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Architecture and Art
Lackovičová, Lenka ; Zezula, Adam (referee) ; Toman, Radek (advisor)
The aim of the final thesis is the architectural study of the new building of the Municipal Gallery in Litomyšl,as the current premises of the Municipal Gallery bring a number of problems in exhibiting. A thorough analysis of the wider city center was followed by the selection of the appropriate plot, on which there was subsequently designed the new gallery object. The new gallery building, compared to the original, offers larger exhibition area, easier operation, barrier-free solution, more space for teaching and social events and last but not least, there are favorable microclimatic conditions for exhibiting works of art.
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Artistic Scene Visualization
Benda, Jan ; Tóth, Michal (referee) ; Kobrtek, Jozef (advisor)
The goal of this work is studying of selected artistic scene visualization (cell shading, pencil sketch shading) and simulate these techniques in the rendering of objects in 3D space using OpenGL. Applications of these methods is wide - from graphical application, through computer games to animated films. This work describes design and implementation of these methods: cell shading, pencil sketch shading and watercolor shading.
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LABORARTORY BRNO
Bukatovič, Tomáš ; Nový, Alois (referee) ; Nový, Vítězslav (advisor)
The building is inspired by the internet phenomenon called crowdfunding. Anyone who can take own vision to the public spoteye, has the opportunity to realize their projects, Here in Laborartory. Whatever it is. An art or new piece of technology, ideas become reality and Laborartory it moves on to the real world. But the main purpose is to spread creativity and ideas through public mind, because therein lies the potential of Brno. As the city of fairgrounds and technological development.
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Art school in Brno
Smička, Matěj ; Žalmanová, Petra (referee) ; Šindlar, Jiljí (advisor) ; Pěnčík, Jan (advisor)
Earlier study in the subject AG32 gave form to the following bachelor’s thesis which further develops the study into the level of Building permit documentation and Documentation for execution of the project. The theme of this work is Art school in Brno. Location Kraví hora, Brno, Veveří was selected as a building site for this theme. The concept was considerably affected by the shape of current terrain, because it is trying to copy the terrain by cascading the arrangement of the buildings. Near the given site, there are private gardens on the North, tennis courts on the South, Building Z of the Faculty of civil enginering on the East and on the West, there is the Observatory and Planetarium located in the public park called Kraví hora. The main idea of this project, was to create masses using geometry - creating three objects - with the shape of circular sectors, which came up by intersecting a few different circles end ellipses. An arrangement of these objects with the amphitheater in the middle realy enhance the cascade terrain. The primary function of the Art school is educational with added secondary cultural-educational function for there is a multifunctional auditorium and an art gallery.
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Cluster World
Delong, Marek ; Artamonov, Vasil (referee) ; Šrámek, Jan (advisor)
In my thesis I focus mainly on omnipresence of the internet and technology. Additionally on colapse of physical environment in online culture and infinite reproduction ability and transformability of digital matter. However, I’m also concerned about their feedback application into exhibition areas. The thesis deals with change of authorship – after an art piece gets documented, it becomes a circulating material. Authorship of an artwork is almost impossible to track down, same as the initial context. Artistic outcome switches from auratic object into a file which is a subject to the network architecture. In the last two decades the relationship between image, text, language, meaning, body, space, subject and object changed radically. The task is no longer to create unique and original art but to observe existing supplies of images and spaces as de-subjectivized.
