|
Authenticity in the media World
Malaníková, Hana ; JIRÁK, Jan (advisor) ; HANČIL, Jan (referee)
The subject of my doctoral thesis is the phenomenon of the authenticity of people?s, specifically TV hosts?, public appearances in the media. The chief impetus, and the field of study itself, was my own experience of working at Czech Television for a year and a half and the necessity of placing that experience in the context of my theatre and teaching work.In the interest of preserving the most authentic possible testimony, the text is written in a narrative style with an emphasis on the subjective view of the author. In the introduction I set out the starting points from which I will explore authenticity in front of the television camera, along with the personal and social context of the phenomenon being studied. I describe the "rules of the game", i.e., the structure and concept of the text. Later I focus on the most significant contemporary views of authenticity, from the ideas of Jean-Jacques Rousseau to the theories of the social construction of reality of Peter Berger and Thomas Luckmann. From social scientific theories, I move on to the authenticity of actors on stage and an analysis of the discipline of Acting with the Inner Partner as a specific case of authentic existence in a public situation. In the third chapter I compare the theory and practice of television broadcasting from the perspective of an actor attempting to perform authentically in the role of TV host. In conclusion, I compare my original hypotheses with the conclusions I reached on my journey from the stage to the television camera and set out their potential significance for the study of authorial acting and authorial creativity.
|
|
History of CČSH in Kolín between 1920 and 1938
Konvalinková, Pavla ; Hrdlička, Jaroslav (advisor) ; Lášek, Jan Blahoslav (referee)
This diploma work aspires to realize life of Kolín's congregation in the present Czechoslovak Hussite Church at beginning of their existence. This work struggles to take down all important moments of congregation, from first ideas to establish a congregation of new Church at Kolín to year 1938. It pursues to period which was before establish of national Church and describes a reason of their establishment and their short characterization at first chapters. After that it depict concrete situation which influence establish of local congregation at Kolín. Also it describes management, particularly stable priests at defined time period and catechists with auxiliary teachers of religion, which the Kolín's congregation required a lot. At next chapters it deal with two sacral buildings which Kolín's congregation had to disposal: at first a temporary lend st. Jan Křtitel church and after that own Master Jan Hus charge. In the end it follows life of congregation in their everyday activities. It notes a initial enthusiasm and great activity of congregation, different kind of celebrations, cultures activities, mainly discourses and performances, however also marginal troubles, disappointments, rifts and oppressive financial situation related with costs to construct own charge.
|
|
Kladno hockey history since the early seventies to the year two thousand
Křepelka, Jonáš ; Kašpar, Ladislav (advisor) ; Pokorný, Ladislav (referee)
Goal of work: To map the important events and historic moments and milestones include them in the context of the Kladno hockey history since the early seventies of the twentieth century to the year two thousand. Method: Analysis of documents, case studies, macroanalysis, structural analysis Results: The collected data show that during its existence Kladno became a hockey town, won the championship six times first league in Czechoslovakia. Kladno was able to bring countless hockey talents and personalities who wrote and will write the history of hockey not only positively but also in the world. Keywords: Ice hockey, HOSK Kladno, TJ POLDI SONP Kladno, HC Kladno, Jaromír Jágr
|
|
Master B with the Die from the collection of National Gallery in Prague
Veselá, Markéta ; Zlatohlávek, Martin (advisor) ; Konečný, Lubomír (referee)
The aim of this essay is an assessment of an anonymous engraver's work from the early 16th century whose monogram is a cube with a letter B. The essay is divided into two separate main units. The first enclosed unit includes texts helping us to create a partial picture of the Master's life. There are information dealing with a cultural environment and a technological development of the graphic art in the times of the Master's existence. The second unit is a char- acterization and a detailed analysis of selected pieces of work with an accent on the technologi- cal aspect of the prints. The creation of the Master's B of the Die life story was very difficult considering the lack of the literature. After a thorough search in libraries and on the internet not even one continu- ous text concerning directly this artist has been found. Incomplete information have been found only in collected encyclopaedias about art. For drawing-up at least a short life story accessible information about cultural environment of the then humanistic society have been used which are composed in a separate chapter. The next separate part of a lesser extent is interested in edi- tors co-operating in the Master's B of the Die environment and participating on the production of his graphics. Together with the analysis of the...
