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Women Characters in Poetry of Viktor Dyk
Frühaufová, Klára ; Merhaut, Luboš (advisor) ; Vojtěch, Daniel (referee)
This work focuses on women characters in the poetry of czech poet Viktor Dyk, examines their basic features and symbolism and offers basic summary about their occurrences and relevance in author's poetry and in czech poetry at the end of the 19th century and the beginning of the 20th century. It's based chosen critical reactions on poetry of Viktor Dyk and particular examples from author's poems. It also offers basic material and ideologic starting point for further research of author's poetry and characters. Key words women characters, Viktor Dyk, poetry, decadence, atonement, loyality, Milá sedmi loupežníků
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Lyrics of so-called normalization period (1970-1977)
Marková, Eva ; Špirit, Michael (advisor) ; Bílek, Petr (referee)
The purpose of this bachelor essay is to offer quite complete view to poetry of so-called normalization period, which was in Czechoslovakia published 1970-1977. It is viewed through the reflexion of poetry in the contemporary press (Literární m sí ník, Rudé právo, Tvorba). Theoretically is the essay based on the field theory from P. Bourdieu and it attempts to describe the literary criticism of 70's and its role in the literary life. The bachelor essay contains information about 70's cultural and political situation, which influenced the poets and critics.
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Representation of Everydayness in the Works of Group 42
LENCOVÁ, Pavla
The subject matter of this dissertation is the ways of representing the everydayness of life in poetic texts authored by members of Group 42. Of special interest is the category of time, as the transformation of understanding of this category is one of the cornerstone aspects of modern literature in the first half of the 20th century. Time as a category is reflected in Group 42 poetry through three principles used by the Group 42 authors to grasp and work with the time-space continuum and the place of humans in it. The fundamental principle of Group 42 poetry, which will be discussed in this thesis, is the fragmentarization principle. Using a fragment, the poet grasps the present, multi-layered moment and represents temporal discontinuity. Another principle of representation of everydayness the thesis will concentrate on is the principle of variations, which represents heading towards a unifying grasp of discontinuous everydayness. As opposed to the previous ways, notation in the form of diary entries then allows for the ability to better formulate the dynamics of successive temporal flow of everyday reality. The possibility of formulating the temporal mode on the field of a lyrical work is yet another topic discussed here. The temporal mode is then reflected in relation to the "myth of the modern humus", the proclamation of which was on the agenda of Group 42 in its time.
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Literary awards in France
Marková, Žaneta ; Kalfiřtová, Eva (advisor) ; Müllerová, Eva (referee)
Title of the thesis: Literary awards in France Keywords: Literary award, laureate, literary work, literary award jury, granting literary award, prose, poetry. Abstract: The thesis is focused on the most remarkable French literary awards. Discourse about particular literary awards is divided into two main chapters according to their correspondence to prose or poetry. Within these main chapters the referred awards are sorted in time consequence according to the date of origination. Furthermore the thesis deals with laureates of awards, whose pieces were translated into the Czech language and published thanks to the financial funding of Program for support of publishing activity "František Xaver Šalda" at French embassy at Prague. The aim of this project is to achieve the recherche and form the coherent text dealing with French literary awards which are one of the most important domains of French and in general of francophone culture.
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Poetics of Holan's collections The Triumph of Death, The Breezing and The Arch
Enderlová, Hana ; Binar, Vladimír (advisor) ; Wiendl, Jan (referee)
This thesis analyzes the first two poetry collections by Vladimir Holan - Triumf smrti (1930, revision 1936, 1948) and Vanutí (1932). At first, it focuses on identifying their rhythmic structure, its constants and the successive transformations. Particular attention is given to reprocessing of collection Triumf smrti - in the analysis of its three variants to see, how did the Holan's conception of poetic rhythm developed and its relationship to semantics of poetic text and its transformations. Part of exploration is to determine the function of poetic rhythm constants in individual collections, accompanied by an attempt to demonstrate that the relationship of rhythm, euphony and instrumentation of verse and their interaction belongs to the basic components of Holan's lyricism in this period. Furthermore, the work deals with the semantics of these Holan's collections, especially analysis of the basic features of his metaphor and metonymy, their mutual relationship, changes of the metaphors into metonymy and overgrowth in the context of poetic text into symbols. The purpose of the work is to show that the essence of poetic semantics in these collections lies in the specificity and uniqueness of their poetics, from which it is inevitably born, grows and shapes.
