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Blues from the Inside: Analysis of the Experience of Blues Musicians
Lazar, Jan ; Chrz, Vladimír (advisor) ; Onder, Jakub (referee)
The aim of this bachelor thesis is to determine, how the blues is experienced and percepted by people, who produce it. There are two kinds of research data: extensive and intensive. In the extensive part of the research a large group of musicians producing blues and blues listeners were questioned in a survey. In the following intensive phase of the research a part of respondents wrote a text on the topic: "What does the blues mean to me". Through qualitative approach, I analysed 16 texts with the goal to present the phenomenological description capturing the both variability and recurring patterns of how the examined musicians experience the blues. This phenomenological description ("blues from the inside") will be confronted with various theoretic conceptions. Central conception of this work is the framework of analytical psychology, especially unitary reality by E. Neumann and transcendence function by C. G. Jung. KEYWORDS Blues, phenomenology, depth psychology, experience, meaning
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Gender analyse of female heroes developement in Walt Disney animation
Daňková, Andrea ; Knotková - Čapková, Blanka (advisor) ; Baslarová, Iva (referee)
The thesis addresses analysis of stories and narrative in relation to the subject of gender. This analysis primarily deals with fairy tale The Beauty and the Beast by Disney. The first part is about general theoretical basis for my thesis and about the most important authors in this field. Archetypes and logocentrism topics are dealt with partially as well. The foundations of the first part are however literary and motion-picture feministic theories, also the concept of the myth of beauty. In the practical part sequences of the The Beast and the Beauty are studied. Findings described in theoretical part is utilized here and the marked and subtle influence of androcentric culture on style and content of the story is shown.
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Role of brand in branding activities of Ice Hockey World Championship
Krejčová, Andrea ; Čáslavová, Eva (advisor) ; Voráček, Josef (referee)
Title: Role of brand in branding activities of Ice Hockey World Championship Objectives: The aim of this thesis is to create a new archetype of brand of Ice Hockey World Championship. This archetype is based on results of qualitative research which is focused on perception of brand of Ice Hockey World Championship from last 11 years (2007-2017). Methods: Written and electronic questioning was used in research focused on the perception of brand of Ice Hockey World Championship. This research is very important part of the thesis. The theoretical part is based on the analysis of documents (theoretical reflection). Descriptive analysis was used in the analytical part. Results: Archetype of brand of Ice Hockey World Championship was created in the thesis. This archetype was named The Fair Guy and contains some basic values typical of ice hockey (e.g. fair play, friendship or respect). Keywords: archetype, logo, mascot
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The Gender Analysis of Žítkovské bohyně
Holinková, Lucie ; Knotková - Čapková, Blanka (advisor) ; Kalnická, Zdeňka (referee)
This thesis constitutes the gender analysis of the Kateřina Tučková's work Žítkovské bohyně. The methodological and theoretical part defends feminist literary criticism as a legitimate approach to the text, represents a method of feminine writing and reading and examines the question of literary canon. Besides it analyses archetypes, which are demonstrated with using classical feminist texts, which depict typological attributes of characters as well as some model situations of the novel. The characters are related to archetype of witch, Demeter narrative and seductress, which all are interdependent. Except for archetypes, the thesis also discusses the issue of stereotypical display of feminity and masculinity, spirituality connected with women characters, interprets nature of myths and reflects mutual relationship among characters of the novel in the gender system. The proper analysis of female and male characters focuses on the main female characters, which are influenced by male partners and theme of the curse, which is the key for this analysis.
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Archetype in fairy tales and fine arts
Kohl, Lukáš ; Jakubcová Hajdušková, Lucie (advisor) ; Svatošová, Zuzana (referee)
This thesis is focused on the topic of archetypes in fairy tales and on their visual representations in fine arts. In the theoretic part of my thesis, I refer mainly to the work of Carl Gustav Jung and Marie-Louise von Franz, my own experiences with fairy tales and acquired data from my questionnaire, which was primarily focused on visual ideas (colours and shapes) associated with certain fairy-tale characters by respondents. The purpose of my work was to present the concept of archetype and its possible meanings. The second purpose was to define literature archetypes of European fairy tales with regards to their functions and to gender, stereotypical and visual ideas associated with them. The end of the theoretic part of the thesis is dedicated to Czech visual artists and to their ways of working with fairy-tale topics or motives. I emphasize the influence of Symbolism and Art Nouveau, but illustrations of fairy-tale books since the beginning of the 20th century are emphasized as well. In the next two parts of my thesis I suggest possible realization of the topic of fairy tale in didactic series (for the school subjects of Czech language and literature and Art) and I also present my literature and art project - an author's fairy-tale book. In all the parts of my thesis I deal with the problem of...
