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The Painter's Year
Kachlíková, Barbora ; Pospiszyl,, Tomáš (referee) ; Rathouský, Luděk (advisor)
I have been working on my Master degree work at art residenci in Gedok art centrum in Stuutgart,Germany. Thecollection of work is consist of approximately 15-20 works.Medium is painting, technique oil on canvas. The serie of paintings has different kind of measures, from 80x90cm to 200 x 200cm.
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Marketing Strategies of Art Trade with a Focus on Contemporary Czech Art Scene
Peško Banzetová, Michaela ; Horáček, Radek (referee) ; Svoboda, František (referee) ; Rais, Karel (advisor)
Contemporary art trade in the Czech Republic has been regarded as a private area accessible only to a few insiders. So far no adequate literature about this field has existed, the marketing strategies used within it were, not only from the outside perspective, quite unclear. This work shows that it is not a secret sphere. On the contrary, it is a part of the market, which has the effect that the more you talk about it openly, the better impact it has on the whole society. The author presents the current situation in this field, its historical context, and openly discusses the long-term marketing strategies of gallerists who work with contemporary artists. On the basis of case studies from abroad she also shows other possible ways how to bring society closer to contemporary art by means of some specific marketing tools.
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TEMPORARY PARADISES
Volfová, Marika ; Sterec, Pavel (referee) ; Magid, Václav (advisor)
My diploma work is focused on topic of environmental responsibility, priviledge of mobility, nomadism, borders and dreaming of utopic un/realities. In site-specific instalation I combine sound, video, painting and text.
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Creative centre - Koprivnice
Křížová, Lucie ; Zdvomka, Ondřej (referee) ; Marek, Jiří (advisor)
Right in the city center, there is a plot with old factory halls. These halls are fascinating and have great potential. But now, they are more of an obstacle. They form a barrier, they are in poor condition, and it robs the city of its values. In my diploma thesis entitled Creative Center in Kopřivnice, in addition to the design of the creative center, I will also deal with how to use the beauty and potential of these old halls, further, how to create beautiful and modernized buildings with a new value. I want to open the whole area, to create a place where people would like to meet and where various functions will be mixed- a place for fun, relaxation, culture, education or even just a shopping or walk. The work is very diverse - from the urban design of the entire plot, through the revitalization of old industrial halls and the layout of a new building, to the interior design of a new gallery.
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The Relationships of Contemporary Fine and Applied Art
Smetana, Filip ; Ptáček, Jiří (referee) ; Kvíčala, Petr (advisor)
Diploma thesis deals with the relations between the contemporary free and applied art. It explores the possibilities of bidirectional permeation and trapping of these areas. In this thesis I´m trying to touch the border points between sculpture, painting, drawing and design Diploma work deals with the theme of the wall relief. I´m using conceptual principles and these principles are often unclear on the outside. by using the conceptual keys and contexts i´m trying to create the aesthetic quality of the artwork. In a practical thesisis i´m working with wall sculptures and folding picture. Art can often change their nature and their perceptions using a different composition, adjustment, or context with the surroundings. I´m working with possibilities of understanding to every single artistic element as part of a wider whole. This thesis consists of a wall relief sculptures. The composition components are all facing the wall, eventually. column. In this thesis combines the individual relief under a particular key.
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Exhibition - VVČSKSU
Hověžáková, Ilona ; Janečková,, Zuzana (referee) ; Mazanec, Martin (advisor)
The objective of this thesis draws on my experience acquired during the internship in Galeria De Arte Servando in Havana, where I have been given the opportunity to learn about Cuban culture as well as to witness the restrictions and difficulties in gallery activities due to the communist government. The first part of the thesis focuses on historical facts highlighting the art exchange between Czechoslovakia and Cuba, a common part of running the state institution in the past. It was a common practice both in Havana´s House of Czechoslovak Culture and in the House of Cuban Culture in Prague. After the collapse of the Soviet Union, both houses were closed and the Czechoslovak-Cuban relations in art and culture have never been restored. The study subsequently discusses the concept and realization of the exhibition prepared in collaboration with Cuban curator Yenisel Osuna Morales. The aim of the thesis is to try to initiate a dialogue between two countries, Cuba and the Czech Republic (former Czechoslovakia), countries with many differences, and probably even estranged nowadays. However, their relations were warm before, and they could be in many ways an inspiration. The primary outcome of this thesis is the exhibition project aimed at the topic of censorship in independent art, its influence on gallery activities and freedom of artistic expression in Cuba. The selection of cuban artists carried out by curator Yenisel Osuna Morales represents the topic of pluriculturalism, migration and diaspora. By means of exhibition exchange, I would like to refer to the terminated friendship between Cuba and former Czechoslovakia in the field of art. The purpose of these exhibitions is not only to present Czech contemporary art in Cuba but also to present Cuban art in the Czech Republic without any restrictions.