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Breda, the old department store
Mlýnková, Petra ; Mašek, Radomír (referee) ; Marek, Jiří (advisor)
ABSTRACT The diploma thesis project deals, as its name suggests, with a former department store, so called „The old Breda“, which was built between 1927-28 in the then capital of Austrian Silesia, the Opava City. The department store is an architectural masterpiece, you will hardly find another department store of this kind in the whole of former Czechoslovakia. In 1972, it was declared a cultural monument. Today, we can understand it as an accurate testimony to what the city of Opava was a hundred years ago, how it has gradually changed and what it is like today. The building and its fate is also a frequently mentioned topic for the Opavans themselves, as the building itself reminds them of pleasant feelings and memories of the experience of its space. In this context, the central space under the dome, illuminated by glass-concrete blocks, is often inflected by people. Together with stained glass windows, lighted display cases and the creaking wooden steps of a large staircase, it offers visitors a truly unique atmosphere and moment. The reason why the building itself leaves a strong trace of nostalgia in each person is quite obvious and indisputable. It is a building of immense architectural quality, which the Silesian native from Krnov, known as the Viennese architect Leopold Bauer, offers to the local people through his work. Although there is no doubt that Bauer was a genius in his field, which I was able to see again and again during my research, we must not forget the fact that the whole project was possible to happen only thanks to the wealth and initiative of David Weinstein, businessman and owner of Breda & Weinstein company. However, Weinstein did not enjoy the building and its fame for very long and if you look at the time, the place and context and the fact that Weinstein was of Jewish descent, you will find out the reason why. The cruel fate thus befell his family, as did almost all Jews at the time (not only) in Opava. In 1945, during the Ostrava-Opava operation, Opava was almost completely reduced to ashes, and after the war, there were this time Germans who were to be completely expelled from Czechoslovakia. At that time, the building was called German because Breda and Weinstein spoke German. This was followed by privatization and the associated further changes in the property and also layout of the building. In 1994, in addition to the misfortune, the building was acquired „for sale“ by the local bussinesman Kolek, which meant a way to Breda to complete destruction. There was even a fire, which blackened the dome‘s otherwise light concrete. Since 2012, when the house was closed and taken out of operation, it has only fallen into disrepair. It was also in insolvency proceedings. However, in the eyes and hearts of the proud Opavans, the building still leaves strong recognition and feelings that did not allow the building to be abandoned, people put pressure on the politicians from the city for a long time, until in December 2021 the ciity approved the purchase of the building. However, this step opened up more and more questions and problems. Nobody knows what to do now. There is no intention. It is only clear that the reconstruction will be very costly. With my work based on analyzes from the last semester and studying the data of available research, I try to show the city how it could handle the building.
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HUMAIN – Design, Art, Humanities and Artificial Inteligence
Matějová, Alina ; Kořínek, David (referee) ; Macháček, Mikuláš (advisor)
Artificial intelligence is a symptom of the future of the 1980s, a technological phenomenon esoterized by millions of lines of code, a spirit in a machine, an artist of generative design, a scarecrow fictionalizing dystopian surrealism. Artificial intelligence has been talked about for a long time, in various fields from information and communication technologies through sociology and political science to design and art. Czech scientific fetishism guarding the boundaries of disciplines, showing what we are and what the others are, where designers have nothing to say about the work of anthropologists and not at all programmers, who in turn can never know anything about philosophy or microbiology. Ivory towers protruding in the void suspecting those towers at a safe distance. The HUMAIN project and conference seeks to go against this and find common ground and common narratives between design, humanities and art. We are not talking about terminological multiplication, we do not want to bring interdisciplinary leveling. HUMAIN is a platform for finding a common language and establishing cooperation. We do not want William Gibson to write the future, but to reflect artificial intelligence from as many angles as possible and to aim for the greatest possible emancipation of people, robots and the planet.
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LABORARTORY BRNO
Kamená, Markéta ; Františák, Luboš (referee) ; Kratochvíl, Jan (advisor)
Gallery of Architecture and Modern Art is drawn up as a filling of a corner vacant lot. The plat is jammed into into a sharp angle of the Koliště street and the Milady Horákové street. This situation requires atypical urban design. The object is designed as a two self-working buildings, the gallery and the house of artists, connected to the street fronts. Common rooms such as café, lecture hall or exhibition terrase are located in the central connecting section. Objects are splayed, creating small piazzetta – appropriate entrance space. Architecture solution is barrierless with regard to the principles of sustainable development.
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