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Myth in French classicist tragedy and in poetry and prose of symbolists
Loskot, Tomáš ; Listíková, Renáta (advisor) ; Ébert-Zeminová, Catherine (referee)
This thesis deals with how a myth is approached and treated by two different literary movements, namely the classicism and the symbolism. The main aim of this thesis is to compare the shift of meaning and function of the myth in its literary renditions. The works on which we will try to demonstrate these differences are Phèdre by Jean Racine as for the classical movement, and Thésée by André Gide as for the symbolist movement. The thesis poses questions regarding the purpose of these respective literary interpretations and centres around the hypothesis that the classical work focuses on inspiring terror and pity, while the myth as treated by the symbolists seems to serve rather as a dialogue with oneself. Moreover, symbolists perceive the myth's archetypal content to be more suitable in expressing the essential, in accordance with the philosophy of Arthur Schopenhauer, while the classical period is much more preoccupied with Antiquity and follows strictly the rules as established in Aristotle's Poetics. The theoretical part of the thesis concentrates on the definition and delimitation of the keywords, as well as describing the different kinds of myths. It also gives a brief outline of the respective literary movements. The analytical part deals with what the authors wanted to express through the...
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The development ofthevampire character and itsportrayal in literatureforchildren and juvenile.
Dušková, Hana ; Bučková, Tamara (advisor) ; Markvartová, Eva (referee)
The topic of this diploma thesis is the development of the character of vampire and its portrayal in literature for children and youth. The thesis focuses on the analysis of five literary works for children and youth written in German language, which portrays the character of a vampire as a main protagonist and its many changes and development. The analysed works are Der kleine Vampir by Angela Sommer-Bodenburg, Das Vamperl by Renate Welsch, Der Spinat Vampir by Gudrun Pausenwang, Pozor, přilétá Molly! by Dagmar H. Mueller a Drákula a já by Andreas Schlütera. The main aim of this thesis is to answer the question of the type of transformation has the character of vampire undergone in the literature for children and youth. Its main goal is not to fully cover all available works in the genre, but to choose the most representative ones which show the different features. The analysis of the change is based on the characteristic of the characters and its goal is to show us the development of the character in contrast to the traditional vampire character. The archetype was established upon three works of literature: The Vampyre by John Polidori, Carmilla by L.S Le Fanu and Dracula by Bram Stoker. The introduction part focuses on the anthropological context of the topic and the origin of vampires in...
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Czech Ice Hockey Brand
Kukačková, Nikola ; Ruda, Tomáš (advisor) ; Landa, Pavel (referee)
Title: Brand of Czech hockey Objectives: The main objective of this work is on the base of the results of the research to design usefull archetype of brand of Czech hockey and to approach and with following analysis data to describe rebranding. Methods: In the bachelor's thesis, there are used methods of qualitative and quantitative research. More specifically, the technique of in-depth interviews and electronic questioning. Descriptive analysis was used in the analytical part. Results: On the base of the results of the research was designed an Archetype of brand of Czech hockey. The final archetype was Hero. Next in my work was touched and closer discovered rebranding. Keywords: Archetype, Logo, Questionnaire
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Classical Musical Myth in Secondary Music Education
Kozel, David
The thesis is focused on the influence of mythology on music. Classical myths with musical elements are understood as an inspiration sources for musical works, especially on instrumental program music, musical impressionism and on the music of 20th century. Historiographic aspect of the topic is also taken into consideration. The interpretation of myths in music is conducted using the theory of archetypes by Carl Gustav Jung and modified semantic analysis. The ways of applying the complex set of mythology, archetypes and music for purposes of music education forms an important part of the work. The first chapter explores theoretically possibilities of interaction between myth and music, introduces the theory of archetypes, and defines possible ways of understanding the musical archetypes and their use in interpretation of the musical work. The second chapter is concerned with the classical myths of Apollo, Dionysus, Orpheus, Pan and Sirens. The chapter presents particular versions of the myths and conducts their interpretation. The third chapter focuses on the selected mythological motifs as inspiration for the musical work in the historical perspective. The fourth chapter presents three archetypical, semantic analyses and interpretations of compositions by Igor Stravinsky (Orpheus), Vitezslav...
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Myth as a Psychological Phenomenom and its Importance to the Modern Man from the Perspective of C. G. Jung.
Najbrt, Tomáš ; Vojtíšek, Zdeněk (advisor) ; Šusta, Marek (referee) ; Slezáčková, Alena (referee)
UNIVERZITA KARLOVA EVANGELICKÁ TEOLOGICKÁ FAKULTA Dizertační práce MÝTUS JAKO PSYCHOLOGICKÝ FENOMÉN A JEHO VÝZNAM PRO MODERNÍHO ČLOVĚKA Z POHLEDU C. G. JUNGA Tomáš Najbrt Katedra religionistiky Vedoucí práce: doc. PhDr. Zdeněk Vojtíšek, Ph. D. Studijní program: Teologie Studijní obor: Historická teologie a teologie náboženství Praha 2020 Summary This work deals with three main areas: myth, human psychology and Carl Gustav Jung's personality. It deals with the contradiction between the rational evaluation of myth and its actual influence on shaping the ideas of the modern man about the world that surrounds him, and the creation of new myths in modern times. It shows the influence of myths containing archaic symbols and archetypes on the conscious and unconscious psychic processes of man and their interaction on the border of human psychology and psychology of religion. It also presents the possibilities of mythical and religious traditions for understanding the identity of modern man and his life.
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