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About the Cheese from Mokrá in Other Perspective
Prokopová, Martina ; Pauknerová, Karolína (advisor) ; Tošner, Jiří (referee)
The topic of the thesis is the production of cheese in a slovak village Mokrá. It is described from the perspective of Actors-Network theory and from the practice-turn point of view. The thesis combines the results of an ethnographic research on the location with an experimental ethnographic writing. It all comes from the notion, that cheese can be considered as an actor, that is able to influence physical and socio-cultural life of the cheesemongers. The cheese is taken as hybrid, natural, discursive and collective character. The author focuses on the agency of cheese primarily in the relationship to the bodies of the cheesemongers using the concept of practical understanding, as well as in the relationship to the landscape using the concept of terroir and taskscapes. In order to see the phenomenon of homemade cheese from a new perspective, the author writes from different space-time perspectives. At the beginning the space-time perspective is extended, so cheese is perceived as an event, what enables us to find new actors in the cheese production process. Afterwards the perspective is reduced to the world of the lactic acid bacteria to discover their impact on the cheese production, its taste and quality and on the discurse of micro-biopolitics. A separate part of the thesis is focused on the...
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The Temporary Inferno of Didier-Georges Gabily's Works
Preslová, Natálie ; Christov, Petr (advisor) ; Sarkissian, Alena (referee)
The content of this thesis is the work of French writer of theatrical dramas, director and acting teacher Didier-Georges Gabily (1955-1966). The first part is overall analysis of his dramatic texts (based on my own reading and studying of plays, author's notes on his work, and secondary documents) taking into account the process of writing. The second part deals with Gabily's staging principles and his work with actors, since both are directly related to the text writing. The aim of the work is to introduce Gabily's writing in context of the French theater, capture the important aspects of his work and subsequently outline the way it was created and staged.
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Jan Mikulášek's Directions of Ibsen
Černá, Johana ; Topolová, Barbara (advisor) ; Christov, Petr (referee)
The object of this bachelor thesis is a detailed analysis of two productions of Henrik Ibsen's plays - Hedda Gabler (National Moravian-Silesian Theatre, 2008) and The WildDuck (Petr Bezruč Theatre, 2009), which were staged by one of the most remarkable contemporary Czech theatre director, Jan Mikulášek. Based on her own spectatorial experience authoress tries to describe the work with the single theatrical components in the productions, expresses director's interpretation of the plays and emphasizes the typical features of Mikulášek's style. In conclusion she compares the productions and points out their diferences despite the similar poetics they were staged in.
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The effect of theatrical costume on actor
Vojtová, Ivana ; Hnilica, Karel (advisor) ; Žák, Josef (referee)
The development of theatrical costumes isn't possible to separate from the development of civil clothing. The most important period in history of theatrical costumes is ancienit Greece. All next periods based from it or derived inspiration from it. The period of Renaissance is mainly associate with a phenomenon of English theatre and Italian commedy dell'arte. Both this styles are characterized by specific way of theatrical clothing, where the commedy dell'arte excels their masks and typical characters. Only in early 20th century costumes began promote themselves as separate area of dramatical production, which is need to be concerned in a detail and is worthy of assignment proper attention. This is four important turning points in history of theatrical costume. But ganges happened in all historical periods and concern a perception of actors' clothing (by spectators and thein users) or styles and materials. There is connection between successful interpretation of theatrical role and a costume, which has an actor on his body during playing on a stage. Costumes have important fiction in a connection with a movement. This is possilble observe from two angles of a view. For one thing it often happens that a costume needs specific way of a walk, holding body etc., which provide theatrical figure...
