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Concept of the four seasons in Czech language
Pevná, Lucie ; Janovec, Ladislav (advisor) ; Chejnová, Pavla (referee)
The diploma thesis explores the four seasons from the view point of the linguistic picture of the world theory. The etholinguistic approach is applied in the thesis - attention is paid to the Czech-specific perception of reality especially focused on the weather and the changes of the nature in the course of the four seasons. Human perception of the change is based upon the senses - the sense of hearing, the sense of smell, and touch and the eyesight. Each season is unique. The seasons can be differentiated by their season specific stereotypes, season prototypes, and connotations. On the linguistic pictures of each season collocations are built, from which new lexical items originate, describing the season as such. Due to anthropocentrism we perceive individual astronomical and meteorological issues as personified items to which we ascribe human behaviour and human qualities. The motto of the thesis says: "I will not do the spring sowing next year. " The motto denotes the interaction of two conceptual schemata (the scheme of a cycle and the scheme of a journey) realizing the fact that the natural cycle corresponds in our mental representation with the phases of human life. The difference between the concepts is that man always reaches the terminal point of his journey unlike the nature constantly...
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Visual experince as example and pattern in relation to the expansion and influence into human life
Nohejl, Jiří ; Czumalo, Vladimír (advisor) ; Vojtěchovský, Miroslav (referee)
The main theme of this dissertation is to define an image as a visual experience. The human interaction is described by the author himself as a perception of the image, which serves as an information unit that could be presented as a possibility, example and pattern for the individual. There is an emphasis on the process of perception itself and on the way of interaction of an individual emphasizing the context of social learning and imitation in this text. The analysis of the principles of this interaction leading into introduction of the partial interactive models covering these processes is formed by the essential plane. The structure of the thesis is divided into ten main chapters in which the author tries to introduce a category of perception, a definition of the image and imitation as a tool of cultural transmission, presentation of the units of this transmission, the process of the interaction itself and analogous example of the fundamental role that a person in this interaction holds. There are also three analogies of these roles, which refer to the anthropological universal interaction describing the man as a gatherer and hunter. Their main purpose is to illustrate the form of a human experience better. Finally, there are reflections on the topic above. The possibilities and results, which...
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Abstract tasks in birds - spatial vs non-spatial tasks
Janská, Iveta ; Landová, Eva (advisor) ; Vlček, Kamil (referee)
The aim of this thesis is to compare spatial cognitive tasks (radial maze and analogs, geometry and features) and non-spatial abstract cognitive task (concept formation and categorization, transitive inference) in birds. Because each of tasks have different testing methods they are compared according to method types in separate thematic groups, which are discussed each other. The extension of this thesis on theories derived from human psychology such as self-recognition, episodic-like memory, and theory of mind.
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The relationship between a computer game and its audiovisual pattern
Šírová, Tereza ; Šlerka, Josef (advisor) ; Šisler, Vít (referee)
Diploma thesis The Relationship between the Computer Game and its Audiovisual Pattern deals with the similarities and differences between the computer games and audiovisual works. The thesis presents some theories reflecting different points of view to the influence and blending of these media forms. Those theories are the base for a suggestion of typology of games and movies adaptations that were made according to a pattern. In each of three suggested categories, there are mentioned some particular examples of computer games that were inspired by movie or series and also examples of movies that were inspired by computer game. The final chapter is a case study which compares the computer game Lost: Via Domus to its audiovisual pattern - series Lost.
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The Dog in Linguistic Picture of the World in Czech
Prokšová, Hana ; Vaňková, Irena (advisor) ; Bozděchová, Ivana (referee)
I. Abstract This paper is based on the theoretical principes of the Polish ethnolinguistic works introduced in the first part of this paper. We pay special attention to the theory of anthropocentrism of a natural language. The main focus of this theory is the differentiation between "one's own" and "human" on one side and "someone else's" and "non-human"on the other in a cognitive comprehension of the world. We further apply the anthropocentric approach to outline the conceptualization of domestic animals in the Czech language. The second part of the text deals with the expression pes (‚dog') in Czech and its derivatives, their position within the lexical system, their semantics, connotations and the stereotypes associated with them. The conclusion presents a cognitive definition of the concept pes (‚dog') in Czech. The definition builds upon the entry structure of the Polish Dictionary of Folk Stereotypes and Symbols.
