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Web-Based Panorama Image Viewer
Slunský, Tomáš ; Herout, Adam (referee) ; Čadík, Martin (advisor)
The purpose of this bachelor's thesis is the implementation of panoramic viewer of videos and images with use of WebGL. Thesis is focussing on processing videos in fisheye mode without having to convert them to equirectangular projection. Between other aspects of this thesis belongs the improvement of panoramic viewer with compass or with information about viewers angle.
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Image Viewer for the KDE Desktop Environment
Hladík, Daniel ; Lojda, Jakub (referee) ; Krčma, Martin (advisor)
Because of the philosophy of KDE, there are only programs that are extensible as much as they can be, even for a higher cost on system resources, there are only few KDE programs that are small and effective. That's why this bachelor thesis is focused on making such a program that will be fast, efficient and friendly to system resources. The program will have viewing modes that can not be seen in any other image viewers for KDE.
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Comparison of film censorship in United States of America and Bohemia
Blahová, Deborah ; Truhlář, Filip (advisor) ; Kepka, Ondřej (referee)
This thesis compares film censorship in United States of America and Bohemia. The theoretical section defines censorship and describes its different types. Thesis then shows the different cause of censorship in USA and Bohemia. Practical section points out the difference between Czech and American censorship by comparing several versions of particular movie. This section also describes the impact of censorship on a viewer by using authors censored version of movie Eyes Wide Shut. On this example, it is shown how historical censorship would look like in a modern age.
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Gombrich theory of reception of representational works of art
Fejfarová, Tereza ; Ševčík, Miloš (advisor) ; Kubalík, Štěpán (referee)
The aim of my thesis is to introduce E. H. Gombrich's views on the nature of the reception of representational works of art. Firstly I describe the moments in Gombrich's life that contributed to the formation of his views on this topic. Subsequently, I focus on Gombrich's very concept of the reception of representational works of art. My thesis is divided into three parts, in which Gombrich's reflections on reception are thematized. The first part introduces reflections on the participation of the viewer in the process of the reception of works of art. This part demonstrates that the core of Gombrich's views create a distinction between two spheres: "vision" and "knowledge". The second part, in which I tematize Gombrich's concept of reception, introduces his views on the artist's role and discusses the manner and limits of artistic creation. The third part describes Gombrich's reflections on the development of reception, in relation to historical changes on artistic functions. My thesis analyzes Gombrich's reflection, which is that knowledge, experience and memory have a dicisive influence on the perception, interpretation and the creation itself of the work of art. In another part of my thesis, I paraphrase Gombrich's reflections of the perspective representation and I pay attention to the...
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Image of Physicality - Physicality of Image
Slachová, Markéta ; Sedlák, Michal (advisor) ; Fulková, Marie (referee)
In the thesis submitted, I deal with the concepts of human physicality and image and their mutual relationship from the point of view of how physicality can be made present in the image and hence in the very dialogue between an artwork and the viewer. The other part is devoted to artistic contexts. I would like to give examples of various works of art which can be traced by means of confronting the contemporary concept of physicality and the appearance of a human figure coming from the earliest paintings to art actions of the present and contemporary art events. My goal is to try to grasp the relation between image and physicality, especially in the context of art education and possibilities of gallery and museum education. I designed and implemented a large educational project: Painting the flesh - the physicality of painting, that uses elements of visually dramatic conception of art education, emphasizing work with pupils physicality of their own, linked to the contexts of art history and also deals with the theme of interpretation, reproduction and manipulation of paintings. The visual part is called Interpretation as a shift from the painting of physicality to the physicality of painting and is also derived from the topic examined in the work.
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Development of digital photography technology as a transformation of expressive possibilities of the medium of photography
Česálek, Tomáš ; Vančát, Jaroslav (advisor) ; Černý, Vladimír (referee)
The history of photography represents a constant technological development of the medium towards increasing sophistication, which is related to spreading possibilities of complex control upon semantic meaning of each camera image. The thesis comparatively analyses expressive possibilities of film and digital photography with emphasis on the relations of both medium with other audiovisual means of communication. The thesis compares technological possibilities of both medium and focuses on growing integration of digital methods of imaging with new media through computer graphics. The thesis focuses on transforming role of photography in the society which is connected with democratization of access to cameras and the possibility of sharing resulting images via internet and social media. Based on described data the author points out the changing role of the creator and the viewer in the process of interpretation of visual images.
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Directional creation by Frank Castorf
Pavlíčková, Aneta ; Augustová, Zuzana (advisor) ; Pšenička, Martin (referee)
(in English): This bachelor thesis is dealing with the work of German director and intendant of Volksbühne am Rosa-Luxemburg-Platz theatre in Berlin, Frank Castorf (born 1951). The thesis is focusing on the characteristic features of Castorf's directing method and on the subject of politics in his current plays in Volksbühne theatre. In the thesis there are two plays being analysed: Kean ou Désordre et Génie. Comédie en cinq actes par Alexandre Dumas et "Die Hamletmaschine" par Heiner Müller (premiere: 6. 11. 2008) a Das Duell (premiere: 27. 3. 2013). Castorf's work is being investigated in terms of postdramatical theatre and performance aesthetics. The firts part of the thesis is focusing on Castorf's method of adapting and rearranging dramatical and literary texts. The second part deals with the director's concept of actor's physical being on stage. The last chapter looks into Castrof's work with video projections and live streaming in his plays and deals with the matter of distinguishing the real body presence of an actor on stage and his reflection in the electronic projections. Castrof's work concept is mainly being analysed from the point of the viewer's perception. The bachelor thesis shows that political dimension of Castorf's work doesn't depend only on textual expression but also on the...
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: Principles of safety measures of sports events organizers without the involvement of police
Buchalová, Kateřina ; Fiala, Miloš (advisor) ; Vilášek, Josef (referee)
Title: Principles of safety measures of sports events organizers without the involvement of police Objectives: The aim of this thesis is a description of security measures at sporting events organizers. Methods: The thesis theoretical style is focused on searching for available sources of study and research, and writing their summary comparing safety measures of the organizers. Results: This work describes the activities of the organizers of sports events and precautions that must be provided prior to each sports organizer game. The work includes development of both selected sports, a description of spectator violence and groups on spectator violence most often involved. Keywords: safety, organizer, sports events, violence, viewer
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The poetics of selected plays by Roland Schimmelpfennig performed on Czech theatre stages in the context of the contemporary German-speaking theatre
Celárková, Michaela ; Augustová, Zuzana (advisor) ; Pšenička, Martin (referee)
This thesis presents the work of a contemporary German playwright Roland Schimmelpfennig in a wider context. In the main chapter, the author focuses on the analysis of five Schimmelpfennig's plays that have been performed also on Czech theatre stages. The analysis emphasizes the elements of a dramatic structure that Schimmelpfennig uses in an innovative way: epization of texts, unrealistic treatment of dramatic time, elements of magic realism etc. The author also pays attention to a general characteristic of a contemporary German-speaking theatre with respect to the topics that it deals with. A significant part of the work is devoted to classifying Roland Schimmelpfennig's work in the historical and theoretical context of a contemporary German-speaking theatre. A book called Die Rückkehr der Helden by a German author Nikolaus Frei, which questions some opinion on the recent development of theatre presented in a book Postdramatisches Theater by Hans Thiese Lehmann, has become a crucial source for this thesis. Nikolaus Frei copes with the question of animateness/inanimateness of theatre and by using extracts from particular dramatic texts by contemporary authors proves a possible continuity of mimesis, realistic acting and conflicts on the stage until the 21st century. In conclusion, it is possible...
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