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The House
Žilinský, Michal ; Zálešák, Jan (referee) ; Mikyta, Svätopluk (advisor)
The house, which has been influencing me since my childhood by its peculiarity is now beeing consumed by vegetation and the ceilings in the interiors are starting to collapse. Termination of romantic settings brings me back to the source of my influences and inspirations – relics of which authenticity I mold into the drawings as fossilized artifacts and black and white documentary video scenes that attest to the aging of the setting in real time.
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Useless Things
Maloušková, Drahomíra ; Jeřábková, Edith (referee) ; Artamonov, Vasil (advisor)
Useless things. I normally use trash things like pattern in painting still life. My father suffers from obsessive compulsive disorder – accumulation of things. In addition to painting, I also work with objects themselves. My interest also closely related to how the concepts of the subject, object and artifact are appliing in contemporary art. There are the tradition of imitation fact, principle of ready-made, the issue of technical reproducibility and virtual reality of things in history of art. As a central theme of my thesis, I selected the part of bodywork Tatra 613, which carries all the testimony about ,,useless and hopeless "situation in which it is located. It is also an object monumental and visually very aesthetic. Yet it is not my intention to settle for the principle of redy-made. Asked about artwork as intermediaries art and its seemingly useless producing and reproducing, I want to try to create another such usless situation. That's why I make a cardboard copy (1: 1) of this object. I also make video with motive 3D copy of the same object. I like to create some voltage between that useless object and valuable art practice. I think, it does not just mean such futility when these objects will be viewed as an art.
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The Possible Limits of Spatial Arrangement
Homola, Ondřej ; Zálešák, Jan (referee) ; Franta, Jiří (advisor)
Bachelor thesis seeks the interspace between artifact and installation and the works of artists and "architect of the exhibition" in order to question the role of authorship of a work of art and to argue over the value of artwork. It uses collage approach to combine gallery space, arrangement and artifacts. The thesis refers to modern and archival turn in contemporary art.
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Sports and Recreation Centre Vsetín, Ohrada
Košňar, František ; Kotek, arch Jakub (referee) ; Odvárka, Antonín (advisor)
The architecture and urban planning study of the Ohrada sports grounds examines the possibility of building a multipurpose sports and recreation centre in the Vsetín – Ohrada location. Currently, the grounds are in a very poor condition. With respect to the dimensions of the grounds, the roofed stands of the Spartakiad stadium serving a lodging house along with the tennis club facilities fail to fulfill its potential. I approached the area layout in a way which enables a clearly identifiable morphology of the buildings with an accentuated maximum utilization of daylight, open space, greenery, and social interaction to combine ideas and needs of the future generation and thus give the location a new genius loci. The biggest challenge of the complex layout of the whole site was to find a meaningful use for the great amount of soil found in the decaying stands. I find the best solution in creating an accessible, walkable mass that provides several different sections with various atmospheres and purposes. This concept resulted in a study which uses the qualities of the premises and complements them with a number of sports and recreational activities. The fundamental idea was to create a public leisure space with a focus on a great variability of the purpose of the grounds to make it useful for a wide range of public across generations. This led to the creation of several main masses which divide the location, reduce the scale of the area and give it a different atmosphere. At the same time, the grounds are freely accessible and open to the public. A long-term, functioning society demonstrates an ability to treat public and semipublic space with respect. The area in front of and in between buildings becomes, therefore, more important than the buildings themselves. At such a moment, one can talk of a sustainable public life.
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The Phenomenology of Touch and Desire
Vojtěšková, Jitka ; Hanzlová, Alžběta (referee) ; Mikyta, Svätopluk (advisor)
Still life arise from interactions related to a particular situation, location and experience. They are composed of objects that are located on a given place, of my own and borrowed or donated by my "partners". Reflect the time memory. They are a physical reminder of the experience. Still Life is manipulated, staged, composed of various artifacts that are symbolic bearer of facts that preceded them, Images may affect the perception of emotions associated with the concept of beauty, transience, decay, evoking a feeling of emptiness, to reflect the time - an irreversible momentum. Photos show a banal, everyday objects, often so obvious and neglected, What remains for us ... What remains ... What goes around ... What is gone ... Similar scenarios acquire different meanings, finding what is already absent,
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Design of a suitable length standard for nanometology at the CMI Brno and CEITEC Brno
Češek, Jakub ; Jankových, Róbert (referee) ; Šrámek, Jan (advisor)
The thesis deals with the design of a suitable length standard for nanometrology. This length standard will be used for metrological traceability of the Rigaku nano3DX located at CEITEC Brno and the SIOS NMM-1 device which is located at ČMI Brno. The first part is focused on the description of these measuring instruments, the analysis of their metrological traceability requirements and the requirements for the material length standard. The second part is devoted to the concrete possibilities of the etalon design, 3D printing of the prototype of the standard and verification of its dimensional compatibility. At the end of the thesis, the evaluation and selection of the appropriate standard design is made.
