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Locomotor expression of poems with pre-school children
Hujerová, Václava ; Hník, Ondřej (advisor) ; Klumparová, Štěpánka (referee)
The object of my disertation is connection poetry and locomotion with pre-school children. The goal of my research is realize, which poems and motions are prefered by children and what is the reason of their choose. The methods in my dissertation are interview, experiment and observation. All of these methods detect relation of children to poetry and locomotion. I have discovered the interesting style of work with pre-school children. The children have appreciated various language and form resources. I have discovered, that children love particularly dynamical and simple activities, which enable maximum discharge of energy. I will trying to choose the poetry and locomotion, which is the nearest for pre- school age.I hope, that my discovered will be interesting inspiration for teacher in kindergarten.
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O slunovratu - Jan Skácel's Poems Musicalised
Lesáková, Tereza ; Hník, Ondřej (advisor) ; Peterka, Josef (referee)
Tereza Lesáková O slunovratu - Jan Skácel's Poetry Musicalised The thesis deals with the relationship between poetry and its musicalised version, namely with the poems by Jan Skácel used on the CD O slunovratu by Jiří Pavlica and Hradišťan. The thesis is based on the interpretation of the song lyrics and the poems and their comparison, aiming at discovering possible shifts in meaning. A small research of qualitative character was added to find out the audience's understanding of the selected songs.
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The principal themes and motifs in Rubén Darío's poetry
Grabec, Jan ; Vydrová, Hedvika (advisor) ; Poláková, Dora (referee)
The aim of this work is to capture and explain the motivic and thematic aspects of the poetical work of Rubén Dário. Rubén Darío has substantially contributed to the formation of the hispano-american modernism, that originated mainly from the literary movements of the 19th century in Europe. Hispano-american modernism has formally revived obsolete poetical structures of its time and has provided other Spanish speaking writers for enriching their writings with new elements. This work then concerns itself with the analysis of themes, which have appeared in his writings most frequently. The motivic part of his writings was, especially in his earliest writings, deeply influenced with mythology, mainly the classical and the germanic one, but also with oriental art, and often evoked the environment of aristocracy. His critics have often declared those motives to be exotic as they were not common in Darío's times. Finally the work is trying to capture the motivic and thematic shift between his fundamental writings, the Worldly hymns (Prosas profanas) and the Songs of Life and Hope (Cantos de vida y esperanza). In contrast to the Worldly hymns, the Songs of Life and Hope decline to existentialism.
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Interaction of the Metrical and Phonological Aspects of Language Constituting the Rhytm in Poetry
Zindulková, Klára ; Binar, Vladimír (advisor) ; Wiendl, Jan (referee)
The chief subject of this work is a detailed description of rhytmical structure of two versifications - accentual-syllabic verse and quantitative verse. Their rhytmical principles are compared to the rhytm of music, in order to find the analogies and differences. The task of the vocalic quantity is closely analyzed and the hypothetic interconnection of both versifications is explained in the next part of the work. Then I return to the theories of J. Král and O. Hostinský, comparing them with the modern metrical theories and mention the possible contribution of these theories to vocal music lyrics creation. Further in the work I concentrate on the connexion of textual and musical element in the vocal music, examining the rhytmical aspects of their interaction, especially the rhytmical effect of word and music accent. The task of pauses in three described rhytmical systems is examined afterwards.
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Abstract expressionism and Raymond Roussel in the poetry of John Ashbery
Peková, Olga ; Quinn, Justin (advisor) ; Armand, Louis (referee)
Expressionism and Raymond Roussel in the Poetry of John Ashbery John Ashbery is the epitome of the postmodern poet and he reflects in his writings a variety of influences. These are an inherent part of the understanding and appreciation of his poetry but also informative about his attitude to the literary canon: more precisely, they are testimonies of his attraction to avant-gardes and minor and marginal authors. Two representatives of these have been selected for detailed comparison. The first is the second generation of Abstract Expressionists associated with the 1950s New York School of poetry of which Ashbery became a prominent member. The second is the French obscure proto- surrealist Raymond Roussel. The thesis compares several formal aspects of Ashbery's poetry with their respective techniques with a view to elucidate the workings and attitudes behind Ashbery's singular style. Abstract Expressionists were chosen due to Ashbery's long engagement with visual arts criticism and the already-mentioned fact of their shared milieu of the New York School. The comparison, based on Charles Altieri's 1988 article "John Ashbery and the Challenge of Postmodernism in the Visual Arts," distinguishes two main parallels between the visual and linguistic material: a treatment of language similar to collaging...
