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On the Way to První Svazek
Malínek, Vojtěch
The study analyses a literary programatic efforts of Zdeněk Kalista in the years 1924-1927 and their refelections in his poetry-work and in the works of his poetry-colleagues.
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The ways of the contemporary Tunisian poetry
Lišková, Iva ; Oliverius, Jaroslav (advisor) ; Kučera, Petr (referee) ; Petrová, Jana (referee)
The purpose of this doctoral thesis is to outline the main trends in the contemporary Tunisian poetry, present it in its variety and colour, and testify to its parity with larger Arabic national literatures. Making use of different theoretical frameworks offered by the modern literary science, the major part of the thesis is given to interpretation of selected poetry collections written by different authors over the period from the early 1990s to the present day. The interpretation is divided into five "currents" reflecting five distinctive sources of inspiration, which, nevertheless, often merge and overlap. The first chapter of the analytical part is interested in collections responding in one way or another to the political situation in Tunisia or other Arabic countries. The second chapter focuses on collections that link the classical Sufi poetry heritage with modern poetic trends. The third chapter is given to surrealism. Covered by the fourth chapter, another "current" of the contemporary Tunisian poetry is fed by fairy tales, legends and myths of both Arabic and other origin. The final analytical chapter follows the current of lyrical love poetry.
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Phenomenon "New sensitivity" in the Czech art of the sixties of the twentieth Century
Porubová, Tereza ; Rakušanová, Marie (advisor) ; Novotná, Eva (referee)
Phenomenon of the new sensibility in the 60s of the twentieth century In the 1960's of the twentieth century the constructive rational forms have come into the czech visual art. It was influenced by avant-garde and modernism of the 20s and 30s and took up the ideas from the french new realism, the german group Zero, new constructivism movement and concrete art. The program of the new sensibility was defined by art historian Jiří Padrta, who gave the priority to the rejection of the organic nature and the objektive tendencies turn. The movement was created by free associated group of modern artists. The common characters of their art activities were the rejection of the symbolism and ilusion and the respekt to the new way of humanism. Some members of that movement brought the new suggestions to the czech art and become famouse in the Czech republic. Some of them, like Zdeněk Sýkora, Jiří Kolář or Karel Malich are also very respected in the world. Phenomenon of the new sensibility The 1960s of the twentieth century Constructivism Geometrical art Jiří Padrta
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The Art of Living Word
Harčaríková, Marica ; MARUŠÁK, Radek (advisor) ; BERGMAN, Aleš (referee)
In the first part of my thesis which consists of two parts - theoretical and empirical - I concentrate upon the ways of "word reviving" through human voice, speech and their artistic ways of expression, namely declamation, recitation, artistic recitation - where beside structuring of recitation I focus on collective recitation. Interpretation is a part of meaningful work with the word. I deal with its meaning from the point-of-view of its relationship with literary work. I deal with the concept of poetry and theatre, for closer specification of theatre form of poetry theatre and for fuller understanding of its content. I focus on the issue of poetry theatre, as an independent theatre form which has developed in the Central European region, especially in the non-professional theatre, in certain theoretical anchorages and historical connections. I mention a nationwide competition of artistic word and poetry theatres - Hviezdoslavov Kubin - especially with the children poetry theatre, within the category of children reciting groups. And last but not least, in the second part of my thesis I concentrate on the creative process with a children group, on the possibility of working with lyrical text.
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The theme of love and the aesthetic ideal of perfect lover in Heian tales with poems
Tirala, Martin ; Švarcová, Zdeňka (advisor) ; Löwensteinová, Miriam (referee) ; Líman, Antonín Václav (referee)
This thesis deals with the the theme of love and the aesthetic ideal of perfect lover in tales with poems (monogatari) from the middle of the Heian period (7941185). Firstly it pursues the historical and social conditions that influenced genesis of these works. Special attention is given to the marriage institution and the nature of love in this period. Afterwards the author included an analysis of the theme of love poetry in the first imperial anthology of Japanese poetry (Kokinwakash) and its love discourse. The thesis deals also with the basic aesthetic ideals of the Heain period and tries to investigate their authentic meaning in the context of classical Japanese literature. However, the main concern of this thesis is the analysis of Ise monogatari (Tales of Ise). It deals with the problems of the genesis, date, authorship and the meaning of its title, as well as the construction of the work. Then comes the study of Ariwara no Narihira, the historical figure, who is probably the protagonist of this literary text, and the author also deals with the problems concerning the interpretation of this character in the context of the middle age commentaries of Ise monogatari. In the last chapter of the thesis the author shows the way the theme of love and the aesthetic ideal of perfect lover developed in other...
