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Multi-function Cultural Centre "Creative City" in Brno
Mazurová, Lenka ; Schnapková, Radka (referee) ; Vojtová, Lea (advisor)
The aim of the Master thesis project is a reconstruction of former prison in Soudní street in Brno. The current building is a historical construction from 18th century and contains chapel. This building has an extension, which closes the block from the Bratislavská street. The prison has square layout with two inside yards and one yards between prison and the extension. The design contains new usage of the current spaces with extension of new floors on the prison building, demolition of the current extension from the Cejl street and construction of new building on created new space. On the current building is designed two floor structure from the Soudní street, the rest of the building has one floor. New administrative construction is connected with the old building by a bridge. The main purpose of new creative centre are spaces for artists, painters, architects, alternative actors, newspaper publishers, starting businessmen and other functions that relates to operation of the building. Other functions are living, permanent and temporary, atelier for public and cooking institute.
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The Creative Centre Brno-Cejl
Kašpárková, Eliška ; Vaněk, Petr (referee) ; Vojtová, Lea (advisor) ; Kalousek, Lubor (advisor)
The main purpose of this project is reconstruction former penitentiary for a Creative Centre. The lokation is in Brno, between Cejl streer, Bratislavská street and Soudní street. The main idea of this project is „make the place with incubators for young architects, creativ persons and designers. The building program is adapted to the historical essence and construction and technical situacion of this building. There are designed spaces for their creations, exhibions, distributions and auctions of their artistic products. The idea of concept contains too the space for lectures, workshops, seminars, courses and untraditional educational projects, visual and acustic and different productions. There is too the possibility of short-term accommondation in attic. The part of this object is reserved for dancing lessons. All these spaces are designed for a rent. There are designed too new entrance spaces, parking places, technical equipment and facilities. The inseparable part of this project are inner atriums, entrance spaces and contunuity on public street spaces and communications. The complex of Creative centre is without mobile roofing and without covered passages. The main idea of this complex is to preserve the main square mass with the central wing, and is to clean up the less historical insignia extensions of the Cejl street and of the Bratislavská street. From the constructional poit of view consists this buiding two aboveground floors with used attic. The attic is coved with gabled roof made of interlocking tiles. The complex is based on stone basis with bearing wall made from full of burnt brick. The ceilings are made of wooden beams with arches of full of burnt brick. At the present the complex is without permanent using. The part of this complex was sold in personal property. The functional content of this complex after the reconstruction is to create the creative centre (with accompanying cultural and social functions) for creative, design
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Experience in The Artwork and in The Gallery Space
Havránková, Simona ; Pfeiffer, Jan (advisor) ; Francová, Sylva (referee)
The theoretical part of the thesis is comprised of three interrelated areas: the exhibition as a medium, space, and curation. The chosen areas each include a presentation of the development of space. The thesis explores elements that transform the audience's overall experience of visiting an exhibition and the audience's impression of the displayed piece. The chapter which follows the facilitator's role in the exhibit determines the most common causes of the public's dismissive stance towards art. The third chapter is focused on curation and introduces the curator's role. The practical part of the thesis proposes solutions for a three-dimensional installation and offers means of linking artworks to their surroundings. In relation to the subject of the public's detachment from art, the thesis explores art from the viewpoint of the audience and the audience's experience. The thesis aims at designing an arrangement that aids in bettering the relationship between the public, the gallery, and art, through the use of gallery education. The practical part involves the author's project - a curatorial conception for which thematic series are provided in the didactic part. The basis of the work is finding relationships between different areas of art and viewing exhibitions from an educational perspective....
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Architecture and space: In work Ing. arch. Petra Fabiána
Janů, Mojmír ; Hanuš, Jiří (advisor) ; Šindelová, Jana (referee)
TITLE: Architecture and space in work Ing.arch. Petra Fabiána AUTHOR: Mojmír Janů DEPARTMENT: Institute for professional development, faculty of seducation SUPERVISOR: Mgr. Jiří Hanuš ABSTRACT: The thesis is devoted to the development of architecture from its early beginnings until its importance of an artistic style and its interpretation in the work of ing.arch. Petr Fabián, one of the most significant architects dealing with revitalizations and reconstructions of historical buildings in the Czech Republic, mainly in the Olomouc region, notably in the towns of Olomouc, Šumperk and Zábřeh. Judgement of most of the population on the architecture of buildings is mostly based on the fact whether they like it or no. For those who understand this branch more, the works of Petr Fabián provide the unique example of high architectural quality. His works reflect his persistence, refined style and theoretical knowledge gained during his studies at the Faculty of Architecture of VUT in Brno, under the supervision of prof. Helena Zemánková. One of the aims of the thesis is to present the architecture as the artistic and philosophical phenomenon of the past, present and future. Parts of the thesis deal with transformations of some of the works Ing. arch. Petr Fabián was working on and his goals to follow the needs of...
