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Translation in the Dialogue: The Process of Encoding and Decoding of Film Style in a Remake of the Original Work
Gladiš, Michal ; Svatoňová, Kateřina (advisor) ; Kokeš, Radomír D. (referee)
The following bachelor's thesis concerns the remake, in the context of its use in the history of cinema and in film theory. I discuss the various definitions and possible forms of the remake, which has existed since the inception of film. Each theoretical consideration of the remake brings about a different choice of perspective and method of examination. Thus, the main part of the thesis is comprised of an effort to acquire a new apparatus through which one can think of the remake as a variant interpretation of the original work. In this regard, I transpose approaches from literary theory to film discourse, mainly referencing the theoretical methods of Gérard Genette, Julia Kristeva, Seymour Chatman, Umberto Eco and the concepts of intertextuality and interpretation. The last chapter analyzes two specific films, positioning Takashi Miike's Visitor Q as a remake of Pier Paolo Pasolini's Teorema. The relationship between remake and original develops new readings of both works. A remake is, in fact, based on the filmmaker's unique reading of an original work. This reading marks the transition between the filmmaker's experience as a viewer of the original and their position as creator of the remake.
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In The Light of Kabbalah: Jewish Mistique in Polish Literature in The Interwar Period
Benešová, Michala ; Poslední, Petr (advisor) ; Holý, Jiří (referee) ; Sobotková, Marie (referee)
Thesis In the Light of Kabbalah: Jewish Mystique in Polish Literature in the Interwar Period deals with different models of reflection of Jewish religious and mystical tradition in the Polish interwar literature (on the example of three authors representing different ways of perceiving their own Jewish roots as well as the processing of themes based on the tradition of Jewish mysticism). Aleksander Wat, originally a futurist, was critical of the Jewish religious tradition - but still cannot his own "Jewishness" escape; prose writer Bruno Schulz offers an unique vision of cosmogony and eschatology reminiscent of - besides other things - selected concepts of Kabbalah; Bolesław Leśmianʼs relationship to this tradition is the looses, but on the other hand his method of working with motives which can interpreted in the context of the Jewish religious tradition is very original. Literary work of all three - as the heirs to the "people of the Book" - is marked by a specific relationship to language and the written word. In addition to this theme we deal with e.g. the Golem motive, the idea of the creation of the world or the idea of God. These analytical chapters are preceded by a theoretical and methodological introduction based on the traditions of literary hermeneutics, but also on selected concepts of...
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Politics, media and manipulation: politics news and pragmaticlinguistics
Zicháčková, Adéla ; Šoltys, Otakar (advisor) ; Jirák, Jan (referee)
The master's thesis Politics, Media and Manipulation: Political Journalism and Pragmatic Linguistics examines contemporary Czech publicized political communication using pragmatic analysis. It focuses on topics like power, ideology and self-presentation of the political participants in the media. It is also concerned with the framing of media communication and with the communication strategies that the political participants and journalists use. The research was conducted with the use of quantitative pragmatic analysis. Each sample was examined from many different angles. In this thesis, pragmatic phenomenon are examined like the function of the statements, speech acts, intertextuality, conversational maxims, the use and violation of speech etiquette, presupposition, conversational implicatures, deixis, and reference. The semiotic analysis and the examination of the context, from which the analyzed media texts originated, is involved as well. Journalistic texts from different types of media from the time of the first Czech direct presidential election have been chosen as samples for the analysis. The goal of the thesis is to design a complex pragmatic analysis and describe the used communication strategies of the participants.
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Intercultural mass media communication and the search of perfect language
Tesařová, Kristýna ; Šoltys, Otakar (advisor) ; Dvořák, Tomáš (referee)
The aim of this diploma thesis is a qualitative analysis of a media dialogical network's extract regarding chemical attack in Syria on 21st August 2013. In spite of the fact that main social participant in the subsequent international conflict, representatives of United States of America and Syria, president Obama, Secretary of State Kerry on one side and president Assad on the other side, have never actually met face to face, mass media interconnected their reactions into a coherent dialogue between west and east civilization and they accepted it as a part of intercultural negotiation of different meanings and interpretations of reality within a global mass media discourse. Methodological apparatus of conversation analysis and membership categorization analysis provides a tool to observe sequential and categorization aspects of a dynamic intertextual process of specification and respecification of the core cultural and political values in context. Thanks to the term structured immediacy it was also possible to consider sequential ordering of antecendents of the event in historical continuum. This analysis is based on ethnomethodological research of social interaction in mass media and is inspired by articles of J. Nekvapil und I. Leudar, which were dedicated to the analysis of intercultural...
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In the Mud of Dreams and Reality. Autobiographical Features in Prose Fiction of Pavel Růžek and Jerzy Pilch
Zaor, Olga ; Bílek, Petr (advisor) ; Králíková, Andrea (referee)
The present thesis explores works of Pavel Růžek and Jerzy Pilch, its central focus being the analysis and interpretation of their approach towards one's own biography and one's identity as a writer. Although both authors come from the same generation, they address different literary traditions and construct different poetics. What they have in common, however, are literary motifs rooted in their biographies, such as alcoholism, the mythology of childhood, [the existence of] "fateful places," even particular types of women or other characters (including animals). Additionally, the thesis scrutinises the position of both writers in the consciousness of Polish and Czech readership along with their place on the two literary markets.
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The Style of Arnošt Goldflam's Plays
Denková, Magdaléna ; Mareš, Petr (advisor) ; Bozděchová, Ivana (referee)
This thesis presents Arnošt Goldflam as playwright with a peculiar position in the Czech culture. It summarizes basic knowledge about nature and style of dramatic texts and, on the basic of this knowledge, deals with stylistic and linguistic analysis of the part of the author's works which are original dramatic texts. It's based on the corpus of twelve games, that represent this kind of his creative work from the 80's until recently. The objective of the thesis is to determine the basic characteristics and language instruments involved in the structure and meaning of each game. Based on the analysis of instruments stylish construction of various levels and areas of language it defines the most significant common features stylish of all included texts and also author's progression in the use of language and style formation. Goldflam's theater work is characterized not only by choosing subjects, but also in the way of their language and staging interpretation. Author's creative activity is still undone, the thesis offers a view of only the selected area of his work. Powered by TCPDF (www.tcpdf.org)
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