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Subject Falling out of a Situation
Míka, Matyáš ; Petříček, Miroslav (advisor) ; Švec, Ondřej (referee)
This work juxtaposes Michel Foucault's late thought on the issue of the subject and Jan Císař's thought on theatre as communication. Its objective is to outline the possibility to understand individual self-care as propaedeutics to the communication with others through one's own act. What follows after explaining the positions of both authors, is an analysis of the subject's situation and the subject's act from the position of Foucault's ethics and through the event nature of theatrical communication. Since Foucault's and Císař's thought does not naturally result in an integrated theatrological/philosophical concept, the final chapter presents a possible solution of the controversial issues consisting in going beyond the two concepts discussed with the help of Friedrich Nietzsche's early texts and of Ivan Vyskočil's dialogue acting.
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Some propaganda campaigns in the 50s of the 20th century in the regional press
Hajzlerová, Pavlína ; Skalecká, Veronika (advisor) ; Knapík, Jiří (referee)
This thesis gives describes the propaganda's campaign of Číhošť's miracle, Jan Buchal, "fight with potato beetle" and of the Babice's case, in the regional press in the 50s of the 20th century. At first, the thesis describes the historical contexts of this era, particularly changes in policy after the onset of Communist Party after February 1948. There is also introduced the situation in Czechoslovak media in 1950. For this thesis is important the capter about preparing process before propaganda's campaign - there is the demonstration of "campaign with Milada Horáková". Then, from third capture, there is the analysis of the nationwide and regional press. Every propaganda is being explored in local press - Jiskra, Pravda or Nová svoboda. Then is being explored in local press in diffrent part of the Czechoslovakia - Průboj and as well in the nationwide press - Rudé právo. The analysis of the articles provides an overview of the propaganda in the regional press in the 50s. Beside the analysis of the articles and newspaper, this thesis is about comparison between individual analysis. There is the comparasion between diffrent forms of regional press and then regional press beetween nationwide press. In the end of this thesis is comparison between individual propaganda's campaign, too.
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Reprezentation of Master Jan Hus Being Burned in Contemporary Czech Society
Chládková, Kateřina ; Činátl, Kamil (advisor) ; Randák, Jan (referee)
The presented bachelor's thesis is concerned with the topic of the portrayal of Jan Hus in the connection with the 600th jubiliee of his death, which was commemorated in year 2015. It is focused primarily on the way particular media perform the story of Jan Hus and on the influence of the nature of the media to the resulting image of Hus. There are three types of media which serves for this thesis as the main source: an exhibition of the Hussite museum in Tábor called Jan Hus 1415/2015, a movie by Jiří Svoboda also called Jan Hus, and a novel by Vlastimil Vonduška called The Hussite's Epopeia I. The character of contemporary commemorative practice is here analyzed by way of comparation with the older representations. This thesis also observes mechanisms which are used by particular representations in order to push through within the commemorative culture. The analyses of the sources in this paper is based on the concept of Cultural Memory Studies (Jan Assmann, Astrid Erll, Aleida Assmann) and on the concept of Memory Sites by Pierre Nora. Key words: Jan Hus, cultural memory, memory site, new media, politics of memory, historical culture Powered by TCPDF (www.tcpdf.org)
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Art and Care of Soul in Jan Patočka
Josl, Jan ; Ševčík, Miloš (advisor) ; Zátka, Vlastimil (referee) ; Frei, Jan (referee)
Summary: This work approaches Patočka's philosophy of art from the perspective of ‚care of the soul'. The first part of work describes evolution of the ‚care of the soul' in context of Patočka's philosophy of history from he 30s up to 70s. Based on this description I recognize experience of the soul as the experience of human freedom as inseparable from the ethical and methaphysical dimensions. The second part approaches art from this perspective.Patočka's intepretations of art show that Patočka saw art not only as a manifestation of human freedom, but as reflection of human position in the world and his relation to aletheia as well. However, art stays half way between myth and philosophy due to the fact, that the movement of freedom is not as absolute in art as it is in philosophy. This is evident in expressions that art takes from the fields of our emotions and experience and thus still remains for Patočka in connection with the world and our everydayness. Therefore art represents for Patočka only limited experience of the soul. It is mostly the momentum of transcendence that is important and interesting for Patočka in art, but not the results that, no matter how deep, are still insights about the things in the world. Powered by TCPDF (www.tcpdf.org)
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"Platonic motive" in Patočka's philosophy
Jíra, Petr ; Kouba, Pavel (advisor) ; Ritter, Martin (referee) ; Cajthaml, Martin (referee)
The main purpose of the doctoral thesis is to show "platonic motive" in Patočka's philosophy as unitary movement of thought, which exists in Patočka's thought since the thiertes to the sixties of the twentieth century. The aim is motivated by general question of relationship between modern thinking and European philosophical tradition. The thesis pursues to display, that Patočka's thinking makes possible to see and overcome an alienation contemporary European man from European philosophicaly tradition. The doctoral thesis has five chapters. First four chapters interpret socratic and platonic motives in Patočka's philosophy in chronological order (Patočka's philosophy in the thierties; philosophy of the Eternity and historicity; negative platonism; care of the soul and Europe). Chapter five contains intepretation of main question of doctoral thesis, it is question of unity of "platonic motive" in Patočka's philosophy. This question proceeds in three interpretative steps. In the first interpretative step are Patočka's all socratic and platonic motives reduced to three leading thoughts, that represent "platonic motive" as such: thoughts chōrismos, transendence and care of the soul. In second interpretative step the opposition "givenness- freedom" is established as a common core of the three thoughts. The...
