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(Now what?)
Šťastná, Kateřina ; Chamonikolasová, Kaliopi (referee) ; Gabriel, Michal (advisor)
The topic of the bachelor thesis is touch. The work builds on the fascination with touch, analyzes how different contents can be associated with a gesture that symbolizes something very subtle, fleeting and even fleeting, but at the same time can elicit a very intense and calmly long-lasting response. The output of the bachelor's thesis is a figural sculpture, the prototype of which is the author herself at the age of ten. By depicting a girl's body at an age when it is physically beginning to transform into a woman's body, I ephasizis the touch in its inconsistency, perhaps subtly uncertain the audience and raise questions focused on what the touch means to us.
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Forest figuration
Jasparová, Lucie ; Bulava, Petr (referee) ; Ambrůz, Jan (advisor)
The bachelor's thesis Forest Figuration is set in the forest around Horní Loučky. In trees, trunks, uprooted roots and landscapes, I look for elements reminiscent of the human body. This process is recorded by various techniques. The whole work is accompanied by social separation, exacerbated by the pandemic of the Covid-19 disease, is based on closing in nature, watching natural cycles and respecting the landscape itself. The work is a collection of works within an exceptionally long time in the forest and is also an initiating moment for further development in later work.
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Playground
Haviarová, Kristína ; Sterec, Pavel (referee) ; Ambrůz, Jan (advisor)
In my work there is a great deal of handcuffing, conceptual approach to sculpture, space perception, aesthetic and intuitive work with material. I try to express a state that she can not always describe by words. All the knowledge and experience I have gained during my studies, I would like to apply to my bachelor work. Almost throughout my studies, I have been intensively engaged in plaster work as one of the basic sculptures. In exaggeration, we can talk about some obsession with the material. I deal with colorful but also structural deviations in different species. I work with it not only as a dense material but also as a material with a crust, but with a rough surface. It is some sort of rewinding into this material and through subtle objects and spatial installations I express the inner state, reaction to change and attitude to the environment. My final thesis will be a set of objects with interrelations but without a hierarchical arrangement. It will be about creating a stateless situation, variations in the state of a dead end. As part of the simple objects, gypsum "figures" will be the main actors of the already mentioned situation, with which they have to deal with themselves. I put in expectations that are never filled (static installation), a certain kind of tension occurs. However, gypsum does not have to play only the role of the main hero, it can be purely a part of an object based on aesthetic or sensual choice. I'm not trying to interact. The viewer is just an observer, the voyager who enters the frozen already. It can take the atmosphere and make a deliberate change into the situation of the main heroes of the work.
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Triumph of Ugliness
Kolářová, Monika ; Zálešák, Jan (referee) ; Houser, Milan (advisor)
Bachelor theses is my engagement with phenomenon of body, focused on the theme of beauty and ugliness. Through the Dionysian body type I am trying to capture the weight of physical imperfections. In contrast with the delicacy and subtlety glaze paintings I am trying to achieve a balance between the representatives of the general phenomenon of beauty and ugliness.
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COAT
Svobodová, Hana ; Pangrácová, Lucie (referee) ; Gabriel, Michal (advisor)
Although the main topic of my diploma thesis is Kabát, I describe in the introductory chapters of my previous work, because their creation and gradual emergence have been directed towards the final project - Kabát. As part of my sculpture, I concentrate mainly on the possibilities of transforming the human figure, using various classical and non-traditional sculptural materials. The fabric of a selected piece of clothing (in the case of a coat) is reinforced at a certain point in time, which I transposed into the feathered cavity - the coat that you put before you. His work with the "outer envelope of man" in the final passage of the text corresponds to the work of Czech and foreign artists.
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Selected Art Techniques in Figural Painting
Škábová, Sandra ; Gajdošíková, Pavla (advisor) ; Daniel, Ladislav (referee)
The bachelor thesis deals with selected painting approaches in figurative art. The theoretical part describes the basic principles of traditional and digital painting techniques by placing them in a historical context. It compares key craft qualities while highlighting common difficulties in painting. It showcases contemporary painters working within the selected techniques and the figurative subject matter. It analyzes individual approaches to the human figure, ranging from realist painting to distinctive versions of stylization in modern and contemporary art. The subsequent artistic part presents the author's own figurative work in the form of the painting series Siblings, to which she applies the same framework as the theoretical part of the thesis. The attached reflection of the author is interpreted and visualized using the characteristic features of selected artists' works, which exhibit the same aspects of creation as the Siblings. The narrative component of the author's work already resides in the private world of the artist and explores its imprint in the subjects depicted. The results obtained further inspire the didactic part and build the design of the lesson on the foundations stemming from the experiences gained through the painting series. Through the insights gained from the careful...
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Body and Time
Olšáková, Marie ; Kupčíková,, Alena (referee) ; Klodová, Lenka (advisor)
This work is about creating a conceptual sculptural work. The goal was to capture the following motives: individual ways of perceiving time and social pressure on women. My personal motivation for creating was the outrage of the societal pressure which is put on women in their reproductive age. The main part of the sculpture is a clock, which is inserted into a plaster cast in the woman's lap. At the same time, a blue IKB pipe is depicted in the woman's lap. The sculpture is a minimalistic depiction of a woman feeling of the societal pressure. Twice a day there is a moment when the hands of the clock cover the pipe, and the pressure that society exerts on us, women, disappears. These moments convey the message that there is no right time. At the same time, I created triptych relief plates in the background, which repeat the plaster material and the use of the bodies that were imprinted into it. Specifically, it captures three generations of women from my family, three different approaches and three different captures of time.
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Forbidden fruit
Kyselá, Kristýna ; Nytra, Martin (referee) ; Štindlová, Marie (advisor)
The bachelor's thesis Forbidden fruit is inspired by the pole dance exotic community, striptease dancers and the dance itself (pole dancing with heels). The work consists of a series of paintings on canvas painted using a combined technique (shellac ink, tempera, oil and encaustic). The central motif of the paintings are figures, portraits or details of dancers. Dance and dancers serve as a bridge for other subthemes: performativity, eroticism, gesture, physicality, exhibitionism, submissiveness or dominance. The work plays out the complex theme of pole dance, erotic dances, sexuality and the sexualization of the female body. It gives us an insight into nightclubs, dance halls and the intimate life of the main characters who reveal themselves and tell us their own story.
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Obstacles in life
Jedličková, Eliška ; Sobotka, Jiří (referee) ; Gabriel, Michal (advisor)
In my bachelor's thesis, I decided to devote my study to the field of sports, the personality of the athlete and especially his psyche. I am interested in connecting the inner feeling of the athlete and the given movement, which in my interpretation, is jumping over an obstacle. I don´t want to point out and portray the realistic, perfectly shaped body of the athlete, but I want to portray the inner feelings, dynamics, mechanicalness and disturbed concentration, which should be embodied by the individual segments.
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