National Repository of Grey Literature 330 records found  1 - 10nextend  jump to record: Search took 0.01 seconds. 
Monastic rules and muses. The Capuchin friars in the service of Art in early Baroque Bohemia
Bartůšková, Alice ; Zlatohlávek, Martin (advisor) ; Šroněk, Michal (referee) ; Royt, Jan (referee)
disertační práce v anglickém jazyce ALICE BARTŮŠKOVÁ MONASTIC RULES AND MUSES. THE CAPUCHIN FRIARS IN THE SERVICE OF THE ART IN EARLY BAROQUE BOHEMIA VEDOUCÍ PRÁCE: DOC. PHDR. MARTIN ZLATOHLÁVEK, PHD. Dissertation entitled Monastic rules and muses. The capuchin friars in the service of the art in early Baroque Bohemia set out for the purpose of research to the neglected theme of the Capuchin brothers - painters on the border between Mannerism and the Baroque era. This phenomenon in painting, which is not only characteristic for the order of the Capuchins, but also of other ecclesiastical orders, has never been more comprehensive. The Capuchin brother Paolo Piazza came to the Czech lands with first capuchin brothers; in his paintings he is inspired of the Venetian school of the 16th century. He was a versatile painter, he created not only painting on canvases, but also made wall paintings and his painting manuscript was not uniformly defined. Paolo Piazza worked in the capuchin monasteries in Prague and Brno during the reign of Rudolph II, for the emperor himself he created several artworks. Piazza's work has also been preserved in the engravings of the Sadeler family. Thanks to these engravings, several Piazza's compositions with a set iconographic type have spread to European fine arts. From the...
Depictions of the Last Judgment Scene in the Czech Renaissance and Mannerism of the 15th and the 16th Centurie
Kalina, David ; Zlatohlávek, Martin (advisor) ; Royt, Jan (referee)
Depictions of the Last Judgment Scene in the Czech Renaissance and Mannerism of the 15th and the 16th Centurie. The study submitted to fulfill the Bachelor Degree requirement, "Depictions of the Last Judgment Scene in the Czech Renaissance and Mannerism of the 15th and the 16th Centuries," analyzes several preserved frescoes with the theme of the Last Judgment and identifies their compositional and iconographic sources. The main ones are Johanes Sadeler's I. copper engravings of the Last Judgment (1550-1600). The graphic oeuvre of this Flemish artist, as the study demonstrates in a number of examples, exerted a considerable influence not only on his contemporaries but also on the art of later periods. Powered by TCPDF (www.tcpdf.org)
Personality of Elizabeth of Thuringia and her representation on panel paintings of high altar in the Cathedral of Saint Elizabeth in Košice
Vagaská, Veronika ; Royt, Jan (advisor) ; Pučalík, Marek (referee)
The topic of my bachelor work is Personality of Elizabeth of Hungary and her representation on panel paintings of main altar in Cathedral of Saint Elizabeth in Košice of years 1474 - 1477. Elizabeth of Hungary, daughter of king Andrew II. and his wife Gertrude, was a patron of town and cathedral, where the main altar is dedicated to her. In my bachelor work I want to present her personality and legends of Elizabethan cycle of main altar in this cathedral.At the same time, the thesis deals with the authorship of panel painting, which is a controversial topic of art historians.
Evolution and Form of the three-aisle hall type layout in Bohemian sacral architecture to the mid-15th century
Beránek, Jan ; Royt, Jan (advisor) ; Macek, Petr (referee) ; Benešovská, Klára (referee)
Evolution and form of the three-aisle hall type layout in Bohemian sacral architecture to the mid-15th century The hall church with two, three and rarely more aisles in German described as "Hallenkirche" is usually defined as having the aisles of the same or almost the same height as opposed to the basilica. With this type of organization the main nave is lit only indirectly because there is no space for basilica type windows. Other variants or transitional types are pseudohalls, sometimes also called pseudobasilicas (in German terminology Staffenhalle and Stufenhalle), which differ from the main type by having an elevated nave without the aforementioned direct light sources. These distinctions stem from a thought construct of art history which strives for strict taxonomy in their source material. The diversity of medieval architecture nevertheless proves that there is cannot be drawn a clear and decisive line between the basilical and hall type layouts, just as the distinction between the longitudinal and central floor plans. This is connected to the cultural semantics of the different types and the even more complicated question of the intentions of the choice. The hall type is spread all across medieval Europe from the Romanesque era to the end of the Middle Ages. This type of architecture was...