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Modern three-dimensional art in Ulaanbaatar in broader consequences of the art scene
Miškaňová, Ľudmila ; Oberfalzerová, Alena (advisor) ; Zikmundová, Veronika (referee)
The bachelor's thesis deals with systematic description of contemporary three dimensional art in Ulaanbaatar and specializes in sculpture and installation. At first it shortly describes the history of mongolian sculpture. The following chapter focuses on the characterization of art scene in Ulaanbaatar through selected artists. It portrays the main topics and processes of creation of contemporary works of art. The conclusion of the thesis summarizes the main characteristics of contemporary three dimensional art, influences on the creation and current tendencies. Powered by TCPDF (www.tcpdf.org)
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Media image of David Černý and his work in the zech press
Kušiaková, Anna ; Sládková, Hana (advisor) ; Ježková, Tereza (referee)
This bachelor thesis "The medial image of David Černý and his work in the czech press" is trying to present the medial image of contemporary czech controversial artist in selected periodicals, formed both by the media and his personality. For specific documentation of the image, its changes and development while outlining development of periodicals themselves were selected two seasons; five-year period before the turn of the millennium (1996-2000) and equally long period after the turn of the millennium (2006-2010), the periodicals were chosen from among the most read newspapers (MF DNES, Lidové noviny, Hospodářské noviny and Blesk) and weeklies (Reflex, Respekt a Týden). In the first part is presented the biography of David Černý and his work, as well as some of the press trends since 1989. The second part of the work is focused on a specific period and personality in the monitored titles, the aim is to describe from selected articles the medial image of David Černý and describe, how it has been transformed, how has changed expression of the artist and which changes have occured in press. David Černý is a significant czech artist and because it does not occur too many comprehensive publications, dealing closer with his controversial person and work, I would like this work to contribute to the...
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The Snake as Means of Reflection in the Texts about Artists from the German Romantic Period
Balcarová, Markéta ; Zbytovský, Štěpán (advisor) ; Weinberg, Manfred (referee) ; Bartl, Andrea (referee)
The submitted doctoral thesis examines the function and performance of the motive of a snake in four selected texts about artists of the German romantic period and perceives the snake as an attribute reflecting the problems of the artistic existence and a way to the artistic work, possibly of the artistic work at all. When interpreting the single motives of the snake, three-phase procedure as applied by Erwin Panofsky in description of the motives in the pictures has been chosen by analogy for literary texts. The interpretation is based on the structural position of the motive of the snake in the text and its performance in the text. Subsequently, the principal role is revelation of contexts which updates the given motive of the snake - in particular they are biblical snakes, mythical snakes and a serpentine line as a line of beauty which was the subject of the period aesthetic discourse. The meaning of the motive of the snake in the texts is given primarily by the mutual interaction of theme contexts which is in the single texts realized by various ways. The motive of the snake as formed in the single interpreted texts is a highly complex motive in all the cases. Thanks to the possibility of connotation with the snakes from the sphere of the Bible and mythology the literary motive of the snake becomes a...
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Daňové úniky v oblasti zdaňování příjmů umělců
Pavlíčková, Tereza
In the text of the thesis there is described, how incomes of artists are taxed. There is also dealt with legislative rules in force in the Czech Republic and double taxation treaties. In connection with legislative rules there are described some legal cases with artists which were solved by the European Court of Justice. According to the theory of taxation there is sketched the problematic of tax evasion, how it is sorted, what is causing it and how to avoid it. In the practical part of this thesis there are analysed incomes of individual artists who provided information about their incomes for the purpose of this thesis. Moreover, there is represented the particularity of the artists’ field. At the end of this thesis, the tax evasion in this field is quantified, conclusions from it drawn and solution suggested.
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Principy obnovy zahrad významných tvůrčích osobností
Kršková, Radka
The diploma thesis is focused on the theme of the garden of artists and the principles of their renewal. The selection of artists, prominent creative personalities, was directed to represent as many artistic disciplines as possible. Selected gardens were analyzed; Studied the original condition, followed the development and, of course, the current appearance of the garden. It was studied whether the artistic focus in some way did not look like a garden, and whether the gardens fall or should fall under some conservation monument. As a result of this analytical part, it was the pronouncing of the connecting elements, the fact that the gardens are something specific, what their atmosphere, identity is. In the design section, three gardens were selected, where the type of renovation and restoration was appropriately selected. The selection of the restoration was based on the criterion of history, present, but also intention for the future. At the end of the thesis general principles were stated in the newly created interventions in art gardens.
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