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Linguistic analysis of Petr Nikl's works
Sigmundová, Alena ; Palkosková, Olga (advisor) ; Janovec, Ladislav (referee)
The content of this paper is a linguistic analysis of Petr Nikl's texts. Petr Nikl is an all-round artist. His main activity is graphic arts; he is also engaged in the Puppet Theater, he sings with a music group Lakomé Barky and writes children books. The aim of this study is to determine if the author respects the child perspective in his works. Especially if he uses only such language elements, that are appropriate for children. After a thorough analysis of all Nikl's books (Pohádka o Rybitince (2001), O Rybabě a Mořské duši (2002), Lingvistické pohádky (2006), Záhádky (2007), Jělěňovití (2008) a Niklův Blázníček (2009), I concluded that the author respects only some elements of the perspective of a child. The syntactic structure of the text is uncomplicated and therefore children appropriate. From the lexical point of view the situation is not so clear. The author uses simple metaphors, similes, uses words that mostly originate from the national origin, and often uses emotive words. On the other hand, uncommon and literary words and complicated poetic neologisms, that most children cannot know, occur in his texts quite frequently. From the morphological point of view I do not find any significant obstacles, so that children could not read and enjoy his works. But these obstacles can occur on the...
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Satire in Classical Arabic Poetry
Pletichová, Anna ; Ondráš, František (advisor) ; Oliverius, Jaroslav (referee)
Satirical poetry is generally considered as a one of the most important genres of the classical Arabic literature. Genre of poetry was in the pre-Islamic and early Islamic society highly appreciated and the Arabs used to regard it as the only form of the real literature. Unlike prose which was limited to the folklore and educational literature esteemed the Arabs poetry as a real art expression and the poet hold also very strong position within the traditional Arab society. Arabic satirical poetry is believed to grow up from curses and lampoons declaimed by traditional Arab wizards, kāhins, and due to the fact that faith in the power of word was still very deeply rooted in people's minds, Arabic satirical poetry was ascribed a very good reputation. The development of society after the rise of Islam also had a very strong impact upon the function of traditional genres of the Arabic poetry. From its original function of discouraging and threating enemies satirical poetry developed into the means of poet's subsistence, political propaganda and society entertainment. Arabic satirical poetry became an independent genre of art. This thesis deals with the origin and the development of Arabic satirical poetry from its emergence in the pre-Islamic period until it reached its peak during the reign of Umayyad...
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Inner emigratation of Jan Zábrana and Osip Mandelstam
Rosová, Anna ; Rubáš, Stanislav (advisor) ; Oganesjanová, Danuše (referee)
Diploma thesis Inner Emigration of Jan Zábrana and Osip Mandelstam examines the relationship between a poet (Osip Mandelstam) and his translator who is also a poet (Jan Zábrana). It shows connections between their life experiences, and the way these moments affected their own poetics. Simultaneously, it finds out if and to which degree Mandelstam- poet influenced the poetry of Jan Zábrana. The analytical part of the thesis compares Czech translations (by Jan Zábrana and Jiří Kovtun) of Mandelstam's poems Петербургские строфы, Концерт на вокзале, Еще не умер ты...
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Socialist realism and so called total realism: main characteristics of poetics, similarities and differences
Sieberová, Jana ; Bílek, Petr (advisor) ; Schmarc, Vít (referee)
This diploma thesis mainly deals with the relationships between the poetic manifestations of socialist realism and so called total realism in the early fifties. The first part focuses on general issues; within it I try to describe characteristic features of both poetics, for total realism it is done mostly in the background of comparison with like-minded concepts (Hrabal's poems from the fifties, the works of former members of Group 42). In other chapters of the text I am thinking about a total realism from two aspects: first, as an alternative form of realism, which defines itself against the official art, as well as a program that is dependent on the official art to some extent by paraphrasing or using some of its means and resources.
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