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Creation as one of human needs
Melicharová, Julie ; Šípek, Jiří (advisor) ; Uhlář, Pavel (referee)
This thesis deals with the relationship between creation, human needs (focusing on the need for self-actualization) and creativity. The theoretical part describes the general and artistic creation and then creation is further divided into professional and amateur. The thesis briefly discusses the human needs and later focuses on the theory of basic human needs according to Maslow. Emphasis is put on the need for self-actualization. The last part of the theoretical section is devoted to creativity, the current perception of this phenomenon, and primarily focuses on the connection between creativity and self-actualization, as defined by Maslow. The empirical section describes the design of research that explores the correlation between self-actualization and creation, while comparing self-actualization and creativity among three groups: (1) people that create as a profession, (2) people that create as a hobby and (3) people that do not create. Keywords: Creation, human needs, self-actualization, creativity
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Media image of czech fine art in czech media in 1948-53
Dušková, Kateřina ; Köpplová, Barbara (advisor) ; Knapík, Jiří (referee)
The thesis aims to describe the media image of the czech fine art during 1948-1953 in the cultural periodicals "Kulturní politika", "Tvorba", "Var" and "Lidové noviny". It focuses on two topics that occurred most frequently in these periodicals;That is the definition of art and socialist realism and shaping artists and society. Social realism is characterized not only by description, but also by inspiration sources like Czech fine art of 19th century and the tendency to oppose competitive or similar artistic styles and trends like formalism, naturalism, academicism and kitsch. Shaping the artists and society is understood in terms of upringing, education and enlightenment. In connection with these two areas this thesis focuses on history, cultural policy of the Communist Party, the organizational structure of artistic production, distribution of art, shaping artists, penetration of art into public and private space, socialist realism and an attitude of visual artists to new conditions of artistic production. Different features were also included to capture the uniqueness of each periodical. The starting point of the thesis is a historical and qualitative analysis.
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Do halucinogens influence artistic production? Qualitative study
Strolená, Kristýna ; Radimecký, Josef (advisor) ; Vacek, Jaroslav (referee)
The topic of hallucinogens use is currently very actual. According the Annual Report on Drug Situation in the Czech Republic in 2015, the lifetime prevalence of LSD use in the population is 3.1 % and 5.4 % hallucinogenic mushrooms, but it is higher among young adults (5.7 % and 9,2 %) (Mravčík et al., 2016). Users of hallucinogens tend to be a people devoted to various forms of artistic activity. The thesis aim is to determine whether and how selected hallucinogenic drugs use may affect artistic production (from the perspective of users). Data has been obtained through the method of unstructured interview. Further the research tries to inquire, whether the use of hallucinogens may impact a subsequent creation of sober artists, and whether it is possible to find some typical patterns in use of hallucinogens by artists. The work is structured as qualitative study consisting of theoretical description of the problem and of methodological part. The previous is therefore presenting theoretical definition of art, artistic creation and creativity, theoretical analysis of the connection between hallucinogens use and art, including ritual art. The final section focuses on practical application and is based primarily on research formed by informant's statements. Thesis is complemented by photographic...
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Choreographical strategies of aerobic fitness
Kobelková, Tereza ; Novotná, Viléma (advisor) ; Černá, Jana (referee)
Topic: Choreographical strategies of aerobic fitness teams Objective: To find out according to given criteria, which types of transitions from formation to formation in the competition FISAF fitness aerobic, have the highest impression (effect) on the observer. The types of transitions evaluated are; short and simple transitions, combination of transitions and long and complex transitions. Methods: Sequential mixed method was used to obtain the results. Three criteria, specific for the solutions of space and floor pathways, have been designed for indirect observation and quantitative analysis of the selected choreographies. Second criterion was evaluated by twenty experts through participatory observation and the results were quantified. Qualitative analysis was used in the second part of the third criterion and for all results of the quantitative analysis. Method of comparison was used to compare all results. Conclusion: Most effective showed to be the short and simple transitions, followed by combination of transitions. Long and complex transitions were least impressive for the observer. KEY WORDS: Space and floor pathways solutions, effect, choreography, aerobic fitness, creation
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The Function of Speech in Husserl and Merleau-Ponty
Puc, Jan ; Novotný, Karel (advisor) ; Čapek, Jakub (referee) ; Janoušek, Hynek (referee)
The Function of Speech in Husserl and Merleau-Ponty The submitted doctoral thesis is an attempt to describe the development of the intentional function of speech in Husserl and Merleau-Ponty. The intentional function is defined as the change of expressed meaning that is engendered by the expression itself. We trace Husserl's position from the Logical Investigations and the first book of his Ideas pertaining to a pure phenomenology and to a phenomenological philosophy, where he describes speech as the non- productive mirroring of other kinds of intentionality, to the late text The Origin of Geometry, where he discerns two functions of speech: it provides thought its ideality, which is different from the ideality of species; and it provides thought its objectivity, i.e. the form of object that lasts in history as identical. In The Phenomenology of Perception, Merleau-Ponty adopts Husserl's late position with several profound modifications. The starting-point ceases to be the linguistic sign, and speech becomes a kind of gesture. As a consequence, the difference between linguistic and non-linguistic ideality disappears. Furthermore, Merleau-Ponty holds that the expression accomplishes the meaning of what it expresses. In this way, speech becomes creative and ceases to be just an empty intention of...
