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Space as a Meaning-Making Factor in Children's and Young Adult Literature
Stejskalová, Tereza ; Brožová, Věra (advisor) ; Klumparová, Štěpánka (referee)
This master's thesis, titled "Space as a Meaning-Making Factor in Children's and Young Adult Literature", concentrates on building and projection of literary space in the literature specifically intended for children and young adults. It has literary analytical and literary interpretive character and is based on theoretical works on the topic of literary space. This thesis is divided into two parts. The first part covers the theoretical conception of literary space. The second part consists of examinations of literary works, first of the world's classics of children's and young adult literature (The Brothers Lionheart by Astrid Lindgren, The Neverending Story by Michael Ende, Through a Glass, Darkly by Jostein Gaarder) and then of the works of contemporary Czech children's and young adult literature Lenka a Nelka neboli AHA ('Lenka and Nelka or AHA') by Daniela Fischer, Spící město, Spící spravedlnost a Spící tajemství ('Sleeping City', 'Sleeping Justice', and 'Sleeping Secret') by Martin Vopěnka and Soví zpěv ('Owl's Song') by Iva Procházková. In the theoretical part, the conception of literary space is defined from the perspective of literary topology. The definition of this concept is based on literary studies on the topic of literary topology, mainly on the essays Místa s Tajemstvím ('Places...
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Characters of Space in the Trilogy Trýznivé město by Daniela Hodrová
Macháčková, Klára ; Bílek, Petr (advisor) ; Wiendl, Jan (referee)
This bachelor thesis aims to interpret the trilogy Trýznivé město (subsuming parts called Podobojí, Kukly and Théta) by the Czech novelist and literary scholar Daniela Hodrová. A complex structure of the novel is in the analysis "opened" through the categories of space and characters; an axis of the thesis is the idea that in the poetics of D. Hodrová, some places can acquire certain features of living creatures (such as memory, free will, temper etc.) and vice versa, that some characters can coalesce with the space they inhabit. In spite of a firm mutual connection between the two categories, they will be discussed separately, in the following order: after having defined the background (using mainly theoretical works of D. Hodrová as secondary sources), firstly, we will focus on the localization of particular topoi (i.e. "literary loaded" places, e.g. the mountain, the pass, the abyss etc.) and on the description of their connotations in terms of the general sense of the trilogy; the attention will be also given to the non-topographical places (i.e. objects or parts of the body). Then, we will consider the issue of characters, primarily their ambivalent status between personalities, though fictional, and mere literary constructs performing certain functions, and also their transformations...
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Šumava between Reality and Fantasy: Czech-German literary and cultural landscape
DITRICHOVÁ, Hana
The topic of the following thesis is an analysis of the changing perception of Šumava as a space in selected Czech and German texts that belong to the literature of the Šumava district. The basis of the thesis is the theory of spatial turn which was developed during the 1980s and is particularly associated with Michel Foucault's concept of "different spaces". Within the framework of this theory, the thesis deals with the arrangement of spaces that are typical of the Šumava region: the space of forest, mountains and borders. Šumava as a literary space is then characterised as a background scenery, a space influencing the plot and a personified space. In the last section of the thesis, two tendencies of landscape representation are highlighted: the fantastic and the realistic. Part of the thesis is also devoted to a literary overview of Czech and German literature from the Šumava district written in the period from the 19th century to the present day.
