|
|
Transplantation and Organ Donation in the Awareness of the Non-professional Public
Sládková, Andrea ; Votroubková, Michaela (advisor) ; Vachková, Eva (referee)
This bachelor thesis offers a complete overview of the tissue of organ donation and transplantation. The theoretical part contains information on the history of transplantation of vital organs. It describes the opportunities and risks of modern transplantology - the multicultural and ethical aspect. It covers activities of transplant centre and current legislation with emphasis on the criteria determination of brain death. Finally, it outlines the care of the potential donor and his/her loved ones. Empirical part is focused on the exploration level of awareness of the general public in the possibilities of organ donation and transplantation, including attitudes on the topic. Key wards: Transplantation, organ, donor, brain death
|
|
|
J. S. Bach and His Piano Pieces for Music Art Schools
Marečková, Alena ; Gregor, Vít (advisor) ; Palkovská, Jana (referee)
The thesis "J. S. Bach and His Piano Pieces for Music Art Schools" is focused on interpretation of the piano music of Johann Sebastian Bach. For the right understanding of the composer's musical narratives, it is necessary to acquire the basic knowledge and principles of the music theory in the Baroque era and to become familiar with the environment in which this extraordinary composer had been professionally developing and composing. This musician is presented here as the founder of a modern fingering whose musical language brought a change into musical thinking and he became inspiration and a role model for composers of the next centuries. This thesis highlights the importance of appropriately selected musical materials in piano teaching and it prefers the performance to be as authentic as possible. The main purpose of this paper is to update the knowledge of methodology and to find a comprehensive guide to a correct understanding of musical language of this genius that would help the music teachers introduce to pupils the beauty and timelessness of Bach's musical work and that would motivate them to other musical discoveries and make them desire to be further educated in music.
|
|
|
Organ Accompaniment of Massliturgy and New Liturgical Songs
Náměstek, Vít ; Stříteská, Leona (advisor) ; Nedělka, Michal (referee)
TO THESIS "THE ORGAN ACCOMPANIMENT OF MASSLITURGY AND NEW LITURGICAL SONGS" Vít Náměstek PedF UK This thesis is going to pursue a task of the right modes of organ accompaniment of massliturgy. It describes the desirable style and character of accompaniment component parts of ceremony to make the organ play not to be for itself only, but to let it become the thing, that it schould be: The organ play has to create an organic complex with the liturgy. The work makes the direction of the play concrete and accent the sensitivity not only for pure substance of the holy mass, but also depending on liturgical day and season. It is focus on the main prelude and main postlude, on perticular preludes, postludes and interludes during the ceremony, and on accompaniments of the responses, acclamations and also solo celebrant's singing - that means on the parts, which aren't mostly mentioned in publications of organ accompaniment. The creative part of the work includes 3 new songs for worship: their tunes and lyrics , harmonization and music-theological analysis.
|
|
|
Composer and Teacher Petr Šandera
Salák, Pavel ; Pecháček, Stanislav (advisor) ; Nedělka, Michal (referee)
Résumé This Master thesis called "Composer and pedagogue Petr Šandera" disserts about a musical personality from Jihlava's region, where comes also the author of this Master thesis Pavel Salák, Šandera's student, from. Petr Šandera (*1941), who is the object of this work, graduated Academy of music in Brno in 1965, then four years later he graduated Janáček's Academy of music arts in Brno, both school in specialisation Playing organ. After he finished studies, he worked as a musical teacher in Piešťany, in Rožnov pod Radhoštěm and in Jihlava. Beside it he was employed as an organist in Jihlava's crematorium. In years 1991-2002 he worked as a director of Jihlava's art school. Beside his work he addicted himself to composition during his life. He is an author of 129 opuses so far. The aim of this Master thesis is to introduce Petr Šandera, his life, his pedagogical working and mainly to point out to his abundant musical pieces, from which the essential part hasn't been interpreted yet. By the help of the analysis of two choir pieces this Master thesis should characterize Šandera's style of composition. Oral dialogues with Šandera were the main methods of work, Šandera's comments are often quoted. The result of these dialogues are chapters about Šandera's life, his pedagogical working and an extensive chapter...
|
|
|
Requiem as a musical form and it's transformations in themusic of nineteenth and twentieth centuries
Gonata, Elena ; Pecháček, Stanislav (advisor) ; Holubec, Jiří (referee) ; Valášek, Marek (referee)
In this thesis, the evolution of the Requiem Mass throughout the centuries has been explored. The evidence provided clearly demonstrates the changes that the Requiem mass has gone through, from the first traditional Requiem mass all the way to the new Requiems of the Contemporary era. While early composers were inspired by religion, over time, a clear shift towards freedom of expression (war, human losses, tragic events) is evident. Requiems can be written for liturgical use and concert halls, and can be performed by choirs, soloists and orchestras (Acapella and Orchestral compositions). Requiems can have both short and long durations, and can have different textures (polyphonic style, homophonic style etc.). The traditional Latin language and religious texts are still widely used, however, there have been many changes throughout the centuries, such as the use of translations into different languages, the use of psalms, bible verses, poetry and famous speeches. Today, a large number of Requiems can be found from composers on a worldwide scale, including America, Europe and Great Britain.
