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Revitalization Program of Floral Garden in Kromeriz
Dvořáková, Vendula ; Dvořák, Tomáš (referee) ; Mikulášek, David (advisor)
Floral Gardens Kromeriz – a landmark of transnational importance. It is an example which has influenced architectural development in Europe. This Libosad, which has evolved since the 17th century, was used for art loving guests’ delectation. At the present time this world full of antique gods’ sculptures, figures from history or myths; this world formed by espalier walls and blooming flower beds being it all underlined with the work of plasterers, sculptors and fresco painters; this Libosad world is not able to offer to a present person what she/he expects. Since the reason why people visit these gardens has partly changed. The majority of people come to see the landmark, which in 1998 got registered in the UNESCO World Cultural Heritage list, in the first place and they come to learn something about it. Once on this tourist occasion, they also have a rest and spend pleasant times in the gardens. As a result of that there comes a new space for gaining information and relaxation in one into being.
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OLOMOUC – Densification Urbaine – Urban Consolidation
Hradilová, Barbora ; Martinka, Pavel (referee) ; Koleček, Ivan (advisor)
As the assignment reveals, this bachelor’s thesis deals with the connection between the art elementary school and the architecture center. These two functions have more in common than they might seem at first glance. Both institutions deal with public education in the field of art, which often does not receive the attention it deserves at state educational institutions. It is not just a connection to a functional unit within one area. Equally important is the connection at the thought and conceptual level. The location in which the project is located is predestined for educational institutions. Located in Olomouc near the historic center and currently in the immediate vicinity of university dormitories, at the same time on the opposite bank of Moravia there is a music elementary school Žerotín with a long tradition. The architectural design works mainly with the extension of ZUŠ to the park through the creation of separate studios. This achieves meeting the special requirements of the studios (drawing, digital painting, sculpture, ...). At the same time, the atmosphere is relaxed compared to the classic location of classrooms inside of single building. The studios are in direct contact with the life taking place in the park. The Architecture Center, on the other hand, takes on the role of the gateway to this art park and provides the technical background for the art school. Inside of the building of the center of architecture there is also a common gallery, cafe, specialized library and a lecture room. The design strives for a decent but strong connection between the center of architecture and the art school. Emphasis is placed especially on the freedom in the creative process of artists, which is why the studios are light wooden buildings with all-glass facades. The center of architecture is, in contrast to the loose settlement of the studio, a solidly set building. It communicates with the surrounding buildings by a uniform facade, which opens towards the park.
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LABORARTORY BRNO
Kordík, Pavel ; Pospíšil, Zdeněk (referee) ; Boháč, Ivo (advisor)
Gallery of architecture, moder art and design. Located on the steets corner Milady Horákové and Koliště, on belt surrounding the city center. It is a part of importat city buildings nad creates a space for expostion of varios forms. In the building are located few exposition floors, shop, office and additional and operational functions. 36 parking places are located under ground.
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The Art/The Crime The Crime/The Art
Blail, Michael ; Zálešák, Jan (referee) ; Koleček, Michal (referee) ; Rozbořil, Blahoslav (referee) ; Palla, Marian (advisor)
The main title of the doctoral thesis - ART/CRIME - CRIME/ART - point to a general investigation of these two phenomenons. This investigation makes up the background of the main theme of the thesis, which is an actual event of the mysterious death of the painter and shepherd K.. At work I spend time with alternative investigations of this death and the goal is an attempt to reconstruct the events and effort of discovering the answers what happened that night and whether or not a killer really existed or not.
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LABORARTORY BRNO
Kříž, Jan ; Mikulášek, David (referee) ; Františák, Luboš (advisor)
Proposal for a gallery of architecture, art and design. The building is located in a corner position Koliště streets and Milady Horakove. The surrounding area forms the border city ring with a green belt with solitaires public buildings. The design consists of two buildings, one of which features an exhibition divided into two floors and four large-scale exposure. The supporting frame is formed by truss granted to the interior. The building is complemented by a rentable space for commercials and studio work. Parking is solved on the ground floor conveyor stacker. The second building is located the auction hall, cafe, office and accommodation space. Shape design of the building supports the dominant effect of the corner.
