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Women in the English Drama of the Orient
Němcová, Nikol ; Nováková, Soňa (advisor) ; Kolinská, Klára (referee)
The subject of this BA thesis are plays set in the Orient, a new genre that started to gain popularity in the Restoration period. These plays, commonly inspired by the popular travelogues to the Orient and historical accounts, are characterised by their collection of stock characters, repeating topoi and orientalised images that represent the Orient more as a conception created by the West than an actual place. Nevertheless, in analysis of some of the plays I shall argue that these works also offer possible commentaries on the British society of the time and that they can be used as arguments criticizing or reinforcing the contemporary perception of women by dealing with such otherwise rather inaccessible themes as women stepping out of their social boundaries, femininity or female sexuality. In order to advocate my thesis I plan to use four different tragedies with Middle-Eastern settings, specifically Rhodes, Morocco, Turkey and Colchis (located mostly in present-day Georgia and Turkey). All these plays were written between 1663 and 1696 and might be considered some of the most representative examples of the genre. They include William Davenant's The Siege of Rhodes (1663), Elkanah Settle's The Empress of Morocco (1673), Mary Pix's Ibrahim, the Thirteenth Emperour of the Turks (1696) and...
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Imaginary Orientalism of Gustave Moreau in the Context of 19th Century Orientalism and Symbolism
Domincová, Eliška ; Prahl, Roman (advisor) ; Wittlich, Petr (referee)
The purpose of this bachelor thesis is to analyze the orientalist artwork of French painter Gustave Moreau in a context of orientalism and symbolism in the second half of the 19th century. The thesis focuses on comparing the representation of Orient in Moreau's art and its representation in painting in general, in particular in academic orientalism. Stylistic and thematic differences between traditional academic orientalism and the innovative approach of Gustave Moreau to the similar oriental subjects are examined. It also explores the position of Moreau's art in symbolist movement and his influence hereon. The core research method used in the thesis is studying the works of art mentioned in it and their analysis from iconographic, iconological and semiotic points of view. The author also examines primary textual sources (mainly artist's own thinking about art) and secondary literature concerning the life and art of Gustave Moreau, orientalism and its political context, and works on symbolism. The thesis consists of two parts. Part 1 deals with Moreau's orientalist art work within the frame of French orientalism of the second half of the 19th century, and it points out differences between Moreau's imaginary orientalism and the traditional academic orientalism. Chapter 1.1 describes the social and...
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Oasis in the heart of Europe. Orientalism in Czech architecture of the 19th century
Vránová, Veronika ; Šmied, Miroslav (advisor) ; Czumalo, Vladimír (referee)
Europe of the early 19th century is searching for its new artistic persona. Several new and distinct directions come into being, all vying for a spot on the landscape of arts and for the leading position. This desire to search for new directions deepens Europe's interest in the Orient. Meeting of the West with the East goes all the way back to early Middle Ages and manifests through several phases all the way to the present day. Fascination by the Orient in the 19th century was connected mainly to Napoleon's Egypt campaign, Greek uprising against the Turks, France's conquest of Northern Africa, World Exhibition in London and excursions into exotic lands themselves undertaken by contemporary enthusiasts. The wave of orientalism permeated all levels of fine art. It is most often seen in painting, graphic arts and photography and seen the least in sculpture. The thesis follows the orientalism phenomenon from the end of 18th century to the First World War. The goal is to provide some insight into its influence on areas of the fine arts in central Europe and provide background for future research in doing so. Key focus of the thesis is the research of exotic tendencies in architecture in the Kingdom of Bohemia and presenting it in the context of oriental architecture of other countries under the...
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Negotiation of the "West" in Everyday Life of a Lebanese Family
Obeidová, Dina ; Zandlová, Markéta (advisor) ; Ezzeddine, Petra (referee)
Thesis Negotiation of "the West" in everyday Life of a Lebanese Family is focusing on the ways of designing the image of "the West" at a chosen Lebanese family, especially those members who do not have any direct "West" experience and their images of it are based on the information obtained from those who live there or from media. Research was conducted in Qalamoun city in northern Lebanon by the method of participant observation and unstructured interview. One of the central moments of the research was reflexivity. The research is based on theories of transnationalism and the concept of social networks. One of the primary identification and classfication of man is in Qalamoun his religion. A person, who believes in nothing is a threat in the sense that he is unpredictible (he has no clear governing rules). Keywords: Lebanon, orientalism, reflexivity, "western" culture
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The Image of India in the Czech Literature
Špicová, Zuzana ; Štipl, Zdeněk (advisor) ; Hříbek, Martin (referee)
(in English): This thesis deals with the image of India in Czech literature. The first part defines the basic concepts: imagology, autoimage and heteroimage, and outlines the ways in which European literature and culture created the images of India, dividing them into the British, French, German, and lastly the Czech. The following parts present the images created in Czech literature in two lines: the first are the images of the real India, i.e. namely of its nature, primitivism, poverty, and wealth, the second line shows the conceptions of the sacred India, particulary of faith, magic, and superstition. All the images are illustrated with a number of concrete textual examples of Czech poetry and prose. The conclusion evaluates the relation of the image of self to these images of the other, and summarizes their changes from the Luxembourg era so far.
