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What is Phenomenology? The Inevitability of the Clash between Husserl and Heidegger
Kvapil, Ondřej ; Novák, Aleš (advisor) ; Nitsche, Martin (referee)
Based on the explicit Husserl-Heidegger polemic, which concerned the ''Phenomenology'' entry for Encyclopaedia Britannica, my thesis captures conflict between the two protagonists precisely when it becomes direct. Tracing the main issues of their dispute, I will firstly demonstrate that the conflict is not a consequence of mutual misunderstanding, but rather a disagreement coming from the core itself of their respective theories. It could therefore not have been avoided. Secondly, I will show that the leading intentions of both traditional versions of phenomenology are not only irreconcilable, but essentially contradictory.
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Origins of intentionality and Husserl's late thinking
Zelenka, Jiří ; Novotný, Karel (advisor) ; Zika, Richard (referee)
This work aims to pursue the roots and sources of intentionality. Intentional structure of consciousness is the very core of Edmund Husserl's phenomenology and plays the main role since his Logical investigations. The problem of intentionality is complicated and complex and resonates through the Husserl lifelong work Our starting point is Husserl's late work Erfahrung und Urteil. The reason why we choose this work is twofold. First, this work shows the thoughts which result from the life long investigation of problematics. And the second reason is, this work hasn't been the subject of examination as much as Husserl's earlier works so far. The key to our work is the perspective in which every phenomenon shows. That's the reason, why we follow intentionality in three perspectives, which gradually uncovers itselves. The first perspective is the descent from acts of judgment to the original layers of intentionality. This brings us to the second perspective, which is the instinctive intentionality. This is the subject of following part of our work. The exposing of instinctive intentionality underlines the role of embodiment. The importance of embodiment in regard to intentionality is the final perspective. We investigate this with help of Maurice Merleau-Ponty Phenomenology of perception. This will...
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The Function of Speech in Husserl and Merleau-Ponty
Puc, Jan ; Novotný, Karel (advisor) ; Čapek, Jakub (referee) ; Janoušek, Hynek (referee)
The Function of Speech in Husserl and Merleau-Ponty The submitted doctoral thesis is an attempt to describe the development of the intentional function of speech in Husserl and Merleau-Ponty. The intentional function is defined as the change of expressed meaning that is engendered by the expression itself. We trace Husserl's position from the Logical Investigations and the first book of his Ideas pertaining to a pure phenomenology and to a phenomenological philosophy, where he describes speech as the non- productive mirroring of other kinds of intentionality, to the late text The Origin of Geometry, where he discerns two functions of speech: it provides thought its ideality, which is different from the ideality of species; and it provides thought its objectivity, i.e. the form of object that lasts in history as identical. In The Phenomenology of Perception, Merleau-Ponty adopts Husserl's late position with several profound modifications. The starting-point ceases to be the linguistic sign, and speech becomes a kind of gesture. As a consequence, the difference between linguistic and non-linguistic ideality disappears. Furthermore, Merleau-Ponty holds that the expression accomplishes the meaning of what it expresses. In this way, speech becomes creative and ceases to be just an empty intention of...
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Dynamics of Everyday Life in Dialogue with Emmanuel Lévinas
Jandová, Tereza ; Sokol, Jan (advisor) ; Bierhanzl, Jan (referee) ; Novotný, Karel (referee)
The main objective of this research is to look at the topic of everyday life from a dynamic perspective. The definition of everyday life that this thesis stands upon, i.e. the presence of a subject in the world with the other(s) outlines also two main sources of its dynamics: the world and the other. The essential aim of this thesis is to show that the different attitudes towards the world and the other in the works of Husserl and Lévinas consequently influence the understanding of the everyday life as such, as well as the requirements it imposes upon the subject. The chapter dedicated to Husserl presents his concept of the world as a horizon, the irreplaceable position of perception in our access to the world and the creation of the other within the subject itself. On the contrary, Lévinas stresses the separation of the subject and he understands the world and the other as inherently belonging to this never-ending process. The motive of dependence and responsibility of the subject for the other belongs to the most significant differences between the two philosophers. Whereas Husserl proposes us a subject in the world which he accesses via perception and in which he encounters the other, Lévinas shows us subject that is born to the pre-reflexive and intersubjective world from which he first has to...
