|
|
"Hipster" Tote Bag Wearers and their Fashion World
Štěpánková, Tereza ; Horák, Vít (advisor) ; Kotík, Michal (referee)
Tereza Štěpánková "Hipster" tote bag wearers and their fashion world Abstract This bachelor thesis deals with the "hipster" tote bag wearers, their fashion world and the role of the terms hipster and style in their life. The goal of the thesis is to find out, if the wearers of the tote bag can be compared to expert definitions of hipster or if there are any special regularities to describe at all. The thesis is composed of four parts, the theoretical part is an introduction to sociology of fashion, style, selfpresentation with citation of Georg Simmel, Erving Goffman and others. For the reason, that hipster is in some definitions considered a subculture, the term subculture is defined, as are the terms related to it. In the second chapter the term hipster itself and its problematic definition are argued with support of contemporary literature. The methodological part is a description of the research process and data collection. The content of the analytical part is formed by interview data interpreted in context of chosen theoretical theses. Three subchapters were formed in the analytical part based on the data, which present the outcome and answers to the research questions. These subchapters are Common elements between the hipster tote bag wearers and its noncoincidental character, The bag wearers' style...
|
|
|
Media image of David Černý and his work in the zech press
Kušiaková, Anna ; Sládková, Hana (advisor) ; Ježková, Tereza (referee)
This bachelor thesis "The medial image of David Černý and his work in the czech press" is trying to present the medial image of contemporary czech controversial artist in selected periodicals, formed both by the media and his personality. For specific documentation of the image, its changes and development while outlining development of periodicals themselves were selected two seasons; five-year period before the turn of the millennium (1996-2000) and equally long period after the turn of the millennium (2006-2010), the periodicals were chosen from among the most read newspapers (MF DNES, Lidové noviny, Hospodářské noviny and Blesk) and weeklies (Reflex, Respekt a Týden). In the first part is presented the biography of David Černý and his work, as well as some of the press trends since 1989. The second part of the work is focused on a specific period and personality in the monitored titles, the aim is to describe from selected articles the medial image of David Černý and describe, how it has been transformed, how has changed expression of the artist and which changes have occured in press. David Černý is a significant czech artist and because it does not occur too many comprehensive publications, dealing closer with his controversial person and work, I would like this work to contribute to the...
|
|
|
Semiosis of the self-prezentation of sports clubs AC Sparta Praha and HC Sparta Praha in the season 2013/2014
Drobná, Šárka ; Šoltys, Otakar (advisor) ; Jirák, Jan (referee)
Diploma thesis deals with semiotics of advertising media campaigns of sport clubs AC Sparta Praha and HC Sparta Praha in the season 2013/2014. Both of the clubs celebrated an anniversary this season: AC Sparta Praha celebrated 120 years since its foundation, HC Sparta Praha celebrated 110 years. That was a reason why media campaigns were intensive and referred to the glorious history of the clubs. The Diploma thesis research is focused on meanings encoded into the campaigns and attempts to find out which verbal and non-verbal signs create the term "Sparta". The Author tries to find out if there is the same semiotic base for both clubs which operate with the same name and elementary signs. Diploma thesis defines contemporary "myth of Sparta" in Czech sport area. Theoretical part occupies with contemporary status of sport in the society, analytical part deals with the media campaigns of both clubs from semiotic perspective.
|
|
|
Self-presentation through appearance
Smoljaková, Natálie ; Holeček, Tomáš (advisor) ; Martinová, Marta (referee)
This thesis is trying to answer two questions. The first one is: "To what extent is it possible to present the idea of ourselves with such elements as the way we dress, our posture, face expressions and general appearance?". It is trying to examine to what extent and in which attributes we can find agreement or disagreement among all respondents and to what extent is this compatible with with the self-view of those judged one. Second part of this thesis was to try to explore if there is any agreement in what is being perceived as sign vehicles and if these sign vehicles are perceived in the same way and if there are some differences in perceiving these sign vehicles, how and why is it happening and what is connecting these components or individuals.
