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Alena Tichá and her contribution to the voice education of the primary school children with lower music aptitude
Dunovská, Marie ; Váňová, Hana (advisor) ; Bělohlávková, Petra (referee)
The aim of the diploma thesis is to research the contribution of a prominent music educationalist PaedDr. Alena Tichá, PhD., who specialized in primary school children with lower music aptitude in her music education metodology. The thesis is focused to gathering basic information about biographical, bibliographical, theoretical and psychological-pedagogical characters which will not only lead to clarification of Alena Ticha's contribution and her methodology of vocal education and working with non-singers, but also to formation of a theoretical scope of our own research into this branch. The theoretical scope is focused on Czech musical and pedagogical fellowship and its awarness of Alena Tichá's singing methodology as well as on possible practical experience of respondents with this methodology when working with non-singers. Keywords Music education, didactics of music, Alena Tichá, children with lower music aptitude, non-singers, amusia, vocal education, primary school children.
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Developing creativity of pupil at the primary school through notation software
Grobár, Martin ; Váňová, Hana (advisor) ; Slavíková, Marie (referee) ; Sedláček, Marek (referee)
In today's fast changing world, global development of information and communication technology significantly affects many fields of human activity including music and education. As a result, questions concerning effective using of modern technology in musical education have become a major topic within the pedagogical community. Presented dissertation thesis examines utilization of notation software as a modern teaching tool. The software was specifically used to further improve musical creativity of pupils at secondary school (grades 6 to 9). The very first part of the thesis focuses on research framework, contemporary musical technologies, and available notation software tools. A special attention was drawn to MuseScore software that was used in the research. Last but not least, this part of the thesis outlines vital facts connected with musical creativity field of knowledge. Second part of the thesis is dedicated to author's research and starts with determination of project scope, goals, and basic working hypothesis. The actual research was carried out in several phases with subsequent real-life verification of acquired results. Main research work included development of experimental musical teaching methodology for children in sixth grade. Here, the notation software was used as a tool for stimulated...
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Influence of visual images on forming listening skills of elementary school music students
Ejemová, Barbora ; Váňová, Hana (advisor) ; Bělohlávková, Petra (referee)
This diploma thesis deals with the issue of visualisaion during listening to the music in the music lessons at the elementary school. The thesis contains suggestions for both: visualisation-based listening work and listening work without visualisation. Theoretical part contains theoretical background of the topic. It covers the development of the listening activities, describes their contemporary conception and deals with their psychological aspects. Practical part of this study comprises the research surveys with didactic materials. Part of the work is a CD with listening tests, presentations and videostreams, which are adapted for presentation during classes.
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Person of Eva Jenčková and Her Contribution to Music Pedagogical Theory and Practice
Dočekalová, Eliška ; Váňová, Hana (advisor) ; Tichá, Alena (referee)
SUMMARY: The diploma thesis deals with the life and work of an important pedagogue and music theoretician prof. PhDr. Eva Jenčková, CSc. It analyzes her present pedagogic, scientific and publishing activities, her efforts in the field of integrative music education and her contribution to education of music teachers by publishing of methodological materials and organizing various courses and seminars. The thesis is include an interview with Eva Jenčková, a photo attachment and research of her influence on musical practice.
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Hymnal Mešní zpěvy. The analysis and the usage in the musical pedagogy
Vychytilová, Kristýna ; Stříteská, Leona (advisor) ; Bělohlávková, Petra (referee)
The thesis The hymnal Mešní zpěvy. The analysis and the usage in the musical pedagogy suggests a way of usage of Mešní zpěvy in music courses at secondary school. Liturgical music is the important source of knowledge of our musical culture, and of the culture in general too. Mešní zpěvy adds to that knowledge noticeably. The hymns listed there come from elder hymnals, but each has the origins of both music and lyrics traced and attached. This writing provides an analysis of selected hymns and offers how to use them when teaching music. The purpose of the thesis is to show that Mešní zpěvy are suitable in everyday teaching of music. The choice of hymns has been made considering the other subjects too, particularly Czech language and history. The aim is to widen pupils' horizons of historical and cultural heritage. The hymn selection and its involvement in the teaching process has been tried at secondary school.
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Petr Bazala - life and work
Míč, Miroslav ; MALÝ, František (advisor) ; KASÍK, Martin (referee)
This thesis intoduce us with a successful composer and personality. First part is about his life
– youth, studies, interests, musical success, teaching the children. Second part is dedicate to
his work, full list of compositions with illustrations and analyses of choosen pieces, as well as
a CD recordings include.
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Effective study of musical piece
Růžičková, Michaela ; HAJÓSSYOVÁ, Magdaléna (advisor) ; BÁRTA, Martin (referee)
This bachelor´s thesis is targeted on finding the most effective way of working on a musical piece. It aims especially on the work of an opera singer, however, the author is operating with knowledge acquired by studying also two other classical specializations - piano and conducting. By combining of these three musical departments, this thesis tries to find the fastest and concurrently the most precise way of how to prepare a musical piece in the best possible quality. This thesis also deals with the issue of public performace, the question of stage fright and how to deal with it.
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Karl Davidov - Founder of Russian Cello School
Boiprav, Hanna ; ERICSSON, Mikael (advisor) ; BERNÁŠEK, Václav (referee)
This bachelor´s thesis is focused on the assessment of personality of Karl Julievich Davydov, respected cellist and teacher, but it is not the comprehensive portrait. This work tries to catch the principal points of his career in solo and chamber music playing as well as in teaching.
This thesis is divided into two chapters. The first one of the five subchapters and three smaller subchapters is focused on the artistic development of Karl Julievich Davydov from his childhood through his cello studies, work as professor in Russia and abroad and performing in chamber ensembles. Second chapter is dedicated to pedagogical principles and values and especially to his "Cello School".
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Methodology of woodwind quintet´s work
Javůrek, Jiří ; KOUTNÍK, Štěpán (advisor) ; MAREŠ, Vlastimil (referee)
This Master thesis describes the functioning of a wind quintet: it's succesful foundation and choosing the right coplayers, efficient ways of rehearsing and preparation for a concert, competition or redording. The thesis suggest detailed day schedule of the preparation and rehearsals and shows how to work efficiently in different stages of the ensemble development. The thesis treats thoroughly the choice of appropriate repertoir pieces, which are organised according the technical difficulty. It evaluates the improtance of Czech ensembles Prague Wind Quintet and the Afflatus Quintet and enlists the practical experience of their members.
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The methodology of the viola
Krejbich, Tomáš ; PĚRUŠKA, Jan (advisor) ; UNTERMŰLLER, Karel (referee)
As the title suggests, this diploma thesis is going to question the methods of the viola playing. The word methodology itself is quite a wide topic to discuss,
in the history of the books about music, this literature is very often dedicated to some analysis of the instrument as well as the player himself and their mutual connection and how to work on it. So these are usually overall technique tutorials and manuals given to improve the playing, full of images and pictures, which bring some promise of improvement if being followed word for word. Many books have been written by multiple writers, devoted to all sorts of instruments and each of them gave their imprint and if put altogether, they even might embrace the whole music player's capacity. The goal of the author here is not making another detailed methodology, focused on particular issues, he more wants to discuss the difference between the violin and the viola, since he has had the time to observe both in years and mainly he would like to share the knowledge obtained during his everyday studies, thus contribute or bring someting new to this world of methodology. The work is deeply focused on free-writing more than source-finding, therfore there are minimum of resources or links. It hopes to give help to the potential reader and same the author himself, as he would like to sort out his musical values.
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