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Phenomenology of music and the concept of temporality in the philosophy of E. Husserl
Karipova, Alfiia ; Hogenová, Anna (advisor) ; Blažková, Miloslava (referee)
This research is dedicated to the connection between phenomenology of music and the temporal conception of Edmund Husserl who influenced new awareness of time in general and musical time in particular. The purpose of the research is foremost to expand horizons and options of musical-philosophical analysis through discovering the alternative understanding of musical perception in author's works especially in his «Vorlesungen zur Phänomenologie des inneren Zeitbewusstseins». The research consists of five main parts arranged by deductive principle: from the general key points of the subject - phenomenology of music (chapter 1), the role of musical art in studies and heritage of E. Husserl (chapter 2) and principles of phenomenological method as a base of temporality conception (chapter 3) the emphasis gradually shifts towards the research of Husserl's temporality conception which is directly connected to musical art which makes our subject notably actual. Besides that the research raises such questions as the role of the concept of time in music, comparison of Husserl's philosophy and A. Webern's music, importance of sense in composition and others. The fundamental and rare scientific studies of philosophy, musicology, sociology of music and other contiguous subjects in Czech and English languages were...
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Silence
Šterbáková, Daniela ; Thein, Karel (advisor) ; Kolman, Vojtěch (referee) ; Fulka, Josef (referee)
Silence is a negative term denoting absence of sounds. However, our ordinary way of speaking about silence suggests that the latter is some perceptible reality, 'some- thing' perceived. But is it legitimate to say that we hear silence - absence of sound? What implications about perception does such a way of speaking have? The aim of the present thesis is to analyse these questions. The analysis unfolds along three axes. The first part of the thesis reconstructs the problem of perception of silence in John Cage's 'silent piece' 4'33" in context of its conceptual origin, Cage's aesthetics, and reflection of his work in his written texts. Hence the introduction of the problem of perceptible silence in recent thought. It discusses the thesis that we cannot hear absolute silence, not even in the soundproof chamber, and considers the question whether it is adequate to say that we can hear silence if we expect to hear music, but the music does not sound - a question that was raised by the premiere of 4'33". The second part of the thesis scrutinizes the position according to which we can directly hear/listen to silence which is the absence of sounds, namely the arguments of Roy Sorensen and Ian Phillips. Emphasis is put on Sorensen's theory since it is in direct contrast to Cage's position (though Sorensen...
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Perception of the Object or Seeing the Thing?
Vávrová, Věra ; Benyovszky, Ladislav (advisor) ; Pětová, Marie (referee)
The thesis follows the development of the As-Structure as it is presented in Heidegger's Logic (GA 21) and shows that this abstract structure has been developed based on Brentano's Psychology 1 and Husserl's Logical Investigations. I describe how the As-Structure develops from the Brentano's distinction of physical and mental phenomena. The mental phenomena represent the basic sphere of our recognition, and the knowledge of the object as it is immanent to them. The object represents a stable counterpart to the course of experience (Objekt - Erlebnis relation). Therefore, only in the mental phenomena the object is being experienced just as it appears. This is the standpoint of Brentano, and it is adopted by Husserl who explicitly divides the structure of an intentional act into its constituents; the meant and the given. The object is accomplished when it is carried out by the intentional act. When the relation between the meant and the given is fully congruent, the given is given just as it is meant. Heidegger elaborates on this given as meant structure by transferring it outside the sphere of consciousness. He claims that the As-structure is the abstract constitutive element of the relation between the human (Dasein) and the thing; what is being encountered in the world is always given as something...
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Pre-reflexive Self-relation of Consciousness and Constitution of the "Ego". Husserl and Sartre
Matoušek, Josef ; Novotný, Karel (advisor) ; Zika, Richard (referee)
The study concentrates on possible connection between phenomenological thought of Edmund Husserl and Jean-Paul Sartre by focusing on the way by which each of them frames pre-reflexive self-awareness of consciousness and its role in the process of constitution of the identity of the "Ego" as a subjective pole. Essential motivation derives from the effort of highlighting those moments of Husserl's thinking, which might have been or actually were a source of inspiration for Sartre and the formulation of these concepts in the early stages of his career. Subsequently, the quest is to clarify the scale of this inspiration and to shed some light on the question whether Sartre did not push his constructions over the boundaries of the scientific field set by Husserl. The study also incorporates several of Husserl's works which are in their conclusions tending to go against those presented as a possible source of Sartre's inspiration. That is done in order not to simplify the ambivalence of Husserl's work over the acceptable limit as well as to emphasize the nature of the investigations preferred by Sartre. These investigations lead in his work to the conceptualization of human existence as necessarily free, which is the conclusion of the presented study. Key words: Husserl, Sartre, consciousness,...
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