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Belly Dance in the Context of the Western and Arab Islamic Societies
Středová, Lucie ; Veselý, Rudolf (advisor) ; Ondráš, František (referee)
Belly Dance in the Context of the Western and Arab Islamic Societies The present work deals with the development and social status of the belly dance and professional belly dancers in the Arab Islamic society and examines to which extent that status was influenced by the West and how the belly dance made its way to the Western culture. The work concentrates on the 19 th and 20 th centuries with a special focus on Egypt as a centre of the belly dancing. This work is supplemented with a questionnaire, the results of which depict the development of the social status of the belly dance and dancers in the Arab society at the beginning of the 21 st century.
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The Theatre Plays by Hélène Cixous for Théâtre du Soleil
Kuslová, Kristýna ; Christov, Petr (advisor) ; Sarkissian, Alena (referee)
The thesis deals with four plays written by French dramatist and theorist of feminism Hélène Cixous for the Parisian Théâtre du Soleil under the directorial guidance of Ariane Mnouchkine. The analysis focuses on three different perspectives - firstly on écriture feminine, defined in the 1970s by Cixous herself, secondly on exile studies, a field of literary criticism concerned with the writings of exiled authors and exile as a fundamental category of human existence, and lastly on the concept of orientalism developed in the 1970s by American literary historian of Palestinian origin Edward Said.
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Orientalism or Ornamentalism?
Hubáček, Filip ; Rovná, Lenka (advisor) ; Blažková, Miloslava (referee)
Thesis "Orientalism or Ornamentalism?" is dealing with two rather different explanations of the nature of British imperialism. The work compares Edward Said's concept of Orientalism with Cannadine's Ornamentalism. Both concepts are not seen as contestant theories that have to be necessarily in a clash with each other. An opinion is presented that both theories aspire to explain and describe an identical subject - British Empire. Only they do so from different standpoints. As a way out of understanding them as a contradictory approaches is suggested "cubist thinking" of Empire.
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The impact of a new scramble for Africa between the EU and China - a comparative case study of foreign direct investment in Senegal and Zambia
Mocák, Filip ; Kučerová, Irah (advisor) ; Mazač, Jan (referee)
The goal of this research is to shed light on the impact of European foreign direct investment and growing Chinese foreign direct investment in Sub-Saharan Africa through lenses of neocolonialism and orientalism. A case study analysis is utilized to grasp the topic appropriately. Two case studies were set - Senegal and Zambia case study. While Senegal serves predominantly as a case study for the impact of EU foreign direct investments, The case study of Zambia helps to understand how Chinese FDI inflow affects Sub-Saharan countries. Therefore, six hypotheses were outlined. This work researches the impact of FDI on the level of democracy represented by the democratic index of The Economist Intelligence Unit, business freedom embodied in The Heritage Foundation's economic freedom index, and stability of state symbolised by the fragile state index studied by The Fund for Peace. All three indexes above are available for free online. The correlation between EU FDI and level of democracy was confirmed while Chinese FDI negatively affects democratic development in studied countries. Next, European FDI positively affects the level of economic freedom in Senegal as well as Zambia. Nevertheless, increased Chinese FDI inflow to the countries deteriorated their economic freedom. Lastly, there is no clear...
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Making a terrorist: The discursive construction of Islamist and right-wing extremist threats in Swiss media reporting
Margna, Livia ; Prina, Federica (advisor) ; Fitzgerald, James (referee)
Dissertation｜2460442M Abstract The discourses structuring news coverage of terrorist attacks influence our understanding of the nature, drivers and severity of the threat emanating from a specific extremist actor category. Therefore, they are a powerful tool to further socio-political goals. Acknowledging the role of language in shaping reality, this dissertation project uses Critical Discourse Analysis/Critical Discourse Studies to reveal current discursive trends in the understudied coverage of Islamist and right-wing extremist attacks in the Swiss press. With the dominant social factor distinguishing the two extremist categories being ethnicity, it hypothesises that Western media discourses reflect the presuppositions of Orientalism and Critical Race Theory. Both theories expect texts to express, enact and legitimise social hierarchies based on racial affinity to solidify the supremacy of the white elite. The exemplarily analysis of the reporting of two recent extremist incidents by three newspapers representing political perspectives from the right-wing to the left-wing shows that while the Swiss press is indeed influenced by and reproduces racial inequalities, publications do so to a varying degree.
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