|
|
Provisional Constellation 2015
Kadlčák, Šimon ; Vítková,, Lenka (referee) ; Cenek, Filip (advisor)
The book Boční pohled na zatmění Slunce (Side View on Solar Eclipse) is an artistic attempt to articulate own creative methodology. Simple verbal declamations, quotations from books and conceptual sketches may be understood as a headword complement to my work of past few years. If the reader is, by any reason, unacquainted to that work, the book should work as an autonomous poetical unit.
|
|
|
Untitled
Pavúček, František ; Stratil, Václav (referee) ; Ruller, Tomáš (advisor)
- Gustav Meyrink: "Man with covered face is destiny." - Gesture moving, endless photo, self-portrait, state of mind and non-being - Inhale and exhale through wet shirt - Search position, play with the material - Compose moment by moment, that stuff happens just between the lines - You're just a breath, stop the time between inhalation and exhalation
|
|
|
Modern Art Gallery Brno
Vrána, Adam ; Teplý, Vladimír (referee) ; Odvárka, Antonín (advisor) ; Králová, Zuzana (advisor)
The aim of the thesis was to create the individual degrees of project documentation – documentation for building permit and building design documentation on the basis of the study, processed in the subject AG32. The theme of the work is the modern art gallery in Brno. Location of the building is located at Kraví Hora, Veveří, Brno – the city. The Gallery, along with cafes and studios are fitted in the Park, which builds on the park Kraví hora. In and around buildings located on the Observatory, sports, gardening and swimming pool. The building is located on a sloping terrain towards the Southeast. The architectural solution comes from the blending of the paths that connect the vertices of the land. Those around the territory of the object on which the building is locked, the Gallery completes the Café. The floor plan of the Gallery is an irregular Hexagon, with dimensions of 41,23 and 27 m. Both buildings are buildings of unconventionally conceived. Material solution is a combination of concrete, steel and glass. Supporting system of the Gallery is along the perimeter formed by reinforced concrete walls with hanging corten facade and internal carrier system is the skeleton of reinforced concrete columns. The gallery is a two-floor deck and the Cafe is one-floor deck. Entry to the Gallery is accentuated by a glass wall. The Interior of the Gallery is formed by a glazed Atrium. The roof is flat on both objects. The facade of the Cafe is part of the exposed concrete and part of the glazing.
|
|
|
Gallery of Modern Art
Dyková, Veronika ; Marek, Jiří (referee) ; Šindlar, Jiljí (advisor) ; Pěnčík, Jan (advisor)
The new building of the Modern Art Gallery of Brno is situated at East side of the hill called Kravi hora, near the city center. Location follows the park on West side. The new urban concept follows the park idea. No builded area serves for relax and outdoor activities. Should serves as an outdoor exhibition too. The shape of the building is based on triangle together with long block. On East side of the building is situated green roof terrace, only for staff using. The green terrace offers amazing city view.
|
|
|
Modern Art Gallery Brno
Skořepová, Lucie ; Fišer, Jiří (referee) ; Odvárka, Antonín (advisor) ; Štěpánek, Ladislav (advisor)
The new building of the Modern Art Gallery in Brno is situated at South side of the hill called Kraví hora, near the city center. The building site is relatively spacious and its location follows on park. Also the whole urban solution concept of the site follows the park idea. The gallery park should serve as an outdoor exhibition space as well as a communication point between two sides of the hill – Náměstí míru and Veveří street. So the main initial points of the design are freedom of movement, passage of nature and to be surrounded by the art. The Modern Art Gallery project consists of the main building and other small buildings used as studios. In the main building of the gallery there is an exhibition place, educational center, library and other services for the visitors. The small studios situated in the garden should be rent to the starting artists. They would have there their hinterland for work and exhibitions, so the public can have personal contact with them. The shape of the building is based on a slightly deformed cuboid. The middle part is taken away, so there is an opening in it. This opening forms a vista through the building and a covered public space as well. The building works with two main views of the city. The first one is through the middle opening in the building and the mass of the building frames it. The second one is from the roof terrace of the building on the Brno dominate – Špilberk castle.
|
|
|
The Creative Centre Brno-Cejl
Jajtnerová, Martina ; Keith, Petr (referee) ; Vojtová, Lea (advisor) ; Kalousek, Lubor (advisor)
This bechalor's thesis deals with reconstroction and further conversion of former penitentiary in Brno, Cejl to an art and music workshop. The major aim of the project is to establish a well-functioning base for a wide range of artist. Therefore amount of ateliers, studios and theatres are being proposed. In order to obtain more appropriate space for a cafe and gallery, a new dynamic structure was erected and joined to the complex in place of an older extansion. Inner dispositions were rather preserved due to its original manner. However the indoor space was adjusted to its new function.
|
|
|
Centre of Culture Brno
Pieleszová, Katarzyna ; Teplý, Vladimír (referee) ; Odvárka, Antonín (advisor) ; Štěpánek, Ladislav (advisor)
The goal of this project is to design a new cultural centre building in the locality Brno-Starý Lískovec, Mikulášovo square. The building site is situated between two separate blocks of flats. The principle of this draft lies in a simple combination of compositional axes. The first axis is the square’s axis of symmetry, the second one represents the distinctive shapes of the built up area from the 60’s and the third one expresses a certain metaphorical axis of the landscape panorama. This connection of lines created material which, after consideration of space requirements of all the workflows and traffic, provided the final shape. The whole object is functionally divided into two parts – the cultural centre itself as the core, and the attached sub-parts. Among the supplemental facilities there are areas dedicated for a cafeteria, a bookshop with artistic theme and an exhibition space. The objective was to create a compact structure which would allow an unlimited movement across those facilities. An important part of the exterior is the façade. The building changes “moods” during the day, the colours and shades change with the sun going down. This idea includes a plan of exterior passage which can guide visitors to the main entrances. The outside areas are designed for relaxation and art.
|
|
| |
|
|
Glitch within art and its evolution
Zábrodský, Petr ; BLAŽÍČEK, Martin (advisor) ; POSPISZYL, Tomáš (referee)
The focus of this paper is the development of art that implements technological error, known as glitch. It covers the whole spectrum, from the musical origins of glitch up to its contemporary multi-disciplinary state. This paper does not omit a mention of the theory of glitch and its wider importance within the frameworks of culture, society and the history of art. Glitch is, due to its essence, dependent on the technological conditions at the time of its creation, which means that this paper also includes a description of established methods of using the disruption of data flows as well as the results of such interventions. Nonetheless, what follows is a description of the basic groundwork of such methods and an outline of their inner principle that one can find in the contemporary new ways of understanding and using glitch. This work thus mainly focuses on the history of glitch rather than its new forms, however it concludes by a description of the assimilation of its aesthetics, more than its principles, by mass culture, which brings a shift in its aesthetic function in specific popcultural contexts.
|
|
| |
guest ::