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Contemporary Czech Poetry and its Perceiver
Hoření, Vendula ; Hník, Ondřej (advisor) ; Hausenblas, Ondřej (referee)
Diploma Thesis Abstract: Contemporary Czech Poetry and its Perceiver Charles University in Prague Faculty of Education Czech Language and Litterature Department Vendula Hoření The introduced diploma thesis deals with the topic of contemporary Czech poetry. Its typical form and content are desired to be found. By "contemporary" is meant the period in which the materials for its realisation were collected, i.e. between spring 2010 and spring of the 2011th. Emphasis is placed on the perceiver and the way in which he can meet with poetry today. The hypothesis that the result of research will be revelation that certain contents and forms are timeless, but others only current, was confirmed. As a new content were found topics as responses to the actual phenomenas of virtuality, ecology and consumer society. Among the new forms of contemporary Czech poetry were classified: the project Poems on the Underground, anthology The Best Czech Poetry, competition in author recitation Poetry Slam and singer-songwriter meeting Open mic as taken from foreign models and Physical poetry of Petr Váša and in a certain sense also poetic improvisation of Jakub Foll as original contemporary Czech poetry.
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Jan Zábrana - a translator and a poet. Inspiration by and translations of Beat poetry
Eliáš, Petr ; Kalivodová, Eva (advisor) ; Josek, Jiří (referee)
The diploma thesis Jan Zábrana, translator and poet - translating poetry while inspired by it? examines the relationship between the original works of Jan Zábrana and his translations, taking into account the similar thematic and formal inclinations of all the authors and the sociocultural context, preventing Jan Zábrana from publishing his own poetry. Based on the analysis of three variants of Zábrana's poem collections Utkvělé černé ikony, Stránky z deníku and Samosoud and his translations of poems by Allen Ginsberg, Lawrence Ferlinghetti, Gregory Corso and Kenneth Patchen, the thesis aims at finding the tendencies and models present both in Zábrana's original poems and his translations.
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Martin Heidegger: Man, World and Space
Kocman, Vojtěch ; Čapek, Jakub (advisor) ; Ritter, Martin (referee)
5 Abstract This essay presents an attempt to interpret the key moments of Heidegger's conception of spaciousness. Considering the fact, that Heidegger didn't publish his understanding of spaciousness in any systematic form, it is necessary to work with a great amount of primary texts often available only in a fragmentary shape. Another difficulty is given by the author's use of language, which requires very demanding translations; we always translate the source texts in this paper. Within his conception termed as the topology of being Heidegger attempts to think about the space not as a measurable quantity, but in correlation with the Greek concept of τόπος, i.e. the qualitatively determined place. This essay concentrates on Heidegger's early work as well as on his late period, during which the topological thinking plays a central role; it also tries to identify the connection between them. The understanding of thinking as a way is essential, as well as the connection of thinking and poetry and the relation between space and time, which are considered of equal value in Heidegger's late work. Merely outlined remain other directions, which may be taken by further research within Heidegger's concept of spaciousness: the critique of the contemporary way of the uncovering of the world, the deepened relation with...
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Locomotor expression of poems with pre-school children
Hujerová, Václava ; Hník, Ondřej (advisor) ; Klumparová, Štěpánka (referee)
Dissertation deal about integration poetry with locomotion in kinderkarten. I investigate measure of interest the children about poetry and integration poetry with locomotion. I suppose, the children will be prefer the integration of activities because of congenital needed and komplex perceive. I engage charakteristic of poetry and locomotion, relation the children to poetry and importance poetry and locomotion for children. I implement the exploration in Prague 1 with twenty children. They are five years old. The method of exploration is observation and experiment. The exploration remain ten days. I investigace measure of interest about poetry and integration poetry with locomotion. I discovered, that I connect poetry and locomotion, the measure of interest increase to sewenteen percent. Thanks to, the children love poetry and get to poetry deap emotional relation. Integration poetry and locomotion attend to harmonious development of personality. I think, that it ensure the best start for life.
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Zahradníček's Akord
Vandasová, Anna ; Wiendl, Jan (advisor) ; Binar, Vladimír (referee)
The thesis focuses on Jan Zahradníček, a Czech poet, at the time when he was the editor of Akord, a literary magazine, and provides an analysis of this activity. The core of the thesis is preceded by chapters introducing the issues of the poet's life and work and providing basic information about the previous period of the magazine. Then I try to expound how Zahradníček edited the magazine and against what unfavourable circumstances he had to fight during the occupation and after the liberation. I characterize the basic contents of individual volumes, sections and their changes, and the texts of the most significant contributors. An important part of the thesis is a bibliography of Zahradníček's Akord of 1940-1948, a name index and a subject index.
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