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The ways of the contemporary Tunisian poetry
Lišková, Iva ; Oliverius, Jaroslav (advisor) ; Kučera, Petr (referee) ; Petrová, Jana (referee)
The purpose of this doctoral thesis is to outline the main trends in the contemporary Tunisian poetry, present it in its variety and colour, and testify to its parity with larger Arabic national literatures. Making use of different theoretical frameworks offered by the modern literary science, the major part of the thesis is given to interpretation of selected poetry collections written by different authors over the period from the early 1990s to the present day. The interpretation is divided into five "currents" reflecting five distinctive sources of inspiration, which, nevertheless, often merge and overlap. The first chapter of the analytical part is interested in collections responding in one way or another to the political situation in Tunisia or other Arabic countries. The second chapter focuses on collections that link the classical Sufi poetry heritage with modern poetic trends. The third chapter is given to surrealism. Covered by the fourth chapter, another "current" of the contemporary Tunisian poetry is fed by fairy tales, legends and myths of both Arabic and other origin. The final analytical chapter follows the current of lyrical love poetry.
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Monetization of Online Content and Its Effect on the Reception of Blogs
Novotný, Marek ; Švelch, Jaroslav (advisor) ; Vochocová, Lenka (referee)
"Monetization of the internet content and its effect to the blogs reception" diploma thesis deals with journalism on the verge of the second decade of 21st century. Thesis describes changes, which are happening right now. It focuses on problems faced by traditional media and possibilites which are being opened for more agile on-line media. With the help of public opinion surveys, it shows views of the media consumers as well as those of media producers representatives. It also maps possible ways to monetize content as is advertising model, micropayments model, freemium or paywall and expounds advantages and disadvantages of each of them. In the next part it shows, how the monetization is used on different case studies, such as web server Motejlek.com, Slovakian media content subscription system Piano and successful American project The Huffington Post, which combines news aggregator with comments section and blogs. In its end the thesis is using the gathered knowledge and data to show strategies, which might be useful in today's fast changing world of media and on the other side shows weaknesses of some other concepts which author of the thesis doesn't accept as viable. Keywords Aggregator, blog, advertising, micropayments, monetization, Murdoch, new media, Piano, paywall
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Donghai yuge - "Ci" Lyrics of the 19th Century Chinese Woman Poet
Dolejší, Adriana ; Lomová, Olga (advisor) ; Andrš, Dušan (referee)
Gu Taiqing (1799-1876) also known as Gu Chun was poetess of Manchu origin, author of shi poems, ci lyrics and the first Chinese novel written by woman. Research of the diploma thesis is based on ci lyrics collection Fisherman`s songs from Eastern Sea and partly on shi poems Collection from the Tower of Celestial Wandering. Gu Taiqing`s poetry, of which some translations are included, is strongly autobiographical and it almost represents chronicle of her life. Poems give opportunity to explore her curriculum vitae, lyrics on the other hand create space for Gu Taiqing`s unique poetry language. Gu Taiqing expresses herself in many ways - as devoted wife, loving mother, faithful friend, art enthusiast, traveller and flower fancier. The main directions of her poetry was poetic interview or exchange with her husband Yihui and poems addressed to her friends - poetesses, members of The Autumn Red poetess circle. Gu Taiqing was inspired by each of the following Song poets: Zhou Bangyan, Jiang Baishi, Li Qingzhao, and their specific influence on Gu Taiqing`s poetry will be shown with examples in the diploma thesis. Gu Taiqing's poetry connects traditional literature with the first diffident exploration of the new territory. Gu Taiqing`s unique poetic expression completes woman chambers poetry and shows the...
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Lyrical Discourse and Representations of Subject in the Works of Group 42
LENCOVÁ, Pavla
This diploma thesis is focused on exploring the forms of representing the lyric subject in the poetry of authors in Group 42 with a special focus on the forms of depicting the existential status in the text. Prior to the analysis of forms of representation of the lyric subject in the poetry of Group 42, attention will firstly be drawn to the changes of lyrical discourse in the 40's and 50's of the 20th century. Further on the ways of representation of the subject will be examined as well as the ways of depicting reality in the works of the authors of Group 42. At the end of this thesis, based on previous analysis, attention will be drawn to in what ways are principles of existential imagination depicted in the space of a lyrical piece of work.
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