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Education, dialogue and totalitarianism in philosophical reflection
Dobiáš, Ondřej ; Pelcová, Naděžda (advisor) ; Hogenová, Anna (referee)
The purpose of the diploma thesis is to interpret the philosophical concepts of the education, dialogue and totality against the backdrop of the potential contemporary educational crisis. The thesis demonstrates the contributions of philosophy in characterisation of education. The topics were inspired by the question whether the formal education can develop the authentic thinking of an individual. The author aims to expose the original and justifiable assumptions of education and demonstrate the potential consequences of education perceived solely as a matter of formation and integration into pre-set social structures and mechanisms. The thesis exposes the very essence of education as the fundamental capability of entering dialogue and points out its need for a free yet responsible self-determination of a post-modern individual whose inherent ability to surpass own assumptions prevents the society from the rise of the totalitarian thinking. Key words Education, pedagogy, crisis, philosophy, ethics, dialogue, totality, world, science, technology, authenticity, transcendence, object, freedom, spontaneity, will, thinking
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"New" role of an object in "object art" and "art of instalation"
Holubcová, Klára ; Bláha, Jaroslav (advisor) ; Kornatovský, Jiří (referee)
Submitted graduation theses offer different views of questions relating to an object (thing) in the "object art". The foundation of the "object art" brought a "new" role of an object. It does mean that the border of an art types are no more close, as well as life and art are now transparent. We can find qualitative changes in a various ways of treatment of an object. I saw these changes in according to four basic criteria: meaning, material, form and function. Another centre line of the text are overlaps of fine art and applied art, which detects common tendences in both spheres.
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Puppet animation movie as a means of artistic expression in art education
Šafka, Václav ; Arbanová, Linda (advisor) ; Magidová, Markéta (referee)
The subject of this thesis is a phenomenon of puppet animation movie. In its theoretical part begins with classical theatre puppet then leading to puppet animation movie itself. Through movies from different directors exemplifies a few possible ways how to create puppet animation movie. The practical part introduces evolving of author's own artistic work which includes original puppet and portfolio which can be used as an instruction for creating similar puppet. The didactical part tries to watch possible perspectives of using puppet animation movie in education.
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Still life
Svačinková, Alena ; Hůla, Zdenek (advisor) ; Uhl Skřivanová, Věra (referee)
The bachelor thesis deals with meaning of objects in our society. This thesis is divided into three parts - practical, didactic and pictorial part. The theoretical part examines an ordinary and necessary subject, subject as a bearer of meaning and a subject as a protective and ritual thing. I am simultaneously reffering to consumerism and sensitive understanding of the subject as a value in today's society. I compare the tools of the past with a mobile phone. The teoretical part is followed by the didactic part, which is composed of three artistic lectures I have given. Me and children discussed the following topics: Painted still life, Shop window and The box with my stuff. The pictorial part focuses on everyday objects. I have created the cycle of twelve still lifes. Each still life coresponds to one particular person, who is close to me, and symbolize their important things.
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Are there any pohotographic representations? Roger Scruton and his critics
Bergmann, Dominik ; Kolman, Vojtěch (advisor) ; Petříček, Miroslav (referee)
This thesis focuses on the answering whether photographic representations exist or not. The answer is searched for in discussions of Roger Scruton and some of his critics. According to Scruton's argument presented in the essay entitled Photography and Representation a photograph cannot be a representation. Scruton claims that only such medium can become a representation that has a certain intentional relation to its subject, however a photograph is defined merely by its causal relation to such object. Scruton's critics believe that a photograph is a representation and criticize him for: i) underestimating the role a photographer's intentions play in a photograph; ii) disregarding a photograph's ability to provide a new way of seeing and thus becoming representational; iii) equivocating between the subject of a painting and the subject of a photograph. It is demonstrated that arguments of Scruton's critics are not able to show Scruton's concept of photography to be false. However, an alternative approach to representation provides a basis to demonstrate in what sense a photograph may be a representation. For that reason it is suggested to consider a photography as an essentially paradoxical medium merging into itself the intentional and causal. Keywords: photograph, representation, intentional...
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English translation counterparts of Czech pronominal dative objects
Fišerová, Helena ; Šaldová, Pavlína (advisor) ; Popelíková, Jiřina (referee)
The objective of the present thesis is to analyse Czech pronominal dative objects and their English translation counterparts. The Czech dative case occurs both in an attached and in a non-attached syntactic variant and has several different semantic functions, which results in a variety of possible counterparts. This thesis focuses only on divergent counterparts, i.e. it excludes translations by means of a corresponding pronominal object or a to-phrase. The possible translation counterparts include the shift of the participant into subject, possessive pronouns, prepositional phrases introduced by for, on and other prepositions, omission, and other means of translation. The analysis was performed on one hundred examples, which were obtained from the Czech-English parallel corpus InterCorp. The examples are divided into categories according to the type of counterpart used, and analysed especially with regard to semantics.
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Conception of an Object as a Complex of Perceptions in David Hume's Philosophy
Fršlínek, Jan ; Hill, James (advisor) ; Palkoska, Jan (referee)
Práce pojednává o objektu (jakožto komplexu percepcí) a s daným tématem souvisejícími otázkami v kontextu filosofie Davida Huma, jak je obsažena především v první knize jeho díla Treatise of Human Nature a rovněž s přihlédnutím k dílům Enquiry Concerning Human Undestanding a An Abstract of A Treatise of Human Nature a dalším titulům primární a sekundární literatury. Tematizováno je v tomto kontextu tedy nejprve Humovo pojetí percepcí jako takové (a to na základě první kapitoly Treatisu, Of ideas, their origin, composition, connexion, abstraction etc.). Poté je v souvislosti s předchozím pojednáno i o Humově pojetí identity (především objektu-tělesa) a jeho koncepce individuace, resp. i stálosti a koherence. (a to na základě čtvrté kapitoly Of scepticism with regard to senses). Na konci práce jsou kontrastovány různé možné typy objektů, jež lze (dle autora této práce) chápat jako komplexy percepcí a poté je nabídnuto schéma hypotézy o individuaci tzv. materiálních těles (bodies) v prostoru.
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