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Selected places of memory in Chodsko
Kroc, Jakub ; Koura, Petr (advisor) ; Parkan, František (referee)
This bachelor thesis aims to describe the history of the creation and subsequent second life of two selected monuments in Chodsko. This includes a description of the initial idea regarding the creation of the monuments, the course of fundraising activities, the selection of the author, the unveiling ceremony, and the subsequent second life of the monument during the World War II. The thesis also looks at how the buildings were received by the general public and places the selected monuments in the context of the period. The primary sources of information are mainly contemporary documents, periodicals, correspondence from individual committees, chronicles and photographs. In describing the events or persons to whom the monuments are dedicated, the work is based primarily on scholarly literature.
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Automata Applied in Visual Arts
Albrecht, Kryštof ; Havel, Martin (referee) ; Meduna, Alexandr (advisor)
Tato práce představuje nový programovací jazyk, určený ke kompozici dvourozměrných vizuálních efektů. Jazyk je založen na upravené verzi celulárních automatů navržené pro kompozici. Hlavní platformou, kde efekty mají běžet, je herní engine Godot, kde jsou efekty realizovány pomocí fragment shaderů.
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Cubistic hosehold. Artistic style through the eyes of family participants in education.
Švecová, Klára ; Fulková, Marie (advisor) ; Kafková, Helena (referee)
This bachelor thesis focuses on cubism as an artistic movement, but it does not fulfill an art historical purpose. It explores the basics of cubism and proposes a final educational program for primary school students and lower secondary school students. The aim of the thesis is to introduce this artistic style through an educational program, which includes a walk through "cubist architecture" in Prague, a visit to the Czech Cubism Exhibition at the House of the Black Madonna, and practical exercises with worksheets so that participants gain knowledge that will last in the long term. Keywords: education, cubism, cubistic household, furniture, art, statue, painting, architecture, architectural cubism
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Gallery of Modern Art Brno
Jaroměřský, Ondřej Oldřich ; Obrtlík, Jan (referee) ; Májek, Jan (advisor)
The subject of this bachelor thesis is the design of a modern art gallery in Brno, Czech Republic. The building serves as a new cultural and educational centre, which creates a new landmark for the inhabitants of Brno. The site is located close to the historic centre of Brno, on the site of the former city walls at the Koliště ring road. There is a tram stop Malinovského náměstí at the main entrance to the site. Two paths lead to the plot from the planned city park, which will be built on the site of the ČD railway siding. The last access to the site for pedestrians and cyclists is from the newly designed footbridge over Koliště Street, which will connect the city park with the new parking house in Koliště Street. The adjacent surroundings of the building, including the parterre with park landscaping, are linked to the future development of the Brno Ringstraße and thus complete the planned green belt around the historic heart of the city. The designed building is six-storeys high, with two underground floors used mainly for parking not only for gallery visitors but also for residents of the surrounding area. The underground parking garage can be accessed via two wheelchair accessible entrances located opposite the main entrance to the gallery, with a vehicle entrance located on Koliště Street according to the new regulatory plan, which plans to build a parking building there. The gallery section itself is made up of four storeys, with the central part of the layout serving as an elevated atrium going through all the storeys, covered by a glazed skylight. This space is used to display large-scale art that can also be hung in the space. The first floor contains, in addition to a lecture hall, cloakrooms and two offices for the gallery management, a workshop room, an open space with refreshments, a technical room and three staircases that go through all floors, including the basement. The first staircase is located at the back of the elongated atrium and, together with the lifts, serves as the main vertical communication in the building. The remaining two staircases with lifts serve as escape routes in the case of fire, leading out of the building on the first floor. All floors are also connected by a hydraulic freight elevator, which is used for the supply and delivery of artworks to the building. The remaining floors with the same layout are primarily used as exhibition spaces with a view into the atrium from the gallery balconies. There are always sanitary facilities for visitors to the building and also preparation rooms for the exhibition spaces. The appearance of the building is heavily inspired by 20th century Brno architecture, both in terms of the material context and the morphology of the building. The heavy and dignified base of the building is formed by a ventilated facade with ceramic brick strip cladding, which emphasises the seriousness and importance of the institution housed in the building. The envelope of the remaining three floors is also made up of a ventilated facade, but with curved perforated panels of anodised aluminium and white powder painting. This upper part of the building, as if shrouded by a curtain, emphasises the fragility and uniqueness of the artworks exhibited, thus protecting them from the world around them, and at the same time highlighting their importance in contemporary society.
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Reflections and mirroring as art mediums at Primary school.
