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Cycle Path GIS of Moravian Wine Trails
Kobližek, Tomáš ; Bartoněk, Dalibor (referee) ; Ježek, Jiří (advisor)
The subject of this thesis was to create cycle path geographic information system (GIS) north of Znojmo wine trail. The main goal of the GIS witch informs about parameters of cycle routes and attractions and services. Data collection was carried out in terrain and were obtained necessary data and maps for the creation of GIS. ArcGIS 10.1 from ESRI company was been used for proccesing of data. Couple of outputs from GIS has been created at the end of the work. The user can use GIS data in various programs and on different platforms.
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Data capture for creation of DTM
Kobližek, Tomáš ; Vondrák,, Jiří (referee) ; Kalvoda, Petr (advisor)
The subject of this thesis was to collect data for digital terrain model in the western part of the valley Kombutského stream between the villages Kotvrdovice and Jedovnice. It was built a network of auxiliary measuring points of which were measured specified territory by using tacheometry method. Then were calculated coordinates and height of measurement points. It was tested accuracy of control-points. From the measured data was drawn thematical map with scale 1 : 500. The final data were serve for puposes of subject GE14 Field Training II.
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The Experiential Dimension of Arthur C. Danto's Definition of Art
Lojdová, Šárka ; Kubalík, Štěpán (advisor) ; Koblížek, Tomáš (referee) ; Makky, Lukáš (referee)
Title: The Experiental Dimension of Arthur C. Danto's Definition of Art Author: Mgr. Šárka Lojdová Department: Katedra Estetiky Supervisor: Mgr. Štěpán Kubalík, Ph.D. Abstract The main topic of the present dissertation thesis is Arthur Coleman Danto's approach to defining art. The dissertation explains characteristics Danto considers as defining conditions of art. Its goal, however, lies elsewhere - I aim to demonstrate that Danto ties the essence of art with the experiential dimension of art. The experiential or - in Danto's terms, pragmatic - dimension of art describes the viewer's interaction with an artwork. According to Danto, artworks provoke an emotional reaction on the part of a spectator; what is more, they might change one's view of the world. My reading of Danto's position differs significantly from the traditional interpretation of his definition of art. Contemporary philosophers emphasize the semantical dimension of Danto's writings. Danto proved that one thing might be an artwork regardless of being perceptually indiscernible from an ordinary thing since artworks - contrary to real things - have content. Danto's introduction of this condition helped to accept avant-garde works as art. My thesis, however, shows that the content (and interpretation) is not the whole story. I argue that it is not...
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The phenomenon of fiction
Koblížek, Tomáš ; Pokorný, Martin (advisor) ; Petříček, Miroslav (referee)
The subject of the work is the problem of the fictionality of literary texts. The work is divided into three parts. The first part deals with the nature of poetic language. The central thesis is that literature cannot be perceived as a set of objective attributes of a given statement but as the way utterance affects the reader, that is, as a phenomenon. This assumption allows us to define fictionality tentatively as a phenomenon or as an aspect of the phenomenon of literature. The second part introduces a critique of the theory of fictional world. The objections are concerned with the concept of the world as an aggregate of objects, characters and events, relation between the texture and the fictional world viewed as mediating representation, the concept of literary creation as a translating of extensional plane to the intensional one, and the concept of reading as the reconstruction of fictional objects. The third part suggests an answer to the problem of the fictionality. Considering Patočka's essay Učení o minulém rázu umění the phenomenon of literature is defined as the flowing of objective component of experience into the non-objective one. The fictional object is thus conceived as the vanishing object in the sense of its becoming the non-object.
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Interpretative Semantics as a Contribution to Reception of a Literary Text
Koblížek, Tomáš ; Pokorný, Martin (advisor) ; Voldřichová - Beránková, Eva (referee) ; Petříček, Miroslav (referee)
The thesis deals with the project of interpretative semantics as it has been developed by the French linguist François Rastier. The aim of the thesis is twofold: Firstly, to introduce and to further elaborate on the principles of this theory. Secondly, to point out possible benefits of Rastier's project for interpretation and analysis of literary texts. The key issue which characterizes the Rastier's semantics and which also represents the main axis of the present thesis can be put forward as follows. On one hand, the interpretative semantics grasps the text as a linguistic object which is open to various formal arrangements and to various articulations of semantic units. On the other hand, each text in its linguistic and non-linguistic context receives a particular shape and particular meaning. This general issue is discussed in detail in four mutually bound chapters where it is also applied on literary texts: (1) The first chapter deals with the notion of isotopy as the main textual principle. From the perspective of this concept a text cannot be grasped as a "big sentence" with an apriori determined syntax. Textuality rather resides in relationships between iterated (isotopic) elements which can be detected in the particular text on different linguistic levels (morphemes, lexies, sentences)....
