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Language and style of the plays written for Jára Cimrman Theatre
Kojetínová, Martina ; Mareš, Petr (advisor) ; Lehečková, Eva (referee)
Language and style of the plays written for Jára Cimrman Theatre This magister thesis deals with language analysis of the stage plays of Jára Cimrman Theatre. The opening chapter describes general information about the theatre and it's authors as well. The thesis is divided into two parts, the theoretical part and the practical part. The theoretical part is based on results of theoretical studies of different authors, especially Bohuslav Brouk, Henri Bergson, Ladislav Dvorský and Vladimír Borecký. The practical part contains the detailed language analysis of all 15 stage plays. This diploma work analyzes which types of language comic we can find there and how much are they extended. Linguistic performances are separated on the principle of linguistics on individual linguistic branches. This diploma work also discusses mystification as a common framework for realization of all comic means. Keywords Jára Cimrman, stage play, Zdeněk Svěrák, Ladislav Smoljak, language comic, intertextuality, mystification
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Maxim Osipov. Meeting. Annotated translation.
Peterková, Michala ; Oganesjanová, Danuše (advisor) ; Rubáš, Stanislav (referee)
The aim of this Master Thesis is to present an annotated literary translation of two chapters of the novella Vstrecha from Maxim Osipov's book, Grech zhalovatsya. The first part of this Master Thesis contains a translation of selected chapters from the novella Vstrecha. The second part, a commentary on the translation, includes information about the author and his work, style classification, the role of translation, vocabulary, intertextuality, characterization of translation methods, strategy of solving translation problems and typology of translation shifts.
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Milan Kundera and intertextuality
Grušová, Mariana ; Charvát, Martin (advisor) ; Češka, Jakub (referee)
The diploma thesis Milan Kundera and Intertextuality deals with aspects of relations between the texts in his novels. The first part outlines the intertextuality, theory of the novel and the approaches of some literary theorists towards this issue. The second half of the thesis analyzes the intertextuality in Kundera's works in various forms, mainly based on the themes of dreams and physicality. The greatest emphasis is placed on examining the legacy of Kafka in the context of Kundera's works, particularly in the novels The Joke and The Book of Laughter and Forgetting. Powered by TCPDF (www.tcpdf.org)
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The Style of Arnošt Goldflam's Plays
Denková, Magdaléna ; Mareš, Petr (advisor) ; Bozděchová, Ivana (referee)
This thesis presents Arnošt Goldflam as playwright with a peculiar position in the Czech culture. It summarizes basic knowledge about nature and style of dramatic texts and, on the basic of this knowledge, deals with stylistic and linguistic analysis of the part of the author's works which are original dramatic texts. It's based on the corpus of twelve games, that represent this kind of his creative work from the 80's until recently. The objective of the thesis is to determine the basic characteristics and language instruments involved in the structure and meaning of each game. Based on the analysis of instruments stylish construction of various levels and areas of language it defines the most significant common features stylish of all included texts and also author's progression in the use of language and style formation. Goldflam's theater work is characterized not only by choosing subjects, but also in the way of their language and staging interpretation. Author's creative activity is still undone, the thesis offers a view of only the selected area of his work. Powered by TCPDF (www.tcpdf.org)
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Postmodernism in British and American comics : postmodernist overtones in the works of Alan Moore and Grant Morrison
Holub, Martin ; Ženíšek, Jakub (advisor) ; Chalupský, Petr (referee)
The aim of this thesis is the examination and analysis of postmodernist overtones in the medium of comics. It is concerned both with the postmodernist content in comics, and comics' possibilities and attributes as a postmodernist medium. The first part of the thesis elaborates on sequential art in general and the essential elements of postmodernism, such as deconstruction, metafiction, and intertextuality, within its context. The second part of the thesis is concerned with selected postmodernist works of prominent comicbook authors: Alan Moore and Grant Morrison. Key words Comics, comicbook, graphic novel, postmodernism, metafiction, intertextuality, continuum, narration, binary oppositions, deconstruction, superhero, author, creation, Watchmen, Animal Man
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In the Mud of Dreams and Reality. Autobiographical Features in Prose Fiction of Pavel Růžek and Jerzy Pilch
Zaor, Olga ; Bílek, Petr (advisor) ; Králíková, Andrea (referee)
The present thesis explores works of Pavel Růžek and Jerzy Pilch, its central focus being the analysis and interpretation of their approach towards one's own biography and one's identity as a writer. Although both authors come from the same generation, they address different literary traditions and construct different poetics. What they have in common, however, are literary motifs rooted in their biographies, such as alcoholism, the mythology of childhood, [the existence of] "fateful places," even particular types of women or other characters (including animals). Additionally, the thesis scrutinises the position of both writers in the consciousness of Polish and Czech readership along with their place on the two literary markets.
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Narrative Structures in Virginia Woolf's Shorter Fiction
Kovačeva, Elizabet ; Wallace, Clare (advisor) ; Nováková, Soňa (referee)
Thesis Abstract One of the basic principles of modernism was to evaluate existing traditions and cultural norms, to innovate them, and to get rid of them if necessary. The need and urge to innovate proved to be immensely productive in the short story genre. The short story is now perceived as independent of other prose forms precisely thanks to the modernists. Virginia Woolf was one of the most enthusiastic innovators of the form, her work in the genre is nevertheless often overlooked in comparison to her novels, or even in comparison to other short story writers, such as Katherine Mansfield or James Joyce. This thesis deals with selected narrative structures in Virginia Woolf's shorter fiction. It works with the basic assumption that when Woolf's short stories are read, her novels have to be taken into account as well due to numerous thematic and other affinities. However, it is also of importance to evaluate Woolf's short fiction without measuring them against her novels as these are two distinct genres. The thesis introduction presents an overview of the literary and cultural context of the times in which Woolf lived and wrote, with emphasis on her familiarity with the Russian writers, primarily Chekhov, and the first Post-Impressionist painters. The thesis then carries out four separate analyses of four...
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elation between Textual Devices and Popularity of Media Text on the Example of Radio Series "Tlučhořovi"
Pouzarová, Patricie ; Reifová, Irena (advisor) ; Šoltys, Otakar (referee)
The target of the thesis Relation between Textual Devices and Popularity of Media Text on the Example of Radio Series "Tlučhořovi" is to reveal if there exist any connection between significant textual devices used in the series and its popularity and success. As methods there are used semiotic analysis of sample of the series episodes and "respondent interview" with the listeners. In the first there is focus mainly on particular textual devices and in the second on what respondents consider to be reasons why they do listen to the series. Significant textual devices are one of the central themes of cultural studies and this work sets itself a task to deduce from findings conclusion which would be generalizable to relation between media texts and their audiences universally.
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