MÄRZOVÁ, Eliška
The presented thesis deals with reflections and mirroring as specific visual-image mediums. It follows their application in the teaching of art education at the first stage of primary school. The theoretical part of the thesis is divided into two main chapters. The first one deals with the use of these mediums across the history of art from the earliest times to contemporary artistic tendencies, while the second one focuses on the possibilities of their application in school practice. The project part will present a set of art lessons called Mirroring designed for the first grade of primary school. These lessons offer a wide range of possibilities for the use of these elements in teaching, both in terms of the application of non-traditional materials and original themes. This opens up the possibility of using reflection and mirroring in a new way, especially in the context of experimental creation.
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Between Word and Image. A Series of Art Lessons with an Overlap into the Czech language for the 2nd Grade of Elementary School.\nl(theoretical-project thesis)
JAHODOVÁ, Aneta
Diploma thesis on "Between word and imagine. A series of art lessonss with an overlap into the Czech laguage for the 2nd grade of elementary school" consists of two parts - theoretical and practical. The theoretical part deals with the wiew of the concept of word from the point of view of bohemianism and the concept of imagine from the perspective of art theory. Another part of the theoretical part deals with the connection of word and imagine in the works of Czech and foreign writers and visual artists and the connection of the writer or spoken word in books for children and youth, in which the focus is only on Czech visual artists. The end of the theoretical part will introduce the concept of intersubject relations from the point of view of didactics. The practical part will introduce a number of art lessons, which are focused on conneting the Czech language and art education. Two lessons took place at the EDUCAnet primary school in České Budějovice and the another two took place at the primary school in Puklice.
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Seven Corporal Works of Mercy and Seven Deadly Sins in Czech Medieval Arts
Eichlerová, Eliška ; Vymazalová, Marie (advisor) ; Royt, Jan (referee)
The bachelor's thesis will deal with the theme of the seven-corporal works of mercy and the seven deadly sins in Czech fine art. These opposing themes develop primarily in a middle-class environment, where they were supposed to appeal to the moral life of the middle-class people. The first part of this thesis will discuss the development of the doctrine of the seven deadly sins in the Middle Ages. The variability of approaches to the seven sins will also be revealed by a comparison with the development of the doctrine of the virtues, where it is also possible to show the starting points for the formation of the medieval teaching on the seven-corporal works of mercy. The second part deals with the analysis of individual sins and acts of mercy, their meaning, and the way they are depicted. In the third part, I will also focus on individual examples of the depiction of this iconography in European art, and we will mention a few important works, especially from the High and Late Middle Ages. Following on from European art, the last chapters will focus on individual examples of the seven-corporal works of mercy and the seven deadly sins in the Czech environment, especially in the book painting and monumental mural.
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Architecture and Art
Zhoř, Přemysl ; Skoumal, Jan (referee) ; Toman, Radek (advisor)
The aim of this bachelor project is to design a new building for the Municipal Art Gallery in Litomyšl, Czech Republic. Currently, the institution seats in one of the narrow, old townhouses at the historic Smetanovo square. The building provides with unsuitable exhibition conditions and lack of exhibition space. The first part of the thesis dedicates to the urban analysis in order to methodically examine the Litomyšl town and its urban qualities. The purpose was to seek for a suitable site for a new gallery building in the historic center. In the main part, the project defines a suitable site in the historic center and brings up a proposal for the Municipal Art Gallery The project put an emphasis on the suitable volume and scale seeking process. The proposed scheme brings a new sufficient exhibition space and quality conditions for all kinds of art.
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Modern Art Gallery Brno
Skořepová, Lucie ; Fišer, Jiří (referee) ; Odvárka, Antonín (advisor) ; Štěpánek, Ladislav (advisor)
The new building of the Modern Art Gallery in Brno is situated at South side of the hill called Kraví hora, near the city center. The building site is relatively spacious and its location follows on park. Also the whole urban solution concept of the site follows the park idea. The gallery park should serve as an outdoor exhibition space as well as a communication point between two sides of the hill – Náměstí míru and Veveří street. So the main initial points of the design are freedom of movement, passage of nature and to be surrounded by the art. The Modern Art Gallery project consists of the main building and other small buildings used as studios. In the main building of the gallery there is an exhibition place, educational center, library and other services for the visitors. The small studios situated in the garden should be rent to the starting artists. They would have there their hinterland for work and exhibitions, so the public can have personal contact with them. The shape of the building is based on a slightly deformed cuboid. The middle part is taken away, so there is an opening in it. This opening forms a vista through the building and a covered public space as well. The building works with two main views of the city. The first one is through the middle opening in the building and the mass of the building frames it. The second one is from the roof terrace of the building on the Brno dominate – Špilberk castle.
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