|
|
History of the Prague Symphony Orchestra and it´s representative concertmasters
Vrabcová, Monika ; Štraus, Ivan (advisor) ; Štraus, Ivan (advisor) ; Tomášek, Jiří (referee) ; Pazdera, Jindřich (referee)
FOK. The notion which have marked the awareness of concert visitors, record collectors or even cinema lovers with an indelible trace in the decades of its existence... A Cinderella who, due to admirable human efforts, passed through necessary imperfections of early youth, turbulent growing up, melancholy of middle age, betrayals of fate and passions of society, and blossomed into mature and spiritual beauty. The ensemble, originally created as a last resort for unemployed musicians, have managed to gain respect on an international scale in the course of time and it united a whole range of the most renowned conductors and soloist names with the memory of cooperation. As a loyal companion of Prague, it has kept being sucked into the vortex of the city's history, celebrating triumphs, being shaken by downfalls, it has been tempered by fate itself as well as it has tempered with the fates of others, it has always represented an enticing challenge for many biographers. It is, therefore, a major theme of the whole range of already published writings. In the area of biographical data described so much in detail, one can hardly produce new, so far unknown information. Nevertheless, I think that a view from the inside, through the optics of my own interpretative experience as an deputy concertmaster, could enrich the available literature by many observations, however subjective they may necessarily be.
The study describes the winding paths of fate, along which the orchestra's history has passed in the course of long years. It illuminates the ambience of pioneer beginnings, the formation of the ensemble under almost garage conditions, it maps out the ?Golden Age?, when favourable circumstances brought the best opportunities for artistic development and for an establishment of our reputation both on the domestic and international scenes. It mentiones in greater detail 3 significant organiser and conductor personalities: Dr. Rudolf Pekárek,
Dr. Václav Smetáček and Jiří Bělohlávek, whose contributions were fundamental to the orchestra's development. In the chapter ?foreign concert tours?, readers will learn about the almost ridiculous influence of political pressures of the communist powers-that-be on the form of guest performances abroad and on the comfort of the musicians. The central points of the work are sections dealing with concertmasters. Some of the personalities, who held this post in the orchestra in the past, reminiscence in an interesting way about their activity in the orchestra FOK and they give us their own opinion about the ideal of a concertmaster. Through the words of his widow, Mrs. Míla Smetáčková, even the legendary chief conductor Václav Smetáček comes to express his opinion; the FOK was his fate for the whole 30 years. The conclusion of the work reveals partly the contemporary situation while anticipating the future and mentions extraordinary dramaturgical and marketing ideas, which help the orchestra to face the adversities of the present age, unkind to its own culture.
|
|
Body and empathy in the film
Novák, Miloslav ; Kubica, Petr (advisor) ; Gogola, Jan (referee)
Interdisciplinary theoretic work BODY AND EMPATHY IN THE FILM is focused to the relation between physical manifestationsand psychical feelings in the cinematography. The author uses new approaches in the field of cognitive psychology, neurobiology, aesthetics, antropology, philosophy and film theory. Is shows discovery of the mirror neurons which is allowing the connections between scientific intrepretation of the film piece and personal, emotional experience of the recipient. The work emphasizes several principles important for the induction of emotions and meanings in the spectator?s consciousness (e.g. ad dilatatio or ad auxesis methods). And it examines the decisive moments essential for the recipient?s acceptance, believe and evaluation of the film.
|
| |
| |
|
A case of an "authentic" novel
Kudlová, Klára
This study presents first of all a theoretical argument, showing that all “authentic” literature is actually based on a double game of images. While the fictional images seemingly refer to the actual world, they can actually refer only to the so-called emblems. (These emblems are shared images, created in the public consciousness by various non-fictional texts and pieces of information, and there they represent actually existing persons, texts, events, etc.) The second part of the study draws comparisons between two specific cases of an “authentic” novel, namely The Armies of the Night (1968) by Norman Mailer and Rok kohouta (The year of the Rooster, 2008) by Tereza Boučková, paying special attention to the latter. It appears that while Mailer’s “authentic” novel behaves as an intertextual one, Boučková’s work functions – especially with respect to the informational emblems – as a “hypertext”.
|
|
Sören Kierkegaard and Existential Philosophy
Beran, Jiří ; Blažková, Miloslava (referee) ; Hogenová, Anna (advisor)
My work deals with Soren Kierkegaard's and Martin Heideggr's concepts of dread. The dread plays an improtant role in their philosophical work, because in dread meny important themes are being disclosed. Heidegger is interested in onthological field, Kierkegaard puts emphasis on problems of authentic christian existence. There are also other philosophical questions - freedom, authenticity, etc. - disclosed in dread. Both philosophers were able to approach to these problems from an original point of view.
|
guest ::
