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One topic, two responses? Jews and Shoah in Czechoslovakian and Austrian cultural memory in the context of the Eichmann-trial
Heroldová, Karolína ; Konrád, Ota (advisor) ; Mikulová, Soňa (referee)
The thesis follows up the subject of Jews and Shoah in Czechoslovakia and Austria and their representation at the beginning of the 60s. By this time, the Eichmann-trial took place in Jerusalem. Finding out, how and how much did the trial influence the presentation of Jews and Jewish victims in cultural memories or rather policy of past of both societies in comparison is aim of the thesis. On this basis, it is possible to reveal both differences and similarities between the two societies. Even if they seem to be completely different because of being sepparated by the Iron Curtain. The thesis devides into two parts. First part deals with the situation in post-war Czechoslovakia and Austria till the beginning of the 60s. It shows, how were the societies "set" when the Eichmann-trial came - what were the "prejudices", what was the policy of past dealing with. Second part includes the analysis of press-articles taken from different Austrian and Czechoslovakian newspaper and magazines (daily, weekly and monthly). From general to concrete is the way of the analysis which enables to show as the wider frame of the reaction as answers to the concrete questions. Outcomes are evaluated as continuously, as in the final conclusion.
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