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The Mimesis - Imitatio in the autentic Letters of Paul
Mátiková, Anna ; Brož, Jaroslav (advisor) ; Scarano, Angelo (referee)
Mimesis - Imitatio in the Authentic Letters of the Apostle Paul The first part of the thesis provides the reader with a concise overview of different semantic levels of the term mimesis as found in the ancient literature written in the Greek language. Furthermore, the author focuses her attention on the use of the concept of mimesis in the Old Testament, and the New Testament writings other than Paul's authentic letters. Such a survey prepares the ground for a detailed study of the concept of mimesis in the authentic letters written by the Apostle Paul. The idea of mimesis is present in Paul's authentic letters in five explicit passages (1 Tess 1:6-7; 1 Tess 2:14; 1 Cor 4:16; 1 Cor 11:1 a Phil 3:17). Each of the passages is studied within the whole context of the respective letter, written for a group living its own particular situation. The thesis compares different exegetical solutions from several researchers. Some of the researchers understand Paul's appeal to imitation as a call to be obedient to his teaching. Other experts are more inclined to understand this imitation as an authentic representation of the Cross in the life of Jesus' followers. The thesis tries to prove that the mystery of Christ's kenosis, expressed in a very significant way in the Christological hymn contained in the Letter to the...
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The Development of Mimetic Desire towards Latent Conflict in the Work of Katherine Mansfield
Nováčková, Zuzana ; Wallace, Clare (advisor) ; Nováková, Soňa (referee)
Thesis abstract Using Aristotelian notion of imitative behaviour and René Girard's theory of mimetic desire, several stories by Katherine Mansfield are analysed in order to demonstrate the development of mimetic desire together with its implications. The analysis follows the negative aspects of mimesis: the problems it causes in relationships, as well as the positive aspects including the self-knowledge. Since Mansfield's stories do not correspond fully to Girard's theory, the analysis explores a specific way of dealing with mimetic desire: keeping the conflict latent. At first, the stories about childhood offer an insight into Aristotelian concept of mimesis - imitative behaviour being a natural and pleasing human activity that is best observed in children's plays. The stories show how children choose their models, how they comprehend the world that surrounds them, especially the interpersonal and social codes, and how important is imagination in their mimetic activities. The analysis proceeds from natural imitation to the origins of mimetic desire, focusing on two modes of mediation and on the process of realization of one's own self-authenticity. The search for self-authenticity is possible due to external or internal mediation of desire. The transition from one type to the other is explained by the...
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Katharsis in Greek tragedy
Duchek, Libor ; Fischerová, Sylva (advisor) ; Kuťáková, Eva (referee)
This paper is focused on the concept of catharsis in classic Greek tragedy. In the first part, it traces historical context of this term particularly trough the work of Plato; and later, the main effort is devoted to Aristotle. It looks closely in Aristotle's Poetics and Politics, which are the only works where he mentions catharsis. After research of the Aristotle's texts, the study presents variety of interpretations that have arisen over centuries, examines them and derives an elementary understanding of catharsis. The second part of this work tries to trace catharsis in a sample of preserved tragedies of main Greek dramatists. It investigates tragic characters, plot and tragic emotions (i.e. pity and fear). The scope is to compare the Aristotle's theory and practice of dramatists, who lived one century before the theory had rised. Last but not least the study concludes by bringing forward an evaluation of this approach to the theory of Aristotelian catharsis.
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Visual experince as example and pattern in relation to the expansion and influence into human life
Nohejl, Jiří ; Czumalo, Vladimír (advisor) ; Vojtěchovský, Miroslav (referee)
The main theme of this dissertation is to define an image as a visual experience. The human interaction is described by the author himself as a perception of the image, which serves as an information unit that could be presented as a possibility, example and pattern for the individual. There is an emphasis on the process of perception itself and on the way of interaction of an individual emphasizing the context of social learning and imitation in this text. The analysis of the principles of this interaction leading into introduction of the partial interactive models covering these processes is formed by the essential plane. The structure of the thesis is divided into ten main chapters in which the author tries to introduce a category of perception, a definition of the image and imitation as a tool of cultural transmission, presentation of the units of this transmission, the process of the interaction itself and analogous example of the fundamental role that a person in this interaction holds. There are also three analogies of these roles, which refer to the anthropological universal interaction describing the man as a gatherer and hunter. Their main purpose is to illustrate the form of a human experience better. Finally, there are reflections on the topic above. The possibilities and results, which...
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Aesthetic Experience, Paradox of Time and Event Horizons
Pačesová, Klára ; Dadejík, Ondřej (advisor) ; Ševčík, Miloš (referee)
The main topic of the thesis is the temporal dimension of aesthetic experience in its relation to memory and imagination. The initial approach to the topic is the concept of relationship between time and narrative of Paul Ricoeur, primarily contained in his three volume book entitled Time and Narrative. Gradually, the specificity of the time experience will be investigated, as well as operations of memory and imagination in narrative fiction. Attention is focused on a narrative as means to designate a coherent whole, respectively a meaningful concatenation of events. The main relationship explored is the interaction between the world of work and the lived world. The functionality of theoretical views is presented on the work of French director Chris Marker, especially on his two films La Jetée (1962) and Sans Soleil (1982).
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Concepts of a Fictional Character in Contemporary Narratology
Dvořák, Jan ; Bílek, Petr (advisor) ; Málek, Petr (referee)
The goal of this thesis is to present essential concepts of literary character in fiction as they were produced by literary theory and criticism mainly in the second half of the twentieth century. The thesis offers comprehensible comparation and reflections of individual concepts and then attempts to offer some relevant implications for conceptualization of literary character. The implications are considered in practical interpretation of a particular narrative: the short story The Death of Mr. Baltisberger by Bohumil Hrabal.
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Methodology of application of film language
Sýs, Alan ; Horný, Stanislav (advisor) ; Seko, Martin (referee)
The Bachelor Thesis is focused on the expressive means of film and the methodology of their application. It portrays, how the application of the methods may influence the final meaning of the artwork, respectively suggests, how to achieve the authors intent in the most effective way, through the coscious utilization of film language. In order to achieve the objects of this paper were chosen the most significant expressive elements, which are described in detail and subsequently demonstrated on concrete examples of the bachelor movie Marek is smiling.
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