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Generating Tree Structures for Testing of Information Systems
Rozsíval, Michal ; Hruška, Martin (referee) ; Smrčka, Aleš (advisor)
The work aims to create a tool for automated testing of information systems. It creates messages similar in structure to those in the communication of existing systems. The program reads provided communication record according to configuration and saves the individual messages in a uniform form. It splits the saved messages into groups and abstracts them into a suitable form for a subsequent generation of new random test messages based on a combinatorial testing with Pair-Wise coverage. The tool supports communication using the REST API and OPC UA protocols and structured data in XML and JSON . The program was tested by processing real communication records.
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MEDIATRE OF COMMUNICATION IN CONTEMPORARY PAINTING
Kopecká, Marie ; Pfeiffer, Jan (advisor) ; Kornatovský, Jiří (referee)
The content of this bachelor thesis is a comprehensive insight into the problematics of communication in art with the aim of application of specific theoretical principles into artistic experience with emphasis on the aesthetic education. Theoretical part of this thesis consists of two parts. First one is focusing on the historical development of the role of art in society, perception of art and starting points, which led artists to specific steps. The second part is focusing on the present. Here I mention the theoretical approaches to the issue of perception of art and visual communication, focus on what role the viewer plays in the process of communication and I analyze communication strategies of selected Czech contemporary artists. In the practical part I am dealing with approaches in my own art work, which is specific application of conclusions mentioned in the theoretical part. In this part I am focusing more on the process of my own work, on choices of particular themes, its specific rendition and following reflection with the aim of verification of particular effects of each medium, which should be integral part of every work in art. The didactic part contains theoretical starting points, which led to making didactic series and my own designed didactic series for the first degree of...
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New synagogue in Opava
Bartošová, Monika ; Baranyai, René (referee) ; Dulenčín, Juraj (advisor)
The thesis deals with the design of a new synagogue in Opava. The location is defined on the site of a former synagogue near the city behind no longer existing city walls, as was typical for the location of Jewish communities. The site of the original fortification is now largely taken by a strip of urban orchards, with the historic building of the Breda department store as the imaginary ending. The fact that the intended location adjoins these orchards played an important role in the design proposal. Another important factor entering the design proposal was the surrounding block of flats. From these input factors, the concept of arranging the territory was created, resulting in creating a semi-open block towards the green circular belt, in which the solitary building of the new synagogue is located in its central location. The building of the community center completing the existing block of flats forms rather the background for this synagogue. The concept of the synagogue building itself did not result from a particular symbol, but rather from abstraction that I perceive as typical of religious belief, because even the Holy Scripture is merely an interpretation of certain events that everyone can imagine differently when reading or interpreting them. The object of the synagogue is thus levitated in a cloud changing according to the angle of view. It is more or less obvious – is or is not. The overlap of the designed building resides in the further placement of the columns forming the cloud at important points of the city. On the pillars we can find Jewish verses in both languages, which font becomes bright after dark.
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Graphic Book Design of the edition The Little Series of Contemporary World Prose between 1961 and 1971
SVATOŠOVÁ, Kateřina
Graphic Book Design of the edition The Little Series of Contemporary World Prose between 1961 and 1971 The Bachalor thesis Graphic Book Design of the edition The Little Series of Contemporary World Prose between 1961 and 1971 is devided into two parts. In the first part there is introduced the edition so called Little series together with the historical genesis of its history and the publishing house Odeon which published the series. In the second part, there is described every year of the edition together with its iconic book designes. The following part is focused on selected artists, especially Zdeněk Sekal, Jiří Svoboda, Jan Kotík, Eva Svobodová and Dana Puchnarová who influenced the aesthetical design of the series in the most important way. The thesis involves their biography details but the majority of the thesis deals with the description and the interpretation of their book designes with the link to their art work. The Bachalor thesis also includes two attachments. The first one includes a complete list of books published in Odeon Little Series in 1961-1971. The second one presents pictures of book designes of the artists mentioned in the thesis. The aim of this thesis is the introduction and analysis of graphic designes published in the edition and simultaneously focus on a graphic design as a bearer of artistic value and creative expression which should not be omitted in the characteristic of given period.
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Hannes Beckmann (1909-1977). Dessau - Prague - New York
Kuzica Rokytová, Bronislava ; Rakušanová, Marie (advisor) ; Rousová, Hana (referee) ; Klimešová, Marie (referee)
Hannes Beckmann (1909-1977). Dessau - Prague - New York This PhD thesis is dedicated to an exceptional, though still forgotten personality, an artist of German descent, Hannes Beckmann |1909-1977|. A graduate of Germany's Bauhaus, he was one of the refugees fleeing Nazism to Czechoslovakia, and among many other achievements, he later became the director of the photography department of the Guggenheim Museum in New York. Through his work, he fulfilled avant-garde ideas on the synthesis of artistic fields: he was a painter, stage designer, art theorist and pedagogue, but also a creator of abstract objects moving along the boundaries of minimalistic and kinetic constructions. His fate in life and created body of work began gaining a clearer form in the framework of research on visual artists, who found sanctuary in interwar Czechoslovakia from demagogic political systems. Until that time, Hannes Beckmann had been utterly unknown to Czech art history and elsewhere. This is seen in the absence of his name in Czech technical literature, but also because he was never mentioned even in publications published by the Bauhaus with which he had been involved for some time. There was only sketchy information on his pedagogical and artistic work in the area of Op-Art (optical art) from the 1960s to 1970s in the United...
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Issue of Intermediation of Abstract Art in Gallery Education Programs for Primary School Students
KAISEROVÁ, Lenka
This diploma thesis deals with the issue of intermediation of abstract art in gallery education programs for primary school students. Its theoretical part outlines the process from figurative to non-figurative imaging through the theory and history of art. The term of abstraction is further expounded by general and developmental psychology. The final theoretical part deals with the intermediation of art and all its connections, including potential difficulties which can occur. The empirical part contains a research with gallery lecturers, which brings and analyzes their attitude to the process of gallery-educational programs providing intermediation of non-figurative art to pupils of younger school age.
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Image, Information, Complexity. The study of visual information incorporating the function of information entropy with a focus on abstract art
Malečková, Dita ; Kera, Denisa (advisor) ; Marcelli, Miroslav (referee) ; Havel, Ivan M. (referee)
This text focuses on the relation of information and image, hence Information Theory and Image Analysis, as well as visualization of information and methods of visual analytics focusing on analysis of art works. It also concentrates on evolution of digital image and related new type of perception and artificial aesthetics. We narrow the broader topic of the image and image information to the abstract art, namely the work of Czech painter Frantisek Kupka, which is used as input in the experiment presenting original method of image analysis using the function of information entropy (Rényi entropy). This approach was used for the first time for analysis of art works with the aim to obtain the comparaison of natural and artificial classification of image information. We chose the work of abstract art not only with regard to given history of grammatics of abstract forms and its relation to the digital image, but also as an emblematic example of effective gaining of information from complex environment. Work thus summarizes historical context of evolution of digital image and theoretical reflection of contemporary image analytics and others techniques relevant to the image information and emphasizes relation of abstract art to the natural and simulated complexity.
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