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Andrej Rublev in the context of the era
Lir, Elizaveta ; Royt, Jan (advisor) ; Jančárková, Julie (referee)
The aim of this bachelor's thesis is to present the artistic work of the Russian iconographer Andrei Rublev. This is primarily a review of his work from the perspective of 20th and 21st century historians. At the same time, the literature related to this topic is also summarized in the presented work. Individual works are arranged in chronological order, from the earliest to the latest. In addition to the work of Andrei Rublev, the main attention in the thesis is also given to Orthodox icons and the work of Theophanes the Greek. The thesis presents both older and newer conclusions of domestic art history.
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Early medieval crypts in Bohemia
Tiagusheva, Tatiana ; Royt, Jan (advisor) ; Kuthan, Jiří (referee)
This thesis is devoted to early medieval crypts in Bohemia. It aims to create a catalog the early medieval crypts in the Czech until the end of the 13th century. It analyzes the existing literature on crypts in the Czech Republic, crypt functions in the Medieval Church, the presence or the absence of crypts in the architecture of the Benedictine and Cistercian monastic orders. Also it characterizes the typology of medieval crypts. This thesis describes ten early medieval buildings, from the oldest to the newest ones: the crypt of Břevnov Monastery, the crypt of basilica of Saint Wenceslas in Stará Boleslav, the crypt of the Sázava Monastery, crypts of Spytihněv's basilica in the Prague Castle, the crypt of the Doksany monastery, the crypts of Basilica of St. George in the Prague Castle, the crypt of the Hradiště nad Jizerou Monastery, the crypt of Teplice Monastery, the crypt of the church of Saint Gall in Poříčí nad Sázavou and the crypt of the St. Stephen's church in Kouřim.
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The influence of the Classical antiquity on the Romanesque period in Bohemia and Moravia
Jubánek, Tomáš ; Royt, Jan (advisor) ; Kuthan, Jiří (referee)
My bachelor's thesis tries to describe and document the mediated influence of the Classical antiquity on constructions in the Romanesque period in Bohemia and Moravia. It takes into account the historical development from the beginning and extinction of the antiquity era until the end of the Romanesque period, contextually elaborates on the development of architecture in Western and Central Europe and on significant buildings - the model examples it illustrates the ways of influence of antiquity leading to the territory of Bohemia and Moravia with special regard to Christianity and its role in the formation of architecture, as well as the witness of ancient architecture, Marcus Vitruvius Pollio. It documents, on few suitable examples, the influence of the antiquity on the architecture of specific buildings in Bohemia and Moravia, namely the Convent of the Premonstratensian Sisters in Doksany, palace in the Olomouc castle, the Church of St. Procopius in Záboří nad Labem, the Church of St. James the Older in Jakub near Kutná hora and finally the Church of Sts. Peter and Paul in Řeznovice in Moravia. The results of the examination are then evaluated at the end of the bachelor's thesis.
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Seven Corporal Works of Mercy and Seven Deadly Sins in Czech Medieval Arts
Eichlerová, Eliška ; Vymazalová, Marie (advisor) ; Royt, Jan (referee)
The bachelor's thesis will deal with the theme of the seven-corporal works of mercy and the seven deadly sins in Czech fine art. These opposing themes develop primarily in a middle-class environment, where they were supposed to appeal to the moral life of the middle-class people. The first part of this thesis will discuss the development of the doctrine of the seven deadly sins in the Middle Ages. The variability of approaches to the seven sins will also be revealed by a comparison with the development of the doctrine of the virtues, where it is also possible to show the starting points for the formation of the medieval teaching on the seven-corporal works of mercy. The second part deals with the analysis of individual sins and acts of mercy, their meaning, and the way they are depicted. In the third part, I will also focus on individual examples of the depiction of this iconography in European art, and we will mention a few important works, especially from the High and Late Middle Ages. Following on from European art, the last chapters will focus on individual examples of the seven-corporal works of mercy and the seven deadly sins in the Czech environment, especially in the book painting and monumental mural.
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Westwerk. A contextual analysis of the roots and meaning of the birth of the specific architectural element and its impact on not just carolingian but also later sacral architecture in Europe.
Horáček, Michal ; Royt, Jan (advisor) ; Macek, Petr (referee)
The essay hereby submitted concerns itself with the genesis of the architectural element generally known in art-historical studies as westwerk/westwork and originating in the Carolingian times of the eigth and ninth centuries. Methodologically the topic is approached from two mutually opposite perspectives. One, in the vein of the Vienna Scool, pays attention to the development of westwerk's form, i.e "from within," while the other favours the view "from outside," and stresses the cultural, political and other influences of the historical time.It also take into account the receptive approach of Ernst Gombrich. The main reason for wfiting this essay, however, is the fact that no special work has as yet been dedicated to the westwerk phenomenon in the Czech environment, aven though its influence on the local architecture was far from negligible.