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Action stage design In Czechoslovakia, Prague 2012
Frydlová, Veronika ; Klimešová, Marie (advisor) ; Koubská, Vlasta (referee)
"Action stage design" is a term which was originally used in the mid-70s in the connection with 1975 Prague Quadrennial. Soviet critic Viktor Berjozkin chose this term to describe a new approach which was apparent in the majority of national expositions. It was an alternative approach to dramatic space, the traditional proscenium theater was systematically abandoned. New possibilities of producing in non-traditional, mainly non- theatrical spaces which offered closer contact with audience were searched. In aesthetic approaches the action stage design abandoned rampant focus on art, illusoriness, embellishment and complicated technical solutions. On the contrary it took inspiration from "earth works" (arte povera) and pop-art. They used "poor" - which means - common and natural materials [mainly fabrics] and everyday objects. Simplicity and inventiveness became an important requirement of the new aesthetics, as well as constant confrontation of dramatic and empirical reality. Stage props were meant to be mainly polysemous. It means that a scenic element could change its meaning and function a few times during the performance thanks to actors activity. For example - a bed became a dining table, an altar, or a prison. It demanded big imagination of spectators, they often became a part of performance....
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Electrical installation with intelligent lighting systém
Benčo, Tomáš ; Červinka, Dalibor (referee) ; Ondrejček, Vladimír (advisor)
The aim of this thesis is primarily to get acquainted with the possibilities of intelligent lighting solutions in buildings. The first part of this thesis consists of individual requirements and principles when creating project documentation wiring. Given that this issue is very voluminous content is not possible to describe all the principles, standards and requirements in the development of project documentation in detail. The next section focuses on the issue of intelligent building installations. Comparison between classical and intelligent installation wiring. Their advantages and disadvantages. Another part of this work focuses on the installation of intelligent, we chose the control system from Loxone. Its main parts, the way working and functionality that is able to perform. And the last part is the overall drafting of installation of the house, which is divided into classical and intelligent part.
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Baths +
Svoboda, Marek ; Foretník, Jan (referee) ; Kristek, Jan (advisor)
Spas are designed on the principle of stage and auditorium, where the visitor becomes either actor or observer; actor or spectator. Fragmenting each "act" active activities through a carefully programmed observation sites and vistas is needed to create tension between actor and observer. "Story" is is revealed gradually, and his understanding is necessary to move the proposed space and rotate each "Auditorium". Achieve a comprehensive sensation viewer is associated with the need to crawl space spa. Act is repeated. From the viewer becomes an actor and the actor spectator. The body is in motion and mental marches are a reflection of observation of physical events. (google translator)
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Construction of sample exercises for model of systems wiring
Pěcha, Jiří ; Bátora, Branislav (referee) ; Macháček, Jan (advisor)
In this thesis explains the term of systemic wiring and its spread in the Czech Republic. It is written a brief overview of manufacturers which are interested in this area. Comparison of advantages and disadvantages with classic wiring. For further meeting is suggested a laboratory panel which contains instruments from company ABB which belongs to international group Konnex. At the concussion of this thesis is created demonstrational application for controlling of instruments.
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The Recruitment of Artistic Workers in the Sphere of Theater/Musical
Sovová, Andrea ; Němec, Otakar (advisor) ; Stříteský, Marek (referee)
This project deals with personnel recruitment in (drama)theaters and in musical theaters. The thesis consists of theoretical and practical parts. The theoretical part contains the development of social function of the theater as a culture phenomenon (it focuses also on acting and the relationship between stage and auditorium). The practical part of thesis examines the whole acting branch within the context of Czech republic by combining an understanding of the key aspects of the profession: remuneration, legislation, education, ways of recruitment etc.). There is also a description of other critical concerns of the sphere: the personal work, especially given the contracts, working environment, trade unions as well as motivation, adaptation, conducting, evaluation and control of actors etc. Using a mixed methods approach combining interviews with a production manager, psychologist, 1 quantifiable survey (made by Czech Trade Union of Actors), and interviews (and articles) in media, this study compiles accounts and ways of recruitment as well as other factors of this profession(such as psychological aspects). Results from both the surveys and interviews reflect the sphere in the Czech republic and partly in foreign countries (completed with the findings of an international survey made by EuroFIA, European section of International Federation of Actors).
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