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Space as a Meaning-Making Factor in Children's and Young Adult Literature
Stejskalová, Tereza ; Brožová, Věra (advisor) ; Klumparová, Štěpánka (referee)
This master's thesis, titled "Space as a Meaning-Making Factor in Children's and Young Adult Literature", concentrates on building and projection of literary space in the literature specifically intended for children and young adults. It has literary analytical and literary interpretive character and is based on theoretical works on the topic of literary space. This thesis is divided into two parts. The first part covers the theoretical conception of literary space. The second part consists of examinations of literary works, first of the world's classics of children's and young adult literature (The Brothers Lionheart by Astrid Lindgren, The Neverending Story by Michael Ende, Through a Glass, Darkly by Jostein Gaarder) and then of the works of contemporary Czech children's and young adult literature Lenka a Nelka neboli AHA ('Lenka and Nelka or AHA') by Daniela Fischer, Spící město, Spící spravedlnost a Spící tajemství ('Sleeping City', 'Sleeping Justice', and 'Sleeping Secret') by Martin Vopěnka and Soví zpěv ('Owl's Song') by Iva Procházková. In the theoretical part, the conception of literary space is defined from the perspective of literary topology. The definition of this concept is based on literary studies on the topic of literary topology, mainly on the essays Místa s Tajemstvím ('Places...
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Characters of Space in the Trilogy Trýznivé město by Daniela Hodrová
Macháčková, Klára ; Bílek, Petr (advisor) ; Wiendl, Jan (referee)
This bachelor thesis aims to interpret the trilogy Trýznivé město (subsuming parts called Podobojí, Kukly and Théta) by the Czech novelist and literary scholar Daniela Hodrová. A complex structure of the novel is in the analysis "opened" through the categories of space and characters; an axis of the thesis is the idea that in the poetics of D. Hodrová, some places can acquire certain features of living creatures (such as memory, free will, temper etc.) and vice versa, that some characters can coalesce with the space they inhabit. In spite of a firm mutual connection between the two categories, they will be discussed separately, in the following order: after having defined the background (using mainly theoretical works of D. Hodrová as secondary sources), firstly, we will focus on the localization of particular topoi (i.e. "literary loaded" places, e.g. the mountain, the pass, the abyss etc.) and on the description of their connotations in terms of the general sense of the trilogy; the attention will be also given to the non-topographical places (i.e. objects or parts of the body). Then, we will consider the issue of characters, primarily their ambivalent status between personalities, though fictional, and mere literary constructs performing certain functions, and also their transformations...
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Space Symbolism in Clarice Lispector's Short-Stories
Šatavová, Hedvika ; Grauová, Šárka (advisor) ; Dufková, Vlasta (referee)
The bachelor thesis deals with the question of space in short stories of Brazil writer of the 20th century Clarice Lispector (1920-1977). At first, the author is briefly introduced, then the theoretical part continues to define the concept of space as a literary category. Emphasis is laid mainly on the approach of G. Bachelard and his Poetics of Space (1957), but attention is also paid to findings of Czech scholars. Finally, chosen concepts of the space of home and garden are outlined. Taking into account the semantic aspect, the analytical part looks into archetypical forms of space in the text sof two chosen stories published in the collection of short stories entitled Laços de família (Family Ties), in particular Amor (Love) and Mistério em São Cristóvão (Mystery in São Cristóvão).
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Forming of space in selected pieces of literature for children and youth
Stejskalová, Tereza ; Brožová, Věra (advisor) ; Hník, Ondřej (referee)
This bachelor's thesis concentrates on building and projection of literary space in literature for children and youth. This work has literary interpretive character and the interpretation is based on theoretical works devoted to literary space. This thesis is divided in two parts. First part covers the theoretical conception of literary space and is focused mainly on the area of literary topology. Second part is focused on interpretation of individual pieces (The Brothers Lionheart by Astrid Lindgren, The Neverending Story by Michael Ende, Through a Glass, Darkly by Jostein Gaarder, Prince and the Lark by Valja Stýblová). The choice of interpreted books is based on the literary space. Pieces that form the representative sample of possible spaces were chosen. The selection is also limited by the topic the books are addressing. Topics are connected by introducing serious issues of human life to children. This work is devoted to the question, how are these topics projected to literary space and how does the space support them. This work concludes that represented topics are significantly projected in the literary space in these pieces and that the literary space supports their importance, or it alleviates their eeriness.
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