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Meshes
Pec, Jiří ; Moješčík, David (referee) ; Gabriel, Michal (advisor)
The bachelor thesis deals with the artistic processing of the 3D mesh topology. The object is based on a self-portrait 3D scan and its polygon mesh topology. The realization is made in a steel polygon mesh of the developed body surface, in a way that the individual polygons are loosely connected so that the mesh is flexible as well as human hide.
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erLett
Jenikovský, Daniel ; Kudělka, Vladimír (referee) ; Vaněk, Vojtěch (advisor)
In my bachelor thesis, I experiment to create an author's visual language in the form of a 3D real-time rendering. Later, I add audio and music components to the visual and create game mechanics. In this work, I give up the existing methods and implementations of stylization in 3D rendering and create a new language based on the multiplication of color areas and lines. When creating the audio, I use noise as a source signal, which is then used in various types of synthesis. All elements are created with theme self-portrait.
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The Esthetics of the Scream in Albert Camus Opus
Černá, Kristýna ; Ébert-Zeminová, Catherine (advisor) ; Fučíková, Milena (referee)
The main topic of this diploma thesis resides in the comparison of the expressionist painting and the existential literature in connection with the motif of screaming. Despite the temporal and geographical distance of the two artistic movements (we are focused more profoundly in the German and Austrian expressionist painting, while the main literary work of this thesis, the existential novel The Fall comes from the great mind of a French writer, Albert Camus), the research aspires to prove the interconnection of the two movements and their common tendencies, based on the analyses of chosen themes, motifs, technics, and structure. We propose the motif of screaming as the main part of the comparison, as it constitutes an essential axis of the occidental art, as well as the crucial contact point between Expressionism and Existentialism. In spite of the bountifulness of the various interpretations this motif offers, we have chosen only selected ideas and concepts. As far as the formal structure is concerned, the work is divided into three chapters, where the first two are focused on the origins, a brief characterization of the main point of the two esthetics. Furthermore, they describe their related counterparts of the visual arts and literature (the Expressionist literature and Existential painting...
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Portrait and Identity in Art Education
Tomková, Zuzana ; Fišerová, Zuzana (advisor) ; Francová, Sylva (referee)
NÁZEV: Portrait and identity in Art Education AUTOR: Zuzana Tomková, BcA. DEPARTMENT: Department of Art Education SUPERVISOR: Mgr. Zuzana Fišerová, Ph.D ABSTRACT: The goal of this diploma thesis is to create a didactic project applicable for various school types based on the knowledge from the chapter on theory. This work analyzes the evolution of portrait in the history of art, mainly photography. Further it delves into student identity and different approaches to it. The work also pursues the development of child artistic expression. Main focus is didactic project "How I perceive myself, how others perceive me" anchored in curricular papers followed by its analysis. A constituent part is an artistic chapter describing an author book "Us teachers" that pursues authors' seeking of own identity through her fellow students. Reproductions of the author book, copies of students' art works and a table analyzing these works can be found in appendix. KEYWORDS: Portrait; Selfportrait; Identity; Zuzana Tomková; Photography; Collage; Elememtary education; Jak se vidím já, jak mě vidí ostatní; "Us teachers"; 2018
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Jog film
Dočkal, Petr ; Střeláková, Lenka (referee) ; Ruller, Tomáš (advisor)
Jog film is selfportrait. Reaction to Hollywood production and how it mutilates universal myth. Jog Film is about relationship of an individual to civilization and capitalism. Recreation of personal myth on residues of the old ones. Spiritual exercise that forms the life of its performer. Jog Film is an action movie.
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Self-portait in sculpture in Bohemia
Havelková, Tereza ; Konečný, Lubomír (advisor) ; Prahl, Roman (referee)
There is only limited amount of sculptural self-portraits. Only few sculptors captured their own appearence and they did it only exceptionally twice in their lives. The first known self-portrait is Petr Parléř's bust in St. Vitus Cathedral's triforium. It is a historically unique example and it remained isolated in the Czech area for a long time. During the Baroque, there began a long line of self-portrait effigies within larger iconographic units, so called cryptoportraits. Three- dimensional effigies, as reliefs, occur with the same frequency.The major turning point for the creation of scuptural self-portraits was made by J. V. Myslbek with his effigy from 1902. He prescribed in its entirety the type of respectable person, the type of representative bust. Since then, there can be found the increasing use of sculptural self-portraits appear, the continuous chronological sequence and its development can be traced in the work of his pupils. The sculptors usually portrait themselves as serious persons; they try to capture all their current experience with representative effigies. Even the expressional part of these effigies represent faithful reflection of reality with accurate depiction of human physiognomy and character. Their work with space is consistent but only minimal with extra-portrait...
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Construction of identity through self-portrait in social media era
Čermáková, Alžběta ; Láb, Filip (advisor) ; Jirků, Jan (referee)
This thesis deals with a photographic and social phenomenon of contemporary society - the selfie. The selfie is a variation of photographic self-portrait taken by mobile photocamera. The selfie is a phenomenon because it has become a part of daily life of a huge number of people and started to influence the society throughout all its spheres. It has started to influence the human existence and the way we perceive ourselves. This work tries to examine this unexplored phenomenon from all possible angles. It observes and examines the selfie from the sociological, psychological and also philosophical point of view. The thesis attempts to describe, characterize and define it by using other important terms that communicate with the selfie. The work implants the selfie to the context of social networks and tries to find out its influence on the human behaviour. The work uses qualitative and quantitative methods to provide the insight into the mind of someone who is a keen selfie photographer and by following the results find out possible motivations and consequences that the selfie could have on the human subject. The work offers wide spectrum of theories that provides different explanations of this phenomenon. Powered by TCPDF (www.tcpdf.org)
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