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Phenomenology of music and the concept of temporality in the philosophy of E. Husserl
Karipova, Alfiia ; Hogenová, Anna (advisor) ; Blažková, Miloslava (referee)
This research is dedicated to the connection between phenomenology of music and the temporal conception of Edmund Husserl who influenced new awareness of time in general and musical time in particular. The purpose of the research is foremost to expand horizons and options of musical-philosophical analysis through discovering the alternative understanding of musical perception in author's works especially in his «Vorlesungen zur Phänomenologie des inneren Zeitbewusstseins». The research consists of five main parts arranged by deductive principle: from the general key points of the subject - phenomenology of music (chapter 1), the role of musical art in studies and heritage of E. Husserl (chapter 2) and principles of phenomenological method as a base of temporality conception (chapter 3) the emphasis gradually shifts towards the research of Husserl's temporality conception which is directly connected to musical art which makes our subject notably actual. Besides that the research raises such questions as the role of the concept of time in music, comparison of Husserl's philosophy and A. Webern's music, importance of sense in composition and others. The fundamental and rare scientific studies of philosophy, musicology, sociology of music and other contiguous subjects in Czech and English languages were...
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Rhythm in Urban Space and Rhythmanalysis - Prague example
Smrčina, Michal ; Marcelli, Miroslav (advisor) ; Jarošová, Emília (referee)
The study aims to present the notion of rhythmanalysis in relation to the city environment and aims to apply the theory to field research. The theoretical part focuses on the semiotic conception of the rhythm, on the position of rhythmanalysis in the work of its father, Henri Lefebvre and it further tackles the topic and its applications in Czech and also international context. Following this approach, it clarifies a wide range of related conceptions and phenomenons. It finds common points of reference in philosophy, semiotics, critical theory, urbanism, social geography, art and other fields, which is determined by its interdisciplinary nature. The practical part relates the previously mentioned theoretical foundations to applied, empirical research. It observes and reveals the rhythms of Prague area named Vltavská, it analyzes and interprets them and shows the rhythmanalysis as a legitimate analytical instrument with a potential value for urbanism.
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Ontological-ontic Concept of Conditions and Prerequisites of Inauthentic Dasein Demonstrated by the Example of Inauthentic Work of Art
Krcha, Martin ; Jirásková, Věra (advisor) ; Semrádová, Ilona (referee) ; Štampach, Ivan (referee)
The thesis deals with the issue of authentic or inauthentic work of art in the context of philosophy of authentic / inauthentic mode of existence (Dasein) as it was developed by Martin Heidegger in his Time and Being. The reason for addressing this issue is an effort to open the possibility of understanding authenticity or inauthenticity of individual Dasein in the manner which grasps it in the act of its performance, i.e. as a singular event. Thinking of authentic / inauthentic work of art demonstrates the limits of approach which understands authenticity only as certain originality or "selfness" which should belong to something authentic or inauthentic, almost like its accident. This thesis is therefore concerned with what is revealed if the concept of authenticity is transposed to a work of art. Since it is the subject who can make the act of performance of authenticity happen, the author and the recipient of the authentic / inauthentic work of art are problematized as well. When dealing with the work of art with respect to its temporality (historicality) or its being, the thesis also provides room for the issue of perception of the work of art. The resemblance of the author and the recipient is thus revealed and so is the necessity to learn to see not only artworks as such but to see them...
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Reflexion on the aesthetic of early videoart
Matoušová Peštová, Karolína ; Ševčík, Miloš (advisor) ; Jarošová, Helena (referee) ; Kubalík, Štěpán (referee)
This doctoral thesis treats of the early video art of the 1960s and 70s from four points of view: in chapter one the artistic and technological genesis of video art is analyzed; chapter two is dedicated to a scholarly analysis of video art on whose basis the relation of video art to other arts is determined (especially film and fine art), the chapter, furthermore, examines the properties of video as a medium; chapter three deals with the reception of video art by the audience, its mode of depiction and aesthetic properties which are demonstrated on specific examples; special attention is focused on temporality of video art; the final chapter is dedicated to feminist video art whose task it was to help emancipate women. The aim of the thesis is to present a comprehensive overview of early video art with emphasis on its artistic and aesthetic properties. The thesis does not merely rest on valid scholarly theories - it also analyzes specific art pieces which are documented in an extensive graphic appendix.