|
|
|
Acculturation Strategies in Musical Self-presentations of Immigrants in the Czech Republic
Skořepová, Zita ; Jurková, Zuzana (advisor) ; Stavělová, Daniela (referee)
This thesis is based on my research dealing with musicians - members of different immigrant minority communities, who explicitly identify themselves with their ethnicity and the region of their origin. The musicians mention that they come, e.g., from Cuba, Ukraine or generally from "Central Asia" and the music offered to the audience is presented as "Cuban", "Ukrainian folk" or "traditional music of Central Asia". The subject of study are their concerts, regarded as musical occasions - performances - with defined modes of participants' interaction. In the Goffmanian sense, the meaning of each selfpresentation is determined by the behavior of the musicians during the performances, and the repertoire, place and occasion of the event and type of audience are considered as "bearers of sings". In their self-presentations, the musicians expose in various ways who they are, where they come from and in various ways present the musical (not only) culture of their origin. Inspiring myself by typology of acculturation strategies formulated by John W. Berry (Berry et al., 1997), I try to identify acculturation strategies based on factors determining the character of the respective musical self-presentations of the immigrants. When can we observe behavior according to the principles of integration on the one...
|
|
|
Self-presentation and social perception of young DRAG QUEENS in social media with special regard to Facebook, Instagram and TikTok networks
Kubánková, Tereza ; Fousek Krobová, Tereza (advisor) ; Švelch, Jaroslav (referee)
This diploma thesis of the self-presentation explores the aspects of self-presentation and social perception of a group of 5 selected drag queens. The thesis has a form of 5 case studies based on deep analysis of their profiles on Facebook, Instagram and TikTok, which are currently the most used social networks. The areas of interest in this diploma thesis were the visual presentation of their drag identity, the trends their profiles show in areas of make-up, wig or hair, costume and body position in which they are shown on their profiles. The second area of interest was the nature of the textual presentation and captions, use of hashtags and interaction with their audience. Third are of interest was the audience itself, whether it was supportive in terms of drag and LGBTQ+ community in general and the nature of the interaction with the audience. The results from the content analysis were then summarized and used as a basis for semi-structured interview based on the outcomes from the said content analysis. The focus of this thesis was the relation of their drag identity to their civil identity and how these identities interact on their profiles on social medial. The thesis claims that the shift of drag from club shows to everyday presence on social media positively affects the reception of this...
|
|
| |
|
|
Selfies as a tool of gender identity construction
Gejdošová, Iva ; Kobová, Ĺubica (advisor) ; Pavlík, Petr (referee)
Taking selfies is a technique of self-monitoring, gaze and comparison, drawing from its regulatory force upon women. The photo-taking practice marks the surveillance of how individual gender performances fulfill the expectations of existing gender norms. The contemporary postfeminist hegemonic femininity presents woman as owning the right kind of dispositions, such as confidence or sexiness, in which case the area of the body plays a central role. In order to explore how performances of such femininity are constructed, this study uses content analysis to study the visual and textual content of Instagram posts. This master thesis analyses whether the Instagram users tagging posts #zanormalniholky (#fornormalgirls) are responsive through selfies to postfeminist femininity or rather use it as a form of resistance against the postfeminist discourse. Identity, including gender identity, is constituted through acts that purport to be its consequence. Selfies - as the results of this thesis show - have normative potential. Key words postfeminism, selfie, Instagram, social media, gender, self-portrait, self-presentation, feminism, #zanormalniholky, femininity, makeover paradigm
|
|
| |
|
|
See and Be Seen
Zoubková, Andrea ; Fišerová, Zuzana (advisor) ; Kitzbergerová, Leonora (referee)
Diploma thesis deals with phenomenon of social network coopering with visual content (Instagram and Facebook), particularly as a conception of platforms as a place for individual self-presentation and also as place in which massive deformation of reality comes about. Didactic part is aimed to project thematic whole of art exercise into an art education in which cultivation of student's visual literacy should take place in area of working with identity in virtual reality. Explorative probe pursuing forms of self-representation and using symbols of self-representation of students will focus on mystification by image. Thesis will be based on author dialogue with a piece art of René Magritte "Ceci n'est pas une pipe.". KEYWORDS Self-presentation; new media; social network; photography; identity; manipulation; sign; deformation of reality; art education
|
guest ::