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The Problem of Freedom and Creativity in Nietzsche
Kobylka, Vít ; Novák, Aleš (advisor) ; Marek, Jakub (referee)
The Thesis aims to explore the problem of Freedom and Creativity in Nietzsche. It attempts to do so in respect to the two main concepts of his high and late writings. Concept of Superman and concept of the Eternal recurrence of the same. In this respect our text follows especially interpretations of Martin Heidegger. We begin our treatise with situating Nietzsche's concept of freedom among more traditional thought and we put emphasis on comparison of it to the philosophy of Baruch Spinoza. In the next phase we reject (with Martin Heidegger and Ivan Dubský) simplifying understanding of the Eternal reccurence which understands it as dull determinism. We also analyse the topic of Creativity in Nietzsche and introduce it as fundamental anthropological theme. In the following chapters we identify certain moods that allow us to experience perspective of the Eternal reccurence and the one of Superman, which gives us chance to understand both concepts in their connection. But this connection remains enigmatic and in the last chapter we try, with help of Kierkegaard's concept of the moment, to understand both thoughts in their complementarity not only united in the concept of creativity, but also through Nietzsche's concept of the moment, understood as the original understanding of one of the aspects of...
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Compared creative approaches in creating a dance composition.
Antošová, Aneta ; Novotná, Viléma (advisor) ; Fričová, Marie (referee)
Title: Compared creative approaches in creating a dance composition. Goals: The aim of this thesis is to find similarities and differences in the creative approaches of selected Czech and foreign authors of choreographies. Methods: A qualitative research and casuistry as the main research method was selected for this thesis. Namely comparative studies, which together with the survey through semistructured (depth) interview, conducted with selected experts in the field of choreography, compared the two cases among themselves - Czech choreographers with foreign reformers. Results: In the research part of the thesis, based on the literature research and accomplished investigation, there are similarities and differences found in creative approaches of Czech choreographers and foreign reformers. The outcome of the research is a comparative table following the life and work of choreographers in three areas: the entry conditions, the process of creation and creation outputs. Research has found possible functional approaches to dance practice and experience. Keywords: Art, dance, choreography, creation, comparation.
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Ornament in Nature, Science and Art. Discourse Analysis of an Education Case Study
Havlásek Tatarová, Lucie ; Fulková, Marie (advisor) ; Machalický, Lukáš (referee) ; Zindulka, Ondřej (referee)
The dissertation thesis, Ornament in Nature, Science and Art, deals with the theme of ornaments in contemporary art, design and architecture. Individual chapters are dedicated to exploring nature and science as sources of inspiration for contemporary art. The chapter, Body and Ornament, is about ornaments for the human bodies and patterns created from the form of human bodies. Art creations by the author and her students make up an integral part of the main text. An individual chapter is dedicated to the Bodyornament project. Bodyornament is a project involving artistic, educational and research elements. Its primary body of work took place as an art performance in the Veletržní palace in Prague. Through the active participation of the students, patterns and ornaments made from their bodies were created. The process was documented by means of photography. The photographs together with the students' written reflections about the experience comprise the primary research documents. In this dissertation, these documents were analyzed and interpreted by using a combination of specific forms of qualitative research and art-based research. Our research model was based on three degree reflexive analysis according to Donald Schön. Through interpretation of the research results, thoughts of possible...
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Making movies in elementary school
Šuslík, Marcel ; Syřiště, Ivo (advisor) ; Mojžíšová, Jarmila (referee)
The theme of this work is the creation of films in elementary school and its place in the teaching process. I have examined the conditions under which this activity benefits both in terms of the development of key competencies and primary prevention. I assessed the availability of information on this topic. I performed in this respect RVP analysis, exploration of topics that handle some basic school and festival platforms, with more room for Antifetfest. Based on my own experience and observation, interviews and questionnaires, I developed a practical point shooting class project. I stated that making films as a class project is beneficial both in terms of prevention of risk behaviors and the development of a number of key competencies. Last but not least, enriching forms of work with students. Powered by TCPDF (www.tcpdf.org)
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