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Spiritual brownfield Olomouc - Zlín
Kloz, Lukáš ; Nový, Jindřich (referee) ; Štěpán, Marek (advisor)
The assignment of this diploma thesis followed previous analysis of the regions of Valašsko and Haná. The outcome of this analysis showed several problems. One of the most serious problems is a lack of spiritual and liturgical sites in the area of Zlín. The analysis and synthesis preceding this diploma thesis are enclosed. The analysis of sites of pilgrimage in the area of Zlín was one of the studied subjects. The assignment of the diploma thesis was created using a combination of discovered data – design of the site of pilgrimage including a church and spiritual centre. This building is to support local community, christian religion and rehabilitation of the present site of pilgrimage Svatá voda – Kaménka. This diploma thesis deals with the design of a church as a site of pilgrimage, with facilities and café for the public. It also deals with the design of a spiritual centre with weekly spiritual programme. There are also four flats designed as accommodation for clergymen. The designed buildings are located 250 metres away form the present site of pilgrimage Svatá voda.
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Architectural study of the sacral object Brno - Líšeň
Bortlová, Kateřina ; Marek, Jiří (referee) ; Šindlar, Jiljí (advisor)
The content of the diploma thesis was an architectural study of a sacral building in Brno - Líšeň. The subject of the study was the elaboration of an ideological design of a sacral complex, which consisted of a church and a parish. The main operator of the whole complex will be the Salesian community, whose background is in close proximity to the area. The basic idea of the design was to design a spiritual place, which in its form conveys clear information about the use of the object and at the same time supports the development of ideas of the Salesian community. It is a structure that conveys the mission itself, not by one element, but by a set of several elements that together create a story, vision, mission. The ideological solution in this case thus becomes an equilateral triangle, which symbolizes the Father, the Son and the Holy Spirit. With its dominant vertical direction facing the sky, the object symbolically points to the spiritual path and self-realization. The given area is solved as a complex, the elements of which complement each other and thus create a harmonious whole. The design creates a space for both liturgical celebrations in the interior and exterior, which is used by the outdoor presbytery, which is complemented by residential stairs. These elements are intended to encourage residents to meet and establish friendly relations.
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The altar in the Czech Art Nouveau
Cachová, Tereza ; Wittlich, Petr (advisor) ; Prahl, Roman (referee)
This thesis is dedicated to the manifestations of Art Nouveau in the altar production of the Czech woodcarver Jan Kastner and the integration of an altar in the Art Nouveau style into the context of a contemporary church interior. The first chapter deals with J. Kastner's personality and his work and plans including his exhibits presented in the world exhibitions, mainly as related to his altar production. Kastner's altars are in the Art Nouveau or pseudo- Gothic style, but some combine in a specific way elements of the Art Nouveau with the late pseudo-Gothic style. The second chapter presents three examples of churches with three main altars (created in different variants of the Art Nouveau) and a corresponding interior in the Art Nouveau style. The three churches are: the Elevation of the Holy Cross Church in Jablonec nad Nisou by Josef Zasche, the church of Saint Cyril and Metoděj in Kroměříž by Hubert Gessner and the Monument of Peace in Prace near Brno by Josef Fanta. The last chapter is an attempt to set up criteria for defining a sacral work of art as one in the Art Nouveau style. The supplement summarizes the historical development of the Christian altar.
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Rakovnik altar
Lokšová, Pavlína ; Nespěšná Hamsíková, Magdaléna (advisor) ; Royt, Jan (referee)
Bachelor thesis entitled Rakovnik's altar deals with four both sides painted panels, which formed wings of the late gothic altar in the church of St. Bartholomew in Rakovnik. It aims to create a monograph as a basis of further research. The thesis generally describes the historical context, the city Rakovnik and the church of St. Bartholomew. It subsequently describes the panels, gives characteristics of the authors of the altar and the basis of their art. All this is set into the contemporary context of panel painting. The work captured the movement of panels and their restoration. The important parts of the thesis are original graphic material, basis iconography and trace analogies.
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-Anonymous carver and his workshop co-operating with Master of Slavětín altar in northwest Bohemia.
Žebrová, Martina ; Royt, Jan (advisor) ; Chlíbec, Jan (referee)
This bachelor work aims to outline the work of a carver and his workshop co-workers who came in the Northwest Bohemia and their cooperation on altars with a painter called the Master of slavětín altar. Furthermore this bachelor work tries to find out and describe the influences under which works originated. The workshop with the cooperation with the painter, which operated mainly in northwest Bohemia about 30 of the 16th century, created many valuable works of art of the late Gothic period and the early Renaissance era in Bohemia. Given the vast array of sculptures attributed to the anonymous carver and his workshop, is the work also trying to revised the number of works attributed to him.