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Comparison of texts and images of Visitatio Sepulchri in the region of northern Spain and southern France in the Middle Ages
Kuliešiūtė, Indrė ; Royt, Jan (advisor) ; Jarošová, Markéta (referee)
Bibliografická citace Comparison of texts and images of Visitatio Sepulchri in the region of Northern Spain and Southern France in the Middle Ages [rukopis] : diplomová práce / Indrė Kuliešiūtė; vedoucí práce: Jan Royt. -- Praha, 2023. -- 47 s. Abstract The Bible tells of an event when several women meet one or two angels by the empty Tomb of Christ. Such motive in art is called the Holy Women at the Empty Tomb or sometimes the Three Maries at the Sepulchre. The goal of this thesis is to explore the connection between the images of this motive in the Southern France and Northern Spain to the Easter dialogues and liturgical plays that tell this story. The peculiarity in this region is the gestures of the angel and sometimes of the women: they are depicted in the action of lifting the lid of the sarcophagus to look inside. To my best knowledge, such an arrangement does not occur even once outside of this region. To achieve the goal of the thesis, the artworks and the drama texts from this region were surveyed. The artwork was analyzed, focusing mostly on the gestures of the figures, while the discussion of the drama texts focused mainly on the rubrics, instructing the performers what actions and how they are to carry out. This thesis argues that the greatest variety and originality of the artworks is where...
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Marian image of Beata type in a wide local, time and content view.
Kolářová, Pavlína ; Klípa, Jan (advisor) ; Royt, Jan (referee)
Keywords Beata, Madonnas of svatovítský type, Marian images, Madonnas of 15th century, Czech medieval madonnas, Cetral European painting of 14th century, Cetral European painting of 15th century, Svatovítská madona, Replication of images Abstract Even though the preserved collection of a medieval painting is just a fragment of its former amount, we can still observe specific iconographical types, obviously more influential than others. Therefore the question arises, what are the reasons leading to a significant preference of particular types against others and what intention these images were multiplied with? Which role could the religious, iconographical, historical or artistic aspects contained in particular artwork play? One of the most significant example of this multiplication in bohemian medieval painting is iconografical type called Beata, witch - together with its contemporary and similarly extended type Regina -, represent the core of marian images of the whole 15th and the beginning of the 16th century. This thesis aims to present the Beata type in a broad view in both time and thematic sense and attempts to elucidate some conditions of the pictorial multiplication. The key instrument would be comparative analysis of a typological, iconographical and formal aspects, combined with a reflection of...
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Medieval Mural Painting in the Doupov Region. Churches of st. Nicolas and st.Wolfgang in Doupov.
Vrba, Martin ; Royt, Jan (advisor) ; Ottová, Michaela (referee)
Středověká nástěnná malba na Doupovsku Abstract This thesis focuses on medieval mural paintings in the area of the Doupov Mountains on two examples, church of St. Nicholas in Nepomyšl and destroyed cemetery church of St. Wolfgang in Doupov. Description of both churches contains historical background of its origin and decoration, including donors. Other parts of thesis deal with present condition of paintings, iconographical and iconological analysis as well as inspiration and analogy. In both cases the largest part takes the Christological cycle in the naves. The medieval paintings from two periods were recently uncovered in the church of St. Nicholas in Nepomyšl. The older of them are dated to the second half of 14th century. Remains of them are in the presbytary of the church. The younger are from the beginning of 16th century. They are in the nave and they are influenced by Cranach's graphics of Passion Cycle. The church of St. Wolfgang in Doupov was built at the end of the 14th century; nevertheless the donor of the paintings was Jan Mašťovský of Kolovraty, who died ca. 1527. After the World War II the German inhabitants were moved away and the military area was founded here. The church was not maintained and perished through the time. The paintings are preserved in the form of transfers, which were...
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The sarcophagus of Tomaš Špidlík in Velehrad in the wider spiritual and artistic context of Centro Aletti in Rome.
Šefernová, Marie ; Royt, Jan (advisor) ; Oulíková, Petra (referee)
This thesis deals with the modern sarcophagus designed for cardinal Tomáš Špidlík SJ (1919- 2010), located in the basilica of the Assumption of the Blessed Virgin Mary and Saints Cyril and Methodius in Velehrad. The sarcophagus was created in the Atelier of Liturgical art of Centro Aletti in Rome in 2010. The main target of the thesis is to put in the creation and emplacement of the masterpiece into the wider spiritual and artistic context. In order to introduce the Centro Aletti's liturgical art, it is important to focus on Špidlik's thoughts about art on theological background. His theological direction and spiritual guidance were a resource for a painter and jesuit Marko Ivan Rupnik (*1954) and Špidlik's disciple and the head of Centro Aletti in Rome. A significant part of the work is focused on the emplacement of the sarcophagus in the basilica of Velehrad, famous for the cult of saints Cyril and Methodius. The main part of the thesis deals with the formal analysis and iconographic interpretation of the topics depicted on the sides of the sarcophagus from a methodological point of view. This also applies to other attached pieces of art as the bronze inscription on the lid by the sculptor Otmar Oliva (*1952) and the panel with Špidlik's motto, which is to be found behind the sarcophagus....
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