The Former Church of St. Lawrence under Petřín at Malá Strana in Prague
Bělohlávková, Monika ; Royt, Jan (advisor) ; Pučalík, Marek (referee)
Resumé This bachelor's work concernes with history of The former church of St. Lawrence under Petřín on Malá Strana in Prague, today which services as concert and exhibition hall of festival The Prague's spring and The Club of friends of festival The Prague spring's. This work endeavoures to take down build and history developement od the church, rich mural and general exoneration of this object, which was provided during 90th years of 20 th century. This exoneration was related to mainly return originaly wiew of sacral space to this object. Originaly form of the church was sacral, but during 19 th century this former church was rebuild on dwelling house.The exoternation concerned about large restauration of wall paintings, which was discovered during restoratione's works. The oldest discovered paintings stems from Romanesque period, but we can see here mural from Gothic, Renaissance and Baroque periods. Keywords: Gothic architecture Prague Plantation Nebovidy Former the church of St. Lawrence under Petřín / on Újezd / in Nebovidy Restauration of wall paintings Pages 42 Words 14 159 Marks (without interspace) 78 316 Marks (cum interspace) 92 837 Paragraphes 295 Lines 1423
Křivoklát Altarpiece
Čepeláková, Hana ; Ottová, Michaela (advisor) ; Royt, Jan (referee)
The Diploma thesis "Křivoklát Altarpiece" tries to process the monographical issues of a late gothic altarpiece retable. The altar has survived as a part of stylistically uniform area of Křivoklát's chapel. Author primarily studies this work of an outstanding quality in the context of the second half of the 15th century of the Central European artistic product. The work is compared with the artistic works of the same type. In addition to that the author tries to clarify iconographic issues of the altarpiece which are often mentioned in specialized literature. The Diploma thesis mainly focuses on the altar's sculpture decoration with the goal to clarify its stylistic origins and the time of its creation. Křivoklát Altarpiece represents one of the most important works coming out of Prague's Jagellonian court.
The Renaissance Transformation of the Castle at Horšovský Týn in the Time of Jan the Younger Popel of Lobkowicz after Year 1547
Havlicová, Jindřiška ; Nespěšná Hamsíková, Magdaléna (advisor) ; Royt, Jan (referee)
Renesanční proměna sídla v Horšovském Týně za Jana mladšího Popela z Lobkowicz po roce 1547 Resumé Původně biskupský gotický hrad, který vznikl v polovině 13.století, získal roku 1539 Jan mladší Popel z Lobkowicz. Za jeho života byl po roce 1547 gotický hrad přestavěn v renesanční zámek. Jan mladší Popel z Lobkowicz byl významnou osobností své doby a tato skutečnost se odrazila také ve výzdobě zámku v Horšovském Týně. V ineriérech architektury, navržené italským architektem Agostinem Gallim, nechal Jan vzniknout rozsáhlou malířskou výzdobu. Nejpozoruhodnější je zachycení zemského soudu prostřednictvím erbů jeho členů z roku 1558. Po smrti Jana mladšího Popela z Lobkowicz spravovala sídlo jeho třetí manželka Alžběta z Roggendorfu spolu s Janovým dědicem Kryštofem. V roce 1587 dosáhl plnoletosti Kryštofův bratr Vilém, který se získal Horšovský Týn. Přestože Jan mladší Popel z Lobkowicz byl katolíkem, Vilém se velmi brzy přiklonil k protestantismu, což se stalo osudným dalšímu vývoji zámku v Horšovském Týně. Po bitvě na Bílé hoře mu byl majetek zkonfiskován a roku 1623 prodán hraběti Maxmiliánu z Trauttmansdorffu.
Pericopa about Joseph from Egypt in Christian art in the of middleage
Zachová, Jitka ; Lášek, Jan Blahoslav (advisor) ; Royt, Jan (referee)
This text works with the legend of Joseph about Old Testament, Ge 37,50. It is a last family story. Comments and paraphrases of latter origin continue from that point. The legend is advanced in apocrypha and pseudoapocrypha. Also the writers of early Christian texts worked with this legend to whom Joseph serves as an example of moral values.
The Illuminated Manuscripts of Jan IV of Dražice
Jirková, Kateřina ; Kubík, Viktor (advisor) ; Royt, Jan (referee)
The Diploma thesis "The Illuminated Manuscripts of Jan IV of Dražice" is devoted to a set of illuminated manuscripts connected with a last bishop of Prague Jan IV of Dražice. After briefly summary and assesment of topical literature is in the next part of thesis appreciation of donation activities of Jan IV of Dražice. The emphasis is on his sojourn in Avignon and his donation activities in Prague and Roudnice nad Labem. Jan IV had an important influence to the development of illumination production in the Czech Countries. The goal of this diploma work is differentiation and monographic interpretation of manuscript's corpse connected with a figure of Jan IV of Dražice. Appreciation of donation activities of Jan IV z Dražic in cultural and historical time framework is mainly focused on explanation of his contribution to the development of illumination production in the Czech Countries. Work is mainly based on combination of methods of formal, iconographic and basic codicological analysis and where possible on iconological intepretation.
Gothic mural painting in the church of saints Peter and Paul in Hosín
Brixová, Michaela ; Hlaváčková, Jana Hana (advisor) ; Royt, Jan (referee)
The following study is interested in the murals in the original Romanesque church of Saints Peter and Paul in Hosin, apparently the work of a single painter. The whole vault of the apse is painted with representation of the Holy Trinity accompanied by three saints, St Catherine is one of them, and the Vernic1e on the wall above the apse. On the south wall of the nave is painted the legend of St Margaret and extraordinary iconographical thema represents the scribbler with his assistent. The life of St Catherine is depicted on the opposite wall. The vault is covered by figures of angels. Legends are presented in small scenes arranged in bands, with lively narrative characters expressed in the jerky movement of the puppet-like figures. Painting were discovered m 1899 and date of their creation IS probably late fifties of the 14th century.

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