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The Voice of Reason. A study of Kant's Critical Philosophy
Pech, Robin ; Karásek, Jindřich (advisor) ; Sirovátka, Jakub (referee) ; Koblížek, Tomáš (referee)
Philosophy is traditionally defined against rhetoric. The traditional difference between philosophy and rhetoric is based on a distinction between truthful and persuasive speech. The history of philosophy offers a number of examples how to approach the relationship between truth and persuasiveness. However, this relationship was traditionally taken in such a way so that philosophy could be defined against rhetoric. This approach can also be found in the texts of Immanuel Kant. From this point of view, Kant's project of critical philosophy can be interpreted as an attempt to purify philosophy and separate it from rhetoric. But when Kant defines the philosophy against rhetoric, he falls into obvious contradiction. As the critical philosophy helps to realize the ideas of the Enlightenment, thus, it also helps to spread the light of reason. However, the spread of general enlightenment requires an effective link between philosophy and rhetoric, i.e. between truth and persuasiveness. Since the critical philosophy is the instrument of enlightenment, it acquires its rhetorical dimension. A closer examination of the rhetorical dimension of Kant's critical philosophy, which still represents a certain desideratum of Kant Studies, thus opens up completely new research and interpretation possibilities.
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Interpretative Semantics as a Contribution to Reception of a Literary Text
Koblížek, Tomáš ; Pokorný, Martin (advisor) ; Voldřichová - Beránková, Eva (referee) ; Petříček, Miroslav (referee)
The thesis deals with the project of interpretative semantics as it has been developed by the French linguist François Rastier. The aim of the thesis is twofold: Firstly, to introduce and to further elaborate on the principles of this theory. Secondly, to point out possible benefits of Rastier's project for interpretation and analysis of literary texts. The key issue which characterizes the Rastier's semantics and which also represents the main axis of the present thesis can be put forward as follows. On one hand, the interpretative semantics grasps the text as a linguistic object which is open to various formal arrangements and to various articulations of semantic units. On the other hand, each text in its linguistic and non-linguistic context receives a particular shape and particular meaning. This general issue is discussed in detail in four mutually bound chapters where it is also applied on literary texts: (1) The first chapter deals with the notion of isotopy as the main textual principle. From the perspective of this concept a text cannot be grasped as a "big sentence" with an apriori determined syntax. Textuality rather resides in relationships between iterated (isotopic) elements which can be detected in the particular text on different linguistic levels (morphemes, lexies, sentences)....
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The phenomenon of fiction
Koblížek, Tomáš ; Petříček, Miroslav (referee) ; Pokorný, Martin (advisor)
The subject of the work is the problem of the fictionality of literary texts. The work is divided into three parts. The first part deals with the nature of poetic language. The central thesis is that literature cannot be perceived as a set of objective attributes of a given statement but as the way utterance affects the reader, that is, as a phenomenon. This assumption allows us to define fictionality tentatively as a phenomenon or as an aspect of the phenomenon of literature. The second part introduces a critique of the theory of fictional world. The objections are concerned with the concept of the world as an aggregate of objects, characters and events, relation between the texture and the fictional world viewed as mediating representation, the concept of literary creation as a translating of extensional plane to the intensional one, and the concept of reading as the reconstruction of fictional objects. The third part suggests an answer to the problem of the fictionality. Considering Patočka's essay Učení o minulém rázu umění the phenomenon of literature is defined as the flowing of objective component of experience into the non-objective one. The fictional object is thus conceived as the vanishing object in the sense of its becoming the non-object.
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Cycle Path GIS of Moravian Wine Trails
Kobližek, Tomáš ; Bartoněk, Dalibor (referee) ; Ježek, Jiří (advisor)
The subject of this thesis was to create cycle path geographic information system (GIS) north of Znojmo wine trail. The main goal of the GIS witch informs about parameters of cycle routes and attractions and services. Data collection was carried out in terrain and were obtained necessary data and maps for the creation of GIS. ArcGIS 10.1 from ESRI company was been used for proccesing of data. Couple of outputs from GIS has been created at the end of the work. The user can use GIS data in various programs and on different platforms.
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Data capture for creation of DTM
Kobližek, Tomáš ; Vondrák,, Jiří (referee) ; Kalvoda, Petr (advisor)
The subject of this thesis was to collect data for digital terrain model in the western part of the valley Kombutského stream between the villages Kotvrdovice and Jedovnice. It was built a network of auxiliary measuring points of which were measured specified territory by using tacheometry method. Then were calculated coordinates and height of measurement points. It was tested accuracy of control-points. From the measured data was drawn thematical map with scale 1 : 500. The final data were serve for puposes of subject GE14 Field Training II.
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