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Desire
Bačíková, Alžběta ; Baladrán, Zbyněk (referee) ; Rathouský, Luděk (advisor)
Main theme of bachelor's project is rooted in the text considering the wandering subject and his will to penetrate through the barriers and boundaries. Object is not that towards which desire tends. It tends towards the unattainable. It leads to the invention of an imaginary world which is full of twists. Work is based on vizualisation of thoughts. It consists of two phases. In the first part - drawings has been collected as the basic material. Subsequent diagrammatic organization displays the internal connections between particular drawings. The result is 3D diagram which is constructed from wooden laths.
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Mandatory access control policies of operating system
Novotný, Filip ; Lattenberg, Ivo (referee) ; Pelka, Tomáš (advisor)
The subject of this paper is data protection by means access control. It compares the difference between DAC and MAC access control and describes the progress of MAC due to user requierements. Next part is dedicated to SELinux, what offers more system safeness. SELinux is based on mandatory access control. Making own policy is dedicated to SELinux editor, which is composed of Simplified Policy and is easy to use for ordinary user.
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Light as an image. Light in Czech fine art from the 1940s to the present days
MICHALINOVÁ, Denisa
The subject of this master thesis is the phenomenon of light as a specific artistic medium. The main focus will be put on issues of non-narrative light installations, the dichotomy of picture/image and light (projected light, projected picture/image), light and space (changes in perception due to light intervention) and their synthesis, the symbolism of light and its transformations. The aim is to describe the context of the inclinations towards light as an artistic medium in the work of selected artists and to explain the links of this shift towards new forms of fine art especially after 1989. The argumentations will be based on the works of key personalities of the Czech and foreign art scene, namely the work of Zdeněk Pešánek (1896-1965), Dan Flavin (1933-1996), James Turrell (*1943) and others. The text will map related manifestations and tendencies in contemporary Czech art through a critical naming of the methods and procedures of light creation by these artists.
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Interpretation of Diaries by Karel Poláček and Jiří Orten
ŻYWCZOKOVÁ, Anežka
The bachelor´s thesis is focused on the interpretation of diaries of two Jewish authors - Karel Poláček and Jiří Orten. It is divided into four parts. The first part presents a methodology, on which is the thesis based and talks about an issue of a diary as an autobiographical genre. It works with terms autobiography, authenticity, and constructed stylization of the author's subject. The second part describes the historical context of the period of Jewish persecution based on specialist literature. Both third and fourth parts are focused on Karel Poláček and Jiří Orten and the interpretation of their diaries. The aim of this thesis is to introduce the diary with a focus on author's subject and point out its historical and rhetorical character as well.
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Metafictional novels of the 30s and 40s in the Czech literature
SELNER, Ondřej
This doctoral thesis focuses on literary texts containing speech acts that are in literary history and theory usually known as self-reflexive. In the first part author attempts to find inspirations for self-reflexivity in a broader historical and cultural European context as well as its potential connections to modernism. Then it tries to find relations between these modernist tendencies and Czech literary production of the day. It also deals with different views of self-reflexivity in the Czech literary theory. After dealing with these perspectives and after analysis of their potential drawbacks, thesis then moves to an attempt to find a precise meaning of self-reflexivity with respect to the term itself. On that account it analyses reflexive philosophy of major philosophers of the 1st half of the 20th century - Edmund Husserl, Jean-Paul Sartre, Martin Heidegger and Maurice Merleau-Ponty. The analysis of relevant works of these philosophers dealing with reflexivity leads to the formulation of a thought-map that embodies evident parallels between self-reflexivity in literature and reflexivity in philosophy. In order to verify these parallels, thesis then focuses on interpretation of major texts of Czech literature that are usually considered to be prototypes of self-reflexive novels. These are works Hra doopravdy by Richard Weiner, Rozhraní by Václav Řezáč and Hlava umělce by Milada Součková.
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The Concept of Temporality in The Work of Ladislav Hejdánek
Starý, Ondřej ; Pelcová, Naděžda (advisor) ; Hejduk, Tomáš (referee) ; Rybák, David (referee)
This thesis is focused on the explanation and critical analysis of the concept of temporality in the work of Ladislav Hejdánek. The theme of temporality is a key motive for Hejdánek's thinking. The whole concept is characterized by a combination of philosophical and theological ideas that create a provocative attempt at a unique philosophical system. The meaning of the concept lies in the processual understanding of the subject as an event. Each subject has its own unique form of time, which is expressed by the connection of the object and "the non-objectivness" (in terms of time). According to Hejdánek, the emphasis on processuality and the temporal nature of the subject really captures the true essence of life and the world. Unlike purely objective thinking, which hypostasizes everything alive into timeless thought constructs. The first chapter of the dissertation is focused on summarizing and introducing the concept of the subject. A summary of the important features of the process understanding of the subject allows an explanation of the main topic. The second chapter focuses on the interpretation of temporality. The different perceptions of time are first explained by the dichotomy of myth and faith. This dichotomy then reveals the reasons for the need to replace the principle of causality....
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Transformation as part of colonial identity
Vidím, Václav ; Fulka, Josef (advisor) ; Bierhanzl, Jan (referee)
(english): From a logical point of view, the colonial system is based on the difference between races, where one controls the other. This aspect significantly impacts the subjects from the perspective of their identity because their skin colour brings them significant disadvantages in how they live. The consequence of this discomfort can be the disintegration or assumption of a foreign identity, a pathological relationship to one's physicality. In the 20th century, many theorists of colonialism and post-colonialism analyzed these consequences. They are mainly Frantz Fanon, Albert Memmi and the American author Nella Larsen. All three of these provide a perspective that involves an active change in appearance as a way of integration that is not otherwise possible because, as David Macey writes in Frantz Fanon's biography, there are only two ways out, putting on a white mask, or rebellion. Therefore, if we turn to the first option, it is necessary to monitor the consequences for the subject undergoing this change and the one who observes it. That is also how the colonizer is doing. Thus, this work will not work with identity as something homogeneous, unchanging and motionless but as something that undergoes constant change.
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