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Cultural Associations in Vlašim after 1945
Sedláčková, Lenka ; Mücke, Pavel (advisor) ; Franc, Martin (referee)
The main body of this work concerns cultural as in Vlašim after the second world war from 1945 to 1989. There are four specific groups that can be categorized as cultural associations; a nature group Mr. Vlasak group, Blaník Vlašim Choir and an amateur theatre group and friends of fine arts Vlašim. The first three clubs date comfortably within our choose era and they are important to deepen our knowledge of cultural societies of that time. To understand the history of these various cultural societies in Vlašim, it is necessary to broader our perspective. When we see these cultural groups in the context of the development of federal activities, we can see how the town was guided in its development. The majority of the research has been done using archival material from Museum Podblanicka, the Prague Regional Archive and also the Benešov State Archive. Added to this were other written historical accounts of the time as well as interviews conducted with knowledgable first hand sources. Powered by TCPDF (www.tcpdf.org)
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Jan Hus and his types of film characters in the works of O. Vávra and J. Svoboda
Gubáš, Robert ; Štoll, Martin (advisor) ; Knapík, Jiří (referee)
Diploma thesis analyzes a movie character of John Hus in Otakar Vávra's film from 1954 and Jiří Svoboda's film from 2015. The aim of the thesis is to discover how the view on this historical person (perceived through the prism of an era and regime in which he was portrayed on the big screen) changed. The introduction of the diploma thesis is focused on John Hus in historical context. The interpretative part examines ideological aspects, stereotypes and their mutual interaction. The thesis used the method of qualitative analysis of selected aspects of both films. In response to comparative analysis of selected aspects of both films the diploma thesis analysis John Hus like a movie character. The outcome of the diploma thesis is review whether the historical period influenced by John Hus was portrayed in accordance with the spirit of objectivity and available historical sources.
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Rilke's Novel Die Aufzeichungen des Malte Laurids Brigge in Czech Translations
Dubcová, Eliška ; Tvrdík, Milan (advisor) ; Svoboda, Tomáš (referee)
The diploma thesis deals with two translations of Rilke's novel Die Aufzeichnungen des Malte Laurids Brigge. Each translation is not only conceived as a final product, but also as a communication process, influenced by a number of cultural and socio-political factors. The thesis therefore attempts to capture changes in Rilke's reception in relation to the literary paradigm and - with regards to the political situation - to the contemporary publisher policy, because during the period of socialism Rilke's work, which was highly valued in the thirties, came back into general awareness quite slowly in connection with the gradual liberation of cultural and political situation. The goal of the thesis is to map the problems of the translations' genesis with regards to the period and cultural environment and to the translators' poetic style. Part of the thesis addresses a translatological analysis, which is the base for defining both of the translators' methods.
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Interpretation of Freedom in the Work of Jan Hus and his Sources at St. Augustinus
Schmitzer, Jiří ; Blažková, Miloslava (advisor) ; Hogenová, Anna (referee)
The paper focus on Jan Hus and T.G.Masaryk and their contribution to the Czech philosophy. The emphasis is given mainly to the parts of their lives and work which include timeless moral message. The aim of the paper is not to offer detailed analysis of the philosophical texts but rather to track fundamental moral accents they include and their impact on Czech philosophical landscape. Brief overview Hus' and Masaryk's important life events and decisions is used to describe a practical dimension of their philosophy. The reflection of the Hus' and Masaryk's works follows approach and intepretation of Erazim Kohák's books. With their help the paper tries to indentify meaning of Czechness as it was defined and shaped by Masaryk and Hus.
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