|
|
|
Organ-makers of the Jesuit order and their instruments in the baroque era
Frei, Vojtěch ; Oulíková, Petra (advisor) ; Pučalík, Marek (referee)
The bachelor thesis Organ-makers of the Jesuit order and their instruments in the baroque era concentrates on the phenomenon of organ-makers - religious or lay brothers among a significant religious order operating throughout the Czech lands since the sixteenth century - Society of Jesus. It aims to not only present the personalities themselves but also their instruments, both in terms of art and handicraft and the musical aspect. From the art historical perspective, it observes mainly the organ case as an element of the church furniture and its relation to the interior. The thesis also purports to become a factual contribution to the aforementioned area; so far, only a handful of academic texts have dealt with the topic.
|
|
|
Organbuilding Company Rieger
Lyko, Petr
This paper reflects one of the largest European organ companies, operating from the late 19th century to the second decade of the 21st century. The company was founded under the name Gebrüder Rieger in 1873 in the Silesian town of Krnov (then the German name Jägerndorf). In 1904 it changed its name to Rieger, which was used until the end of the Second World War. After its termination, the German owners were expelled, the factory was then taken over under national administration and subsequently nationalized. At the same time, a smaller organ workshop by Josef Kloss was also included. The factory has since used the Rieger-Kloss brand on its instruments. After 1989, the plant was privatized, but ended its activity in 2015. The work follows not only the history of the company, but also the issues of artistic and structural specifics of the Krnov instruments. On the artistic level, these organs were, in the beginning, heavily influenced by the paradigm of the so-called romantic organ (or even the stimulus of the Cecilian reform), which in Central Europe experienced the greatest development at the time of the founding of the company, and culminated at the turn of the 19th and 20th centuries, and then by the ideas of the reformist organ movement that has affected the production of the factory since about...
|
|
|
"Music Scene" - a concert hall for the city of Brno
Zatloukalová, Veronika ; Marek, Jiří (referee) ; Šindlar, Jiljí (advisor)
The subject of this thesis is the design concept of the architectural study of a concert hall, namely the proposal for a "MUSIC SCENE" - the concert hall for the city of Brno. As part of this study is therefore designed a hall for 591 visitors. Hall enables performances to 90-member orchestra or choir. The solution is also operating and maintenance facilities necessary facilities like auditorium. The main emphasis was put on the acoustic solution, then the overall transparency in the operation of the building and the continuity of the building and the surrounding development mainly to the existing communication system that tries to respect.
|
|
|
Organbuilding Company Rieger
Lyko, Petr
This paper reflects one of the largest European organ companies, operating from the late 19th century to the second decade of the 21st century. The company was founded under the name Gebrüder Rieger in 1873 in the Silesian town of Krnov (then the German name Jägerndorf). In 1904 it changed its name to Rieger, which was used until the end of the Second World War. After its termination, the German owners were expelled, the factory was then taken over under national administration and subsequently nationalized. At the same time, a smaller organ workshop by Josef Kloss was also included. The factory has since used the Rieger-Kloss brand on its instruments. After 1989, the plant was privatized, but ended its activity in 2015. The work follows not only the history of the company, but also the issues of artistic and structural specifics of the Krnov instruments. On the artistic level, these organs were, in the beginning, heavily influenced by the paradigm of the so-called romantic organ (or even the stimulus of the Cecilian reform), which in Central Europe experienced the greatest development at the time of the founding of the company, and culminated at the turn of the 19th and 20th centuries, and then by the ideas of the reformist organ movement that has affected the production of the factory since about...
|
|
|
History of audio carriers and transmission of sound
Šimarová, Lucie ; Krhutová, Milena (referee) ; Šedrlová, Magdalena (advisor)
Cílem této bakalářské práce je popsat vývoj zvukových nosičů. Tato bakalářská práce poskytuje náhled do historie a současnosti zvukových nosičů. Nejprve seznamuje čtenáře s teorií přenosu zvuku. Tato část je zaměřena na přenos vlnění a popisuje rozdíly mezi vlnami. Následně jsou probírány analogové a digitální způsoby záznamu zvuku. Hlavní část práce se věnuje uchovávání hudby. Nejprve se práce zabývá uchováním hudby před mechanickým záznamem, tato část zahrnuje notaci, tabulatury a automatofony. V další části je již popsán mechanický záznam zvuku, a to v analogové formě. Poslední kapitola je zaměřena na digitální záznam zvuku. V neposlední řadě práce obeznamuje čtenáře s kulturním a hudebním vlivem jednotlivých nosičů. Znalosti jsou nabyty z různých zdrojů, především z literatury.
|
guest ::