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Artistic Scene Visualization
Benda, Jan ; Tóth, Michal (referee) ; Kobrtek, Jozef (advisor)
The goal of this work is studying of selected artistic scene visualization (cell shading, pencil sketch shading) and simulate these techniques in the rendering of objects in 3D space using OpenGL. Applications of these methods is wide - from graphical application, through computer games to animated films. This work describes design and implementation of these methods: cell shading, pencil sketch shading and watercolor shading.
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LABORARTORY BRNO
Bukatovič, Tomáš ; Nový, Alois (referee) ; Nový, Vítězslav (advisor)
The building is inspired by the internet phenomenon called crowdfunding. Anyone who can take own vision to the public spoteye, has the opportunity to realize their projects, Here in Laborartory. Whatever it is. An art or new piece of technology, ideas become reality and Laborartory it moves on to the real world. But the main purpose is to spread creativity and ideas through public mind, because therein lies the potential of Brno. As the city of fairgrounds and technological development.
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Breda, the old department store
Mlýnková, Petra ; Mašek, Radomír (referee) ; Marek, Jiří (advisor)
ABSTRACT The diploma thesis project deals, as its name suggests, with a former department store, so called „The old Breda“, which was built between 1927-28 in the then capital of Austrian Silesia, the Opava City. The department store is an architectural masterpiece, you will hardly find another department store of this kind in the whole of former Czechoslovakia. In 1972, it was declared a cultural monument. Today, we can understand it as an accurate testimony to what the city of Opava was a hundred years ago, how it has gradually changed and what it is like today. The building and its fate is also a frequently mentioned topic for the Opavans themselves, as the building itself reminds them of pleasant feelings and memories of the experience of its space. In this context, the central space under the dome, illuminated by glass-concrete blocks, is often inflected by people. Together with stained glass windows, lighted display cases and the creaking wooden steps of a large staircase, it offers visitors a truly unique atmosphere and moment. The reason why the building itself leaves a strong trace of nostalgia in each person is quite obvious and indisputable. It is a building of immense architectural quality, which the Silesian native from Krnov, known as the Viennese architect Leopold Bauer, offers to the local people through his work. Although there is no doubt that Bauer was a genius in his field, which I was able to see again and again during my research, we must not forget the fact that the whole project was possible to happen only thanks to the wealth and initiative of David Weinstein, businessman and owner of Breda & Weinstein company. However, Weinstein did not enjoy the building and its fame for very long and if you look at the time, the place and context and the fact that Weinstein was of Jewish descent, you will find out the reason why. The cruel fate thus befell his family, as did almost all Jews at the time (not only) in Opava. In 1945, during the Ostrava-Opava operation, Opava was almost completely reduced to ashes, and after the war, there were this time Germans who were to be completely expelled from Czechoslovakia. At that time, the building was called German because Breda and Weinstein spoke German. This was followed by privatization and the associated further changes in the property and also layout of the building. In 1994, in addition to the misfortune, the building was acquired „for sale“ by the local bussinesman Kolek, which meant a way to Breda to complete destruction. There was even a fire, which blackened the dome‘s otherwise light concrete. Since 2012, when the house was closed and taken out of operation, it has only fallen into disrepair. It was also in insolvency proceedings. However, in the eyes and hearts of the proud Opavans, the building still leaves strong recognition and feelings that did not allow the building to be abandoned, people put pressure on the politicians from the city for a long time, until in December 2021 the ciity approved the purchase of the building. However, this step opened up more and more questions and problems. Nobody knows what to do now. There is no intention. It is only clear that the reconstruction will be very costly. With my work based on analyzes from the last semester and studying the data of available research, I try to show the city how it could handle the building.
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