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Geodetic Deformation Measurement of Roof Structures of Brno Aquapark
Chupáčová, Mária ; Švábenský, Otakar (referee) ; Bureš, Jiří (advisor)
Diploma thesis is focused on deformation meassurement of wooden roof structure of Brno Aquapark. Introductory part of the thesis is devoted to explanation of basic terms of civil constructions deformation meassurement and describes methods which are used in this field nowadays. Main part of this thesis deals with testing of meassuring equipment, describes meassured construction, meassuring method and data processing. Horizontal and vertical shifts of the roof structure are evaluated and graphically interpreted in comparison with the previous and fundamental epoch.
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Fast and Partially Translated Simulator for Application-Specific Processors
Richtarik, Pavel ; Krčma, Martin (referee) ; Zachariášová, Marcela (advisor)
The major objective of this work is to analyse possibilities of using simulation within the development of application-specific instruction-set processors, to explore and compare some common simulation techniques and to use the collected information to design a new simulation tool suitable for utilization in the processors development and optimization. This thesis presents the main requirements on the new simulator and describes the design and implementation of its key parts with emphasis on the high performance.
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The Metaphor in the Life, the Art and the Art Therapy
PARILÁKOVÁ, Eva
The work deals with topic present in two basic questions: 1. What is the meaning of interpretation in life, art and art therapy? 2. What form can/should the interpretation have? Given topics are analyzed through deep interpretation probe into particular art production with emphasis on its significant, symptomatic style, its metaphoric system, characteristic atmosphere and its association potential (Marc Chagall). Basic motifs traced within given analysis are divided into following parts: the nature of art metaphor, polysemy and ambiguity of interpretation, dreamlike symbolism of Picture, personal and archetypal mythology of art production, diagnostics of problem, problem and its {\clqq}overgrowth`` into art production, search for the new interpretation frames and contexts. The aim of the work is to present the Rožňov art therapy utilization in the life context in the sense of finding parallels between art production and deep characteristics of human psyche.
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Phenomenon Almodóvar (The Interdigitation of "Small Worlds" in the Work of Pedro Almodóvar)
Turčan, Jakub ; Fulka, Josef (advisor) ; Češka, Jakub (referee)
CHARLES UNIVERSITY IN PRAGUE FACULTY OF HUMANITIES Department of Electronic Culture and Semiotics Bc. Jakub Turčan Phenomenon Almodóvar (The Interdigitation of "Small Worlds" in the Work of Pedro Almodóvar) Thesis Supervisor: Mgr. Josef Fulka, Ph.D. Thesis Abstract Prague 2013 Abstract The paper focuses on the problem of authorship by means of an in-depth analysis of the film work of the Spanish director Pedro Almodóvar. The analysis is preceded by setting the author's work in the context of its origin, introduction of its so far existing content, as well as the concepts this work employs. Due to the hypertextual character of this postmodern oeuvre, the study is based on the concept of small worlds by Umberto Eco, hence the worlds of fiction with limited content in comparison to the actual world. The complete film work is perceived as a self- contained, yet within its character an ever open Text. The interdigitation of its small worlds is understood as a series of intratextual references, however the work also monitors its intertextual and, as a blend of these two, the transtextual content. Presenting the directors unique signature, combining several known approaches of the film creation with his own style- constituting elements, the analysis adduces the auteurist character - first described by the film...
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Fast and Partially Translated Simulator for Application-Specific Processors
Richtarik, Pavel ; Krčma, Martin (referee) ; Zachariášová, Marcela (advisor)
The major objective of this work is to analyse possibilities of using simulation within the development of application-specific instruction-set processors, to explore and compare some common simulation techniques and to use the collected information to design a new simulation tool suitable for utilization in the processors development and optimization. This thesis presents the main requirements on the new simulator and describes the design and implementation of its key parts with emphasis on the high performance.
