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The problematics of social cohesion
Havran, Mikuláš ; Hrubec, Marek (advisor) ; Barša, Pavel (referee) ; Jüptner, Jan (referee)
S U M M A R Y This submitted dissertation thesis deals with the problematics of social cohesion through effects analysis of cultural values on the development of social and political relations in a society as such. The efforts of the thesis are not only directed towards articulation of Rawls's principals of justice, but they also reveal the desire to connect with the topic of the basic human rights from which questions of a suitable concept of societies derive. It actually means that the suitable concept in which it would be possible to achieve, from the point of view of intersubjective relations, a sufficient level of social cohesion and that way to strengthen an important factor for sustainability of social relations in societies as such. From the point of view of methodology, these thesis are for sufficient review as well as easier orientation in the whole work divided into 4 parts, which split further into 5 chapters. Before the four parts, the INTRODUCTION comes and it tries to be not only practical, but also academic in style to provide an introductory beginning of my work. Then, it is possible to say that every part of the four in my thesis deals with a research area of social sciences that is related to politological research as such. Nevertheless, my intention is to persuade readers that there is a...
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The historical development of the concept Universal Basic Income
Minářová, Markéta ; Hrubec, Marek (advisor) ; Slačálek, Ondřej (referee)
The aim of this thesis is to record The historical development of political and political science concept of Universal Basic Income, it tries to map from its beginnings to the present. This thesis will handle the Universal Basic Income as that described by Thomas More and by Johannes Ludovicus Vives. Thesis will focus on their later critics from series of economic and philosophical thinkers and political scientists. UBI will build on these theorists modern ideas which will then be compared with previous authors. This thesis will show the development and deepening of ideas of Universal Basic Income through comparison of the concept of individual authors.
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Basic Income and its possible implementation in the Czech Republic
Mairovský, Štěpán ; Hrubec, Marek (advisor) ; Háva, Petr (referee)
This diploma thesis deals with the concept of (unconditional) basic income as a policy instrument and the conditions, costs and possible consequences of its full or partial implementation in the Czech Republic. The first aim of the diploma thesis is to describe this concept, which is still rather unknow in the Czech Republic, and put it into the context of Public and Social Policy. The diploma thesis decribes its alternative models, which are - in certain extent - interchangeable with it as well as the praxis of the basic income in the world The author tries to identify the main problems within the system of today's social policy and with respect to them put forward the main reason for the implementation of the basic income in the Czech Republic. Finally, some models and ways of implementation are presented as well as the estimation of the costs and possible consequences of their implementation. Powered by TCPDF (www.tcpdf.org)
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The conception of a participative budgeting as an inovation of democracy
Venclíková, Vendula ; Hrubec, Marek (advisor) ; Bíba, Jan (referee)
Koncepce participativního rozpočtování jako inovace demokracie Vendula Venclíková Abstract (in English): The aim of this thesis is to reflect theoretical basis of participatory budgeting in context of the theory of recognition. To analyse in this context a form of contemporary effort of application of participatory budgeting in the Czech environment. Participatory budgeting as an normative result of the struggle of recognition is analysed in the view of innovative conception of democracy, connecting economic and participative democracy.
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Selected conceptions of interpretation in intercultural dialogue
Platzner, Alexander ; Hrubec, Marek (advisor) ; Bíba, Jan (referee)
In reference to Hans-Herbert Kögler's critical-hermeneutical approach, presented paper identifies the act of interpretation as an underlying assumption for realization of intercultural dialogue. The paper is divided in two parts. First part is a discussion of key concepts such as dialogue, identity, communication and recognition. It can also be read as an attempt to capture the development of the idea of intercultural dialogue in a historical perspective. The interulturality is defined here as an ethos. Second part presents particular hermeneutically oriented conceptions of intercultural dialogue, namely the conceptions of Raimon Panikkar, Ram Adhar Mall, Vincent Shen, Franz Martin Wimmer and Hans-Herbert Kögler. The recent shift in methodology of intercultural dialogue is characterized by merger of the paradigms of communication and recognition and is identified in Hans-Herbert Kögler's integrative approach.
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Second Nature: A Contribution to the Social Philosophy of Art
Stejskal, Jakub ; Zuska, Vlastimil (advisor) ; Hauser, Michael (referee) ; Hrubec, Marek (referee)
- Doctoral Thesis Second Nature: A Contribution to the Social Philosophy of Art (Jakub Stejskal) In what sense can one speak of art as a source of insight into the social? In my thesis I focus on criticizing a position that explains art's social-cognitive potential in terms of its purported intrinsic adherence to a normative view of society as a reconciled second nature: Art either offers insight into the nature of social reality as such a second nature or it makes us feel its unreconciled condition and becomes a promise of reconciliation. I identify two traditions of art interpretation holding this position, which both have their intellectual roots in early German Idealism: the Frankfurt Critical Theory and analytic Kantian Revisionism. In the writings of their adherents art is - implicitly or explicitly - understood essentially as a means of enchantment and affirmation that can at most suppress its affirmative character in the name of future reconciliation. Against this conception I develop an understanding of artistic modernism as belonging to an aesthetics of disenchantment, which takes art to be a way of establishing a specific cognitive distance from the social second nature without evoking reconciliation.
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