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Visualization of 3D data in biomedical applications
Karzel, Michal ; Harabiš, Vratislav (referee) ; Štohanzlová, Petra (advisor)
This thesis describes the basic principle of optical coherence tomography and prepro- cessing of the measured raw data. Preprocessing is focused mainly on noise filtration, removing artifacts, normalization, conversion and compression of raw data. In this way preprocessed data is saved in a *. PFRG file as ”preprocessed fringe data”. Those pre- processed data will be visualised by simply software, which support three methods of visualisation. Volume data represented by voxels. Reconstruction of volume by marching cube algorithm. Cuts through volume along X, Y and Z axis.
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Web Application for Learning of Guitar Playing
Mikota, Michal ; Černocký, Jan (referee) ; Szőke, Igor (advisor)
Tools for teaching musical instruments have been with us for hundreds of years and, like everything else, have gradually adapted to the present day. However, a large number of these applications are overly complex, confusing, and generally unfriendly for their users. At the same time, there are only a handful of apps that have an implemented feature of real-time detection of the played note by the player, which is very desirable and necessary for beginner and moderately advanced guitar players. This bachelor thesis demonstrates and explains the implementation of the various tools needed for teaching using techniques for dominant frequency detection and filtering out unwanted audio artifacts using an algorithm from the field of convolutional neural networks. At the same time, the goal is to focus on the robustness of the algorithm, i.e., it can detect and determine the played tone on the guitar even in noisy environments. The algorithm used by the individual tools developed within this application, combined with a simple user interface, provide the alternative for teaching how to play guitar.
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Web Application for Learning of Guitar Playing
Mikota, Michal ; Černocký, Jan (referee) ; Szőke, Igor (advisor)
Tools for teaching musical instruments have been with us for hundreds of years and, like everything else, have gradually adapted to the present day. However, a large number of these applications are overly complex, confusing, and generally user-unfriendly for their users. At the same time, there are only a handful of apps that have an implemented feature of real-time detection of the played note by the player, which is very desirable and necessary for beginner and slightly advanced guitar players. This bachelor thesis demonstrates and explains the implementation of the various tools needed for teaching using techniques for dominant frequency detection and filtering out unwanted audio artifacts using an algorithm from the field of convolutional neural networks. At the same time, the goal is to focus on the robustness of the algorithm, i.e., it can detect and determine the played tone on the guitar even in noisy environments. The algorithm used by the individual tools developed within this application, combined with a simple user interface, provide the alternative for teaching how to play guitar
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Theories of art evaluation
Neubert, Jiří ; Petříček, Miroslav (advisor) ; Dadejík, Ondřej (referee)
(EN) Evaluation is an inextricable part of perceiving artworks and therefore it is necessary to study it. Evaluation is always an evaluation of something, it presupposes certain knowledge and idea of what is being evaluated. Evaluation presupposes conceptualization. If we want to say something about art or better of our experience of it and want to be understood and believed, we will need to study our conceptual equipment we use. This paper offers a conceptual minimum, being important, almost inevitable for the evaluation of art. All encounters with art are connected to the consideration of authorship. Concept of the author seems to be with the concept of art more then adherent. Nowadays authorship flounders between complete sovereignty and dissolution. There are theories of artworks, that leave or even protest against the connection between art and author. Art has a long tradition, but the contemporary notio of art is relatively young and conceptually very much laden. On the one side there is ignorance of its character, on the other there are tendencies to fix it forever. Man understanding art as an expression, perceives, looks for meaning and evaluates differently, then the one understands art as an institutinally given status. The manners of thinking art are decisive. The concept of art depends...
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