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Millenial#SURVIVAL#BlackMagic
Pintérová, Renáta ; Mazanec, Martin (referee) ; Zálešák, Jan (advisor)
The aim of my work is to investigate the conditions of contemporary art and self-colonising tendencies in the production, perception and circulation of art between the online and offline space as well as the theoretical, contextual and political background of this process. The self-promotional character of mediating my own artwork over the internet is given by the widely used technology options, the preset architecture of web content for distribution of visual content, as well as the dominant aesthetic canon of documentary artwork and exhibitions dictated by influential visual blogs from the Contemporary Art Daily to the Ofluxo , Tzvetnik or others. I recognize the artistic practice in this context as an aesthetic loop and the accelerative impotence of a digital image given by the political conditions of information technology. The practical output of the work will consist of two textile objects.Design of objects and the DIY part of it will be created by me, but the objects stiching will be realized by Slovak designer / model Michal Šumichrast, who creates his own branding under the name SUMICRAFT. I think that the aesthetics and the process of producing his work and life itself corresponds to the social policy of the new global class of cultural producers. His artistic practice is contextually similar to my practice and to the social / political economic issues of the current precariat class that I examine in my theoretical and practical work. As a final result of the research the objects will be documented in "high resolution" and sent back to the Internet. Either in the form of an Instagram post, or as a self-colonising process within some of the "most up-to-date" online platforms for contemporary art.
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Ambivalence of Identity: Cultural Traditions As a Theme in Contemporary Czech and Slovak Art
Maixner, Miroslav ; Klodová, Lenka (referee) ; Janečková,, Zuzana (referee) ; Zálešák, Jan (advisor)
The dissertation focuses on the phenomenon of a new presence of references to traditional folk culture in contemporary Czech and Slovak art. Emphasis is placed on the period from the year 2000 to the present. The core of the work consists of chapters devoted to artists who in this period significantly thematized various aspects of traditional folk culture, either as a partial element of specific projects or in the form of continuous interest in the field. The essence of this part is to show the breadth and heterogeneity of the examined manifestations across the media spectrum. The main purpose of the work is to analyze and place the researched phenomena in a relevant context within the theory and history of art. The reason is their different nature from thematically similar manifestations in the 19th and 20th centuries. In addition, when compared with current trends abroad, a number of connections are shown, such as links to environmental issues, criticism of the state of society and, above all, to new issues related to personal and collective identification. Therefore, I base the analysis of these phenomena on a hybrid interdisciplinary basis using theoretical approaches to identity in the social sciences and humanities. I do so in the introductory theoretical chapters, but the main focus is on the final analytical synthesis. To a large extent, it also builds on data obtained from interviews with artists, the transcripts of which the reader will find in the appendix. Finally, the documentation of curatorial projects and exhibitions realized as a practical part of the dissertation project is attached.
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The Museum of Modern Art - Beirut
Minenko, Sergey ; Kolcunová, Pavlína (referee) ; Marek, Jiří (advisor)
The aim of the competition work is to design the Museum of Modern Art in the cultural part of the city of Beirut. The Museum of Modern Art will take up a historical and symbolic site across from the National Museum in the Achrafieh district of Beirut. The Museum will be a dynamic contemporary place true to its social and cultural responsibilities. It will acknowledge the historical significance of the site and its adjoining institutions, providing a connective fabric across the city’s divide.
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Embroidery and activism in contemporary art
Kosinová, Monika ; Vartecká, Anna (advisor) ; Gajdošíková, Pavla (referee)
In the theoretical part, the diploma thesis deals mainly with the traditional feminine handicraft technique of embroidery in the context of activism in contemporary art. It categorizes embroidery into high art such as painting or sculpture. It tries to study embroidery from several levels. It compares the historical development of this textile medium with embroidery in contemporary art and seeks their changes. Thesis deals with the common relationship between this art technique and the development of activism. Activism clarifies and places in historical, sociocultural and other contexts. It mentions exhibitions and artists dealing with embroidery and activism inland, but this work also concerns foreign works. Analyzes the concept of craftivism. It examines how and how often textile materials and handicraft techniques are implemented in art classes. The acquired knowledge will be applied in the didactic part. The practical part deals with craftivism, which came to the fore in the 21st century. The craftivism art group seeks to link contemporary embroidery techniques with activism. The advantage of the textile material is its handicraft processing and easy availability. It examines how craftivism has changed from its inception to the present and implements this knowledge in its artistic...
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