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Architectural study of the sacral object Brno - Líšeň
Bortlová, Kateřina ; Marek, Jiří (referee) ; Šindlar, Jiljí (advisor)
The content of the diploma thesis was an architectural study of a sacral building in Brno - Líšeň. The subject of the study was the elaboration of an ideological design of a sacral complex, which consisted of a church and a parish. The main operator of the whole complex will be the Salesian community, whose background is in close proximity to the area. The basic idea of the design was to design a spiritual place, which in its form conveys clear information about the use of the object and at the same time supports the development of ideas of the Salesian community. It is a structure that conveys the mission itself, not by one element, but by a set of several elements that together create a story, vision, mission. The ideological solution in this case thus becomes an equilateral triangle, which symbolizes the Father, the Son and the Holy Spirit. With its dominant vertical direction facing the sky, the object symbolically points to the spiritual path and self-realization. The given area is solved as a complex, the elements of which complement each other and thus create a harmonious whole. The design creates a space for both liturgical celebrations in the interior and exterior, which is used by the outdoor presbytery, which is complemented by residential stairs. These elements are intended to encourage residents to meet and establish friendly relations.
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Spiritual brownfield Olomouc - Zlín
Kloz, Lukáš ; Nový, Jindřich (referee) ; Štěpán, Marek (advisor)
The assignment of this diploma thesis followed previous analysis of the regions of Valašsko and Haná. The outcome of this analysis showed several problems. One of the most serious problems is a lack of spiritual and liturgical sites in the area of Zlín. The analysis and synthesis preceding this diploma thesis are enclosed. The analysis of sites of pilgrimage in the area of Zlín was one of the studied subjects. The assignment of the diploma thesis was created using a combination of discovered data – design of the site of pilgrimage including a church and spiritual centre. This building is to support local community, christian religion and rehabilitation of the present site of pilgrimage Svatá voda – Kaménka. This diploma thesis deals with the design of a church as a site of pilgrimage, with facilities and café for the public. It also deals with the design of a spiritual centre with weekly spiritual programme. There are also four flats designed as accommodation for clergymen. The designed buildings are located 250 metres away form the present site of pilgrimage Svatá voda.
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The Art and patronage of the family Dobřenský from Dobřenice in the Eastern Bohemia
Pospíchal, Jan ; Oulíková, Petra (advisor) ; Pučalík, Marek (referee)
This bachelor thesis deals with the sacral art and the patronage of the family of lower aristocracy, who later become a count family, Dobřenský of Dobřenice in the territory of present-day eastern Bohemia. It focuses not only on the formal analysis and description of larger or smaller sacral structures, but also on the fate of significant members of the Dobřenský family. The main attention is paid to the church of St. Kliment in Dobřenice, in particular to its interior decoration. In the next chapters, the work focuses on other monuments connected with the Dobřenský family in places that they managed in the past: Neděliště, Ouhrov or Uhelná Příbram, as well as works of applied art. Keywords: Dobřenský from Dobřenice, aristocracy, baroque, rococo, painting, sculpture, architecture, altar, diocese of Hradec Králové, Raab, Rohrbach, sv. Kliment, Dobřenice, Neděliště, Ouhrov, Uhelná Příbram, Východní Čechy, applies art, sacral structures.
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The altar in the Czech Art Nouveau
Cachová, Tereza ; Wittlich, Petr (advisor) ; Prahl, Roman (referee)
This thesis is dedicated to the manifestations of Art Nouveau in the altar production of the Czech woodcarver Jan Kastner and the integration of an altar in the Art Nouveau style into the context of a contemporary church interior. The first chapter deals with J. Kastner's personality and his work and plans including his exhibits presented in the world exhibitions, mainly as related to his altar production. Kastner's altars are in the Art Nouveau or pseudo- Gothic style, but some combine in a specific way elements of the Art Nouveau with the late pseudo-Gothic style. The second chapter presents three examples of churches with three main altars (created in different variants of the Art Nouveau) and a corresponding interior in the Art Nouveau style. The three churches are: the Elevation of the Holy Cross Church in Jablonec nad Nisou by Josef Zasche, the church of Saint Cyril and Metoděj in Kroměříž by Hubert Gessner and the Monument of Peace in Prace near Brno by Josef Fanta. The last chapter is an attempt to set up criteria for defining a sacral work of art as one in the Art Nouveau style. The supplement summarizes the historical development of the Christian altar.
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