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The Linguistic Picture of Death, Afterlife and Dying in Primary and Secondary School Pupils
Wildová, Zuzana ; Janovec, Ladislav (advisor) ; Pacovská, Jasňa (referee) ; Šindelářová, Jaromíra (referee)
The dissertation The Linguistic Picture of Death, Afterlife and Dying in Primary and Secondary School Pupils is devoted to the reconstruction of the linguistic picture of death in these groups of pupils, its mutual comparison and its comparison with the developed psychological concept of death. Furthermore, it describes how the taboo of this topic manifests itself in the pupils' linguistic picture of death and which modifications of the linguistic picture of the world are shown in the linguistic picture of death among pupils. In the first part, the dissertation deals with the concept of death in language and culture, and thus also with the linguistic and socio-cultural taboo of this phenomenon. We deal with the development of the conception of death in history and also the development of the concept of death of children and youth. The theoretical frame for this work is based on the methods of cognitive linguistics and its approach to linguistic research. We characterize this linguistic approach, its methods and the main representatives in the next part of the work. We use cognitive linguist methods not only for processing but also for collecting language data. In the third part, we analyze system, text and empirical language data. Textual data are derived from texts of intentional literature for...
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Perception of English prototypes in Czech and German mono-lingual speakers
Kučerová, Alžběta ; Lancová, Klára (advisor) ; Červinková Poesová, Kristýna (referee)
[The purpose of this thesis is to investigate and describe how semantic prototypes are transferred and perceived from L1 Czech and L1 German participants into their L2 English. This thesis attempts to pinpoint and describe whether there are differences in the perception of the prototypes in the two monolingual groups, with the main focus on typicality judgement, grammatical gender and prepositional prototypes. The main assumed source of differences is considered to be the said L1 language background. A questionnaire was created for both Czech and German participants with seven tasks testing the perception of prototypes in their L2 English and to see whether a L1 to L2 negative language transfer takes place. The analysis shows that in the perception of prototypes within typicality judgement exercises, the two tested L1 groups do not differ largely and that the size of one's specialized vocabulary and the fact, that English is their L2, not L1, seems to play a role. Nonetheless, at the scale of this research, it seems plausible to say that prepositional and grammatical gender prototypes are transferred into the participants' L2. More in-depth research on the topic is needed; however, to confirm or reject these findings.]
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The Linguistic Picture of Death, Afterlife and Dying in Primary and Secondary School Pupils
Wildová, Zuzana
The dissertation The Linguistic Picture of Death, Afterlife and Dying in Primary and Secondary School Pupils is devoted to the reconstruction of the linguistic picture of death in these groups of pupils, its mutual comparison and its comparison with the developed psychological concept of death. Furthermore, it describes how the taboo of this topic manifests itself in the pupils' linguistic picture of death and which modifications of the linguistic picture of the world are shown in the linguistic picture of death among pupils. In the first part, the dissertation deals with the concept of death in language and culture, and thus also with the linguistic and socio-cultural taboo of this phenomenon. We deal with the development of the conception of death in history and also the development of the concept of death of children and youth. The theoretical frame for this work is based on the methods of cognitive linguistics and its approach to linguistic research. We characterize this linguistic approach, its methods and the main representatives in the next part of the work. We use cognitive linguist methods not only for processing but also for collecting language data. In the third part, we analyze system, text and empirical language data. Textual data are derived from texts of intentional literature for...
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Visual experince as example and pattern in relation to the expansion and influence into human life
Nohejl, Jiří ; Wittlich, Filip (referee)
The main theme of this dissertation is to define an image as a visual experience. The human interaction is described by the author himself as a perception of the image, which serves as an information unit that could be presented as a possibility, example and pattern for the individual. There is an emphasis on the process of perception itself and on the way of interaction of an individual emphasizing the context of social learning and imitation in this text. The analysis of the principles of this interaction leading into introduction of the partial interactive models covering these processes is formed by the essential plane. The structure of the thesis is divided into ten main chapters in which the author tries to introduce a category of perception, a definition of the image and imitation as a tool of cultural transmission, presentation of the units of this transmission, the process of the interaction itself and analogous example of the fundamental role that a person in this interaction holds. There are also three analogies of these roles, which refer to the anthropological universal interaction describing the man as a gatherer and hunter. Their main purpose is to illustrate the form of a human experience better. Finally, there are reflections on the topic above. The possibilities and results, which...
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