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Roman silver vessels in Central European barbaricum
Hudáková, Mária ; Musil, Jiří (advisor) ; Bouzek, Jan (referee)
In this diploma thesis we shall analyze Roman silver vessels and their German imitations which were discovered on the territory of Central European barbaricum. In the first chapter, there is a brief introduction into the examined topic along with a definition of spatial and chronological frame within which we shall operate. The second chapter is devoted to the general information about mining and processing of silver, manufacturing and decorative techniques used in manufacturing of silver vessels, as well as to the basic information about Roman tableware. In the third chapter, we shall summarize the actual state of research on Roman silver vessels, while the fourth chapter will be devoted to the detailed list and analysis of individual finds. In the fifth chapter, the described finds will be summarized and interpreted, and consequently completed by the final remarks and findings in the last chapter. The catalogue of the finds, bibliography of cited literature, table, map and illustrations is attached to the textual part of this work. Keywords Central Europe, Roman Period, silver vessels, interpretation, manufacturing, forms, decoration, function
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Space-time breakdown in Julio Cortázar's fantastic tales
Krejčová, Veronika ; Poláková, Dora (advisor) ; Škodová, Denisa (referee)
As the title may reveal, my work will focus on space-time breakdowns in Julio Cortázar's (1914-1984) oeuvre. This Argentinian writer's work is centered mainly on the fantastic genre, specifically on tales. He is one of the most important representants of this genre in the zone of Río de la Plata, although for the most of his life he lived in Paris, where also many of his works were written. With help of other literary critics and theorists, I will try to define the space-time breakdowns in his creation. Tzvetan Todorov in his The Fantastic: A Structural Approach to a Literary Genre, distinguishes between three main categories: the strange, the fantastic and the marvelous. Another critic, Ana María Barrenechea, in her a little bit more vital theory divides the fantastic into these three categories: the natural, the unnatural and the mixture of both. As an example I will use four of Cortázar's tales. On those, I will apply the mentioned theories, nevertheless I will also point out the possible lack of clarity and obsolescence in them and will try to offer some new alternative solutions. David Roas, Spanish critic of fantastic literature, will be a great help. Is the space or time important in the literature? And what is that Cortázar's Fantastic feeling? I'll try to answer these questions and...
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Translation in the Dialogue: The Process of Encoding and Decoding of Film Style in a Remake of the Original Work
Gladiš, Michal ; Svatoňová, Kateřina (advisor) ; Kokeš, Radomír D. (referee)
The following bachelor's thesis concerns the remake, in the context of its use in the history of cinema and in film theory. I discuss the various definitions and possible forms of the remake, which has existed since the inception of film. Each theoretical consideration of the remake brings about a different choice of perspective and method of examination. Thus, the main part of the thesis is comprised of an effort to acquire a new apparatus through which one can think of the remake as a variant interpretation of the original work. In this regard, I transpose approaches from literary theory to film discourse, mainly referencing the theoretical methods of Gérard Genette, Julia Kristeva, Seymour Chatman, Umberto Eco and the concepts of intertextuality and interpretation. The last chapter analyzes two specific films, positioning Takashi Miike's Visitor Q as a remake of Pier Paolo Pasolini's Teorema. The relationship between remake and original develops new readings of both works. A remake is, in fact, based on the filmmaker's unique reading of an original work. This reading marks the transition between the filmmaker's experience as a viewer of the original and their position as creator of the remake.
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Selected conceptions of interpretation in intercultural dialogue
Platzner, Alexander ; Hrubec, Marek (advisor) ; Bíba, Jan (referee)
In reference to Hans-Herbert Kögler's critical-hermeneutical approach, presented paper identifies the act of interpretation as an underlying assumption for realization of intercultural dialogue. The paper is divided in two parts. First part is a discussion of key concepts such as dialogue, identity, communication and recognition. It can also be read as an attempt to capture the development of the idea of intercultural dialogue in a historical perspective. The interulturality is defined here as an ethos. Second part presents particular hermeneutically oriented conceptions of intercultural dialogue, namely the conceptions of Raimon Panikkar, Ram Adhar Mall, Vincent Shen, Franz Martin Wimmer and Hans-Herbert Kögler. The recent shift in methodology of intercultural dialogue is characterized by merger of the paradigms of communication and recognition and is identified in Hans-Herbert Kögler's integrative approach.
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Phenomenon Almodóvar (The Interdigitation of "Small Worlds" in the Work of Pedro Almodóvar)
Turčan, Jakub ; Fulka, Josef (advisor) ; Češka, Jakub (referee)
CHARLES UNIVERSITY IN PRAGUE FACULTY OF HUMANITIES Department of Electronic Culture and Semiotics Bc. Jakub Turčan Phenomenon Almodóvar (The Interdigitation of "Small Worlds" in the Work of Pedro Almodóvar) Thesis Supervisor: Mgr. Josef Fulka, Ph.D. Thesis Abstract Prague 2013 Abstract The paper focuses on the problem of authorship by means of an in-depth analysis of the film work of the Spanish director Pedro Almodóvar. The analysis is preceded by setting the author's work in the context of its origin, introduction of its so far existing content, as well as the concepts this work employs. Due to the hypertextual character of this postmodern oeuvre, the study is based on the concept of small worlds by Umberto Eco, hence the worlds of fiction with limited content in comparison to the actual world. The complete film work is perceived as a self- contained, yet within its character an ever open Text. The interdigitation of its small worlds is understood as a series of intratextual references, however the work also monitors its intertextual and, as a blend of these two, the transtextual content. Presenting the directors unique signature, combining several known approaches of the film creation with his own style- constituting elements, the analysis adduces the auteurist character - first described by the film...
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