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Transcendental aspects of architectural design as factors of sustainability
Volnohradský, Radan ; Peřinková, Martina (referee) ; Loutocká, Vlasta (referee) ; Uřídilová, Marcela (referee) ; Urbášková, Hana (advisor)
This thesis deals with complex processes, relationships and phenomena which go beyond the assumed and accepted materialistic perception of the world in general and the process of architectural design specifically. It clarifies and actually redefine the sustainability from a point of higher universal principles forming our environment. At the beginning this thesis presents an extensive knowledge base of existing holistic design systems including Feng-shui, sacred geometry, geomancy or numerology. The purpose is to build and establish a solid foundation for understanding and further research as well as objectively interpreting lesser known topics as a whole. On the basis of intersecting information through the above mentioned topics we specify the hypothesis which proposes the pre-existence of one unifying design matrix of harmonic structures in architecture. The structure of its verification takes us from an analysis of the science of human perception to systems of self-similar contextual references of animated and inanimated forms. These systems of emergent form and flow are basically known as fractals, and could be expressed in both mathematical and geometrical languages. The thesis research then consists of analysing chosen examples of urban and architectural scale in sense of fractality, symbolism and geometrical matrices. We include and integrate the research of associated and relevant phenomena in pedagogical practice, and a case study of the application of fractals in development of a chosen town. From the results of this thesis we abstract five non-dogmatic guidelines or tenets for architectural design; which are supported by experimental verification on some of the author´s buildings. These tenets stand as pillars of implosive architecture. This kind of architecture in context of transcendental overlaps means a possibility of how to bring our anthropogenic environment closer to the natural and harmonic code of the Universe.
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METAPHYSICAL STORIES
Dvořák, Vojtěch ; Písařík, Petr (referee) ; Rathouský, Luděk (advisor)
The work entitled "Metaphysical stories" relates to the personal perception and experience of the outside world and oneself, as well as to the perception of painting and picture. The concept of metaphyisics is borrowed from philosophy precisely for its thematization of human existence. The narrative presents a stream of expressions intended for sharing, communication, entertainment and learning. The bachelor thesis consists of a series of oil paintings on canvas. These are abstract paintings in which I examine the shape, color and subject matter of the painting. Imaginative scenes devoid of figures and perspectives. The aim is to open up as much space as possible to unlimited expression.
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A hedgehog runs through the sidewalk.
Reisová, Kristína ; Lisá, Markéta (referee) ; Klodová, Lenka (advisor)
Hedgehog runs across the sidewalk is a collection of texts about the everyday beauty of the world, about slowness and concentration. These are stories seen, perceived, heard by me. Stories where I stopped or they stopped me. About how the sun and the plant create a shadow, how storks fly in a circle over us, how a badger runs in the dark, how a pine cone falls from a tree, how cats sit in the dark, how they caress a plant over leaves, how a night butterfly sits in the corner of the room the dog watches something in the grass, as a rainbow spot lies on the road, as they find that it rains the least of the trees under the pine tree around, as a cloud of steam hovers over the forest, as tamarinds close their leaves at night, ... I write these texts and transfer them to handmade paper, which I made from collected papers and plants. I pin them story after story with a pin. They then meet together on a round table, where people can meet them and experience them with their eyes and touch.
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Roman spa and sauna world
Olšáková, Pavla ; Velička, Jaroslav (referee) ; Dýr, Petr (advisor)
The specified location for the design is located in the street Hády near the former quarries -Hády and Růženin lom. The place is surrounded by suburban recreational greenery and has sufficient accessibility. On a dedicated site is considered new and existing applications. The new use of the buildings includes a water park and Roman bath and the sauna world. The building of the Roman bath and sauna world will contain, in addition to the main operations also ancillary services and hydrotherapy treatments. The object is oriented at the southern edge of the land between the parking lot and the building of the Aqua Park. The object is designed as a three-storey with basement (1S), 1st floor (1NP) and 2nd floor (2NP). Mass solution is the arc plan. The input section is designed as a contiguous solid mass. The rear part is then designed as two separate halls. From the perspective of the construction is a reinforced concrete skeleton. Surface materials are plaster with metallic paint, glass and wood.
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Krajobraz odrazu
Tesařová, Anna ; Helia De Felice, Jennifer (referee) ; Klímová, Barbora (advisor)
Work concerned in landscape and motion in landscape. I want to focus on the way how am I mirroring in landscape and how is landscape mirroring in me. In the proces of work there will be actions reflecting these themes (occasionally with other people or just by myself). These actions will be recorded (in a varied ways). Later I will proceed from it to make the final series of scenes from those records.
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Perfection
Daneková, Petra ; Topínková, Anita (referee) ; Klodová, Lenka (advisor)
In my final work I deal with the topic of handicap, disability and otherness. Any otherness causes fear in society, fear of ignorance. Being healthy, "normal," means the assumption of a full-fledged life of modern man. A disabled person, whether physically or mentally, does not meet these priorities and ideas of normality. I try to point out the handicap positively, not to hide it. I also work on the qualities of beauty and ugliness because they are very similar to health and disability issues. My final work is focused on the affected bodies. The result is a set of exposed objects that, in conjunction with the installation, can act as luxury goods. The work consists of about fifteen hand-sewn gloves of various shapes and materials. They are very extraordinary objects that only "sit" for the chosen. The aim of the work is to contribute to works that seek to promote disability in art or culture.
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Emotions and aesthetic preferences evoked by animals in the context of nature conservation
Janovcová, Markéta
People have always seen animals as an important part of their lives. As a result of human activity and other factors, an increasing number of species are becoming endangered. Recently, nature conservation has become increasingly important, but conservation activities cannot do without public support, not only financial. For this reason, it is necessary to understand how people perceive animals and what implications this may have for planning conservation programmes. In this paper, we focused on positive perceptions of animals ascertained through aesthetic preferences (the beauty of the animal) and negative perception through emotions (fear and disgust). It was found that the beauty of the animal and attributed dangerousness have a decisive influence on the support of conservation activities in the preferred group of mammals, while body size and attributed intelligence do not. In contrast, reptiles are an often neglected group of vertebrates, yet they are perceived by humans quite consistently. Humans distinguish reptiles on the basis of external appearance, namely the presence of limbs. Thus, there is a separate group of legless reptiles represented mainly by snakes and legless lizards (e.g. Amphisbaenia), which have their own rules for evaluating beauty and emotions. As it was found in the...
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Emotions and aesthetic preferences evoked by animals in the context of nature conservation
Janovcová, Markéta ; Landová, Eva (advisor) ; Stibral, Karel (referee) ; Prokop, Pavol (referee)
People have always seen animals as an important part of their lives. As a result of human activity and other factors, an increasing number of species are becoming endangered. Recently, nature conservation has become increasingly important, but conservation activities cannot do without public support, not only financial. For this reason, it is necessary to understand how people perceive animals and what implications this may have for planning conservation programmes. In this paper, we focused on positive perceptions of animals ascertained through aesthetic preferences (the beauty of the animal) and negative perception through emotions (fear and disgust). It was found that the beauty of the animal and attributed dangerousness have a decisive influence on the support of conservation activities in the preferred group of mammals, while body size and attributed intelligence do not. In contrast, reptiles are an often neglected group of vertebrates, yet they are perceived by humans quite consistently. Humans distinguish reptiles on the basis of external appearance, namely the presence of limbs. Thus, there is a separate group of legless reptiles represented mainly by snakes and legless lizards (e.g. Amphisbaenia), which have their own rules for evaluating beauty and emotions. As it was found in the...
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