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Pragmatic and stylistic aspects of expressions of futurality in professional economic text and their didactic consequences
Mikuláš, Martin ; Pípalová, Renata (advisor) ; Povolná, Renata (referee) ; Malá, Markéta (referee)
The dissertation surveys the use of expressions of futurality in professional economic texts (the linguistic part). In addition, it investigates didactic aspects of futurality in the process of English as a second language acquisition, focusing on undergraduates in the study programme B 6208 - Economy and Management (the didactic part). The topic was chosen on the basis of the author's empirical experience and the results of pre-tests in the target group. The research is based on a corpus-based linguistic study. Seven representative monographs written by native speakers were selected as a source of relevant information about the use of futural constructions in a written economic text. All the sources were explored by means of corpus query software and instances of selected futural constructions (will, shall, be going to, be about to, be on the point of, be (due) to and the present tense) were excerpted. Functions of the futural constructions were elaborted on the basis of the numerous excerpts and confronted with English for specific (economic) purpose textbooks that are used widely at Czech economic universities. To prove or disaprove their mutual interdependence, the correlation of general language and specific language proficiencies of undergraduates from two universities was measured....
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To the problem of time
Zlatoš, Michal ; Hogenová, Anna (advisor) ; Blažková, Miloslava (referee)
The thesis "To the problem of time" considers concepts of understanding of the problem of time and temporality on selected authors throughout history. It was revealed in the work that even Aristotle had some notion of temporality, and not only his time counted within movement. However this notion is fragmental thus it required a more complex explanation of his viewpoints. Augustine's switch of perspective brought deeper understanding of human temporality within the connection of the soul to the transcendental God. Further development of this idea made Husserl's analysis of time-consciousness and after him Heidegger, who developed Husserl's concept and founded his own concept on the authenticity based on the consciousness of individual being's irreversible finiteness. Similarly, the concepts of Bergson and Sartre developed the idea of time consciousness, though they differed on some stresses, e.g. the importance of the future. Peirce's position, brought into discussion, showed some similar features despite the different origins to the concept of Husserl's. The cross-section of science and philosophy exposed in Whitehead's concept pointed out the introduction of an observer into the scientific understanding of time and thus denial of the "absolute time" on behalf of dynamicity of the continual...
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Roots of Existential Phenomenology of Simone de Beauvoir
Štěpánek, Daniel ; Fulka, Josef (advisor) ; Bierhanzl, Jan (referee)
The theme of our work is concentrated on basic sources of inspiration of french thinker, Simone de Beauvoir. As we are trying to show, ways of conceptualization of human existence, that are common to works of Georg Wilhelm Friedrich Hegel, Maurice Merleau-Ponty and Jean-Paul Sartre, are main focus stones, on which is being build individualization of existential phenomenological thought of Simone de Beauvoir. Therefore, our interpretation is aimed on making visible those themes, that are most important as ilustrations of these interpretations. To achieve this goal we are using She Came to Stay, the first novel of Beauvoir, where we are seeing first manifestations of main themes of her later works.
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Eternity and Time in Jan Patočka's Studies of Macha's Poetry
Krlínová, Kateřina ; Ritter, Martin (advisor) ; Frei, Jan (referee)
The thesis deals with concepts of temporality and eternity in Jan Patočka's text "Time, eternity and temporality in Mácha's work." It examines in detail interpretation of Macha's model of the world, which is linked with Patočka's conception of life movements. In Macha's studies, the temporality is shown as opposite to an idea of eternity. Therefore, the thesis also aims at a clarification of such a concept of eternity and try to find out in which relation it can be to the temporality. The text is grounded in the above mentioned Patočka's study, other Patočka's studies related to the conception of life movements, in poetry of K. H. Mácha and in texts dealing with interpretations of both authors. Powered by TCPDF (www.tcpdf.org)
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Difference of ontological difference in thinking of Martin Heidegger
Dubovec, Marcel ; Novák, Aleš (advisor) ; Novotný, Jaroslav (referee)
DUBOVEC, M.: Difference of ontological difference in thinking of Martin Heidegger (Master's thesis) Charles University in Prague, Faculty of Humanities, Institute for philosophy and religious studies. Supervisor: doc. Mgr. Aleš Novák, Ph.D. The aim of master's thesis consists in explication of ontological difference in Martin Heidegger's thinking. For this purpose is used a dual method of interpretion of difference in the concept of ontological difference. First it is the issue of the difference as such. For the understanding of this idea it is analyzed the text Onto-Theological Constitution of Metaphysics. The second interpretation od difference concentrate on different understanding of ontological difference. The text Basic Problems of Phenomenology is presented as the opposite one, in which the ontological difference is connected with the temporality. The last part of master's thesis concerns the text On the essence of ground. With this the concept of transcendence is introduced as a subject in which the explication of ontological difference leads. Key words: ontological difference, onto-theology, ecstatic-horizontal temporality, Temporality, transcendence, understanding of Being
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