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Soundspce
Jandová, Eva ; Kopec, Jakub (referee) ; Vítek, Jiří (advisor)
The aim of this work is to research the relationships between abstract musical space and physical space, to explore the various possibilities of connecting sound, light and matter in space, their interaction and unfolding over time. The knowledge and outputs will later be applied in the design of a cultural object providing a visual and acoustic experience with an emphasis on human perception.
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Precise Audio Amplifier for Quality Listening
Janošík, Lukáš ; Šotner, Roman (referee) ; Kratochvíl, Tomáš (advisor)
This bachelor thesis deals with a design of quality audio preamplifier designed for high quality production. The typology of whole design emphasizes very important transmission properties, i.e. high signal-to-noise ratio, high separation of channel, low distortion, The content of the semestral thesis is an symetrical input, relay input switch, 5 band equalizer with bypass and symetrical output with active line driver.
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"Music Scene" - a concert hall for the city of Brno
Zatloukalová, Veronika ; Marek, Jiří (referee) ; Šindlar, Jiljí (advisor)
The subject of this thesis is the design concept of the architectural study of a concert hall, namely the proposal for a "MUSIC SCENE" - the concert hall for the city of Brno. As part of this study is therefore designed a hall for 591 visitors. Hall enables performances to 90-member orchestra or choir. The solution is also operating and maintenance facilities necessary facilities like auditorium. The main emphasis was put on the acoustic solution, then the overall transparency in the operation of the building and the continuity of the building and the surrounding development mainly to the existing communication system that tries to respect.
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Sheet Music Recognition and Playing from Photography
Staněk, Jiří ; Veľas, Martin (referee) ; Pavelková, Alena (advisor)
This work deals with development of an application for optical music recognition. This application is designed for mobile phones with Android operating system. The work includes a brief introduction to the problem and introduces some existing solutions. There are described methods for image processing and classification, which are used in final application. It also shows the design and implemenation of the final aplication, where used methods for detection and removal of staff lines, detection and processing of musical symbols and their classification are described. The evaluation of the final application and a summary of achieved results are shown in the end of this work.
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History of audio carriers and transmission of sound
Šimarová, Lucie ; Krhutová, Milena (referee) ; Šedrlová, Magdalena (advisor)
Cílem této bakalářské práce je popsat vývoj zvukových nosičů. Tato bakalářská práce poskytuje náhled do historie a současnosti zvukových nosičů. Nejprve seznamuje čtenáře s teorií přenosu zvuku. Tato část je zaměřena na přenos vlnění a popisuje rozdíly mezi vlnami. Následně jsou probírány analogové a digitální způsoby záznamu zvuku. Hlavní část práce se věnuje uchovávání hudby. Nejprve se práce zabývá uchováním hudby před mechanickým záznamem, tato část zahrnuje notaci, tabulatury a automatofony. V další části je již popsán mechanický záznam zvuku, a to v analogové formě. Poslední kapitola je zaměřena na digitální záznam zvuku. V neposlední řadě práce obeznamuje čtenáře s kulturním a hudebním vlivem jednotlivých nosičů. Znalosti jsou nabyty z různých zdrojů, především z literatury.
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Music as a public space - New concept of Brno Philharmonic
Macurová, Lenka ; Čapák, Bořivoj (referee) ; Rusín, Tomáš (advisor)
An assignment of diploma thesis was to design a concert hall for Brno Philharmonic. Ten years ago, an architectural competition was held to design Janáček cultural centre on a plot between the streets Veselá and Besední. The winning project was simplified and divided into two parts (underground parking and concert hall). My proposal is based on the planned parking, which finally begins to build in 2015. Shape of the house respects the surrounding buildings. My aim was create the building, which would be functional, urban, beautiful and more economical than the winning project.
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Alternative Proposal of Concert Hall in Brno - Janáček Cultural Center
Fikejs, Oldřich ; Bindr, Tomáš (referee) ; Marek, Jiří (advisor)
The Brno Philharmonic is renowned all over the world from London to Tokyo, but in its home town only has a small hall with poor acoustics not suitable for symphony concerts. The efforts to construct a worthy cultural venue to meet the needs of Brno go back to the interwar period and their implementation is still not in sight.The core of the project is a concert hall with capacity of 1,812. Its layout combines the advantages of standard shoebox-shaped halls and surround halls, because the best music experience gets the viewer who is quite close to the orchestra. The disadvantages of the former include poor contact with the orchestra in the rear seating, the latter sacrifice acoustical excellence mainly in the side and rear seating areas for audience proximity and visual stimulation. The building is composed of three functionally distinct parts: the audience’s part, musicians‘ background and technical equipment. The operation of each is placed in a horizontal part of a L-shaped solid. The vertical parts face each other creating a raised central cube containing the concert hall.
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Music Style Recognizer from MP3
Deutscher, Michael ; Szőke, Igor (referee) ; Grézl, František (advisor)
This document describes the concept of music style recognition. It gives a quick reference to the digitalization of music data and storing music data in computers. It also mentions features used for music style recognition and their extraction. The main part of this document compares the successfulness of music genre recognition using features extracted directly from audio data in mp3 format and features extracted by usual analysis.
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Music Club Brno
Modlitba, Zdeněk ; Teplý, Vladimír (referee) ; Odvárka, Antonín (advisor) ; Štěpánek, Ladislav (advisor)
The theme of the project is a new music club with reharsal rooms and recording studio in the center of Brno, Obilní trh. The site is situated on the slope next to the castle Špilberk. The proposal is based on an openness to the public, trying to captivate, pull in and make a passerby the visitor. The whole complex is made of three solitary objects that escalates its scale from view and trying not to create a barrier, but rather give the impression of accessibility. The site of this complex, along with trees, creates a park enviroment which enables the views to the castle Špilberk. The buildings are partially buried in the hillside terrain and directly connected to the extensive green roof, which creates a friendly terrace where you can watch the street or the artists inside the building. Functional content is divided into three objects. The largest one is a music club, including foyer, 2 music halls, terrace allowing views to the Obilní trh, backstages for musicians and garages. The second, single-storey building with a courtyard includes ateliers, reharsal rooms and a sociable relax corridors. The last, two-storey building includes a recording studio, which is situated right inside the courtyard.
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Contingency Methods / Hungry eyes and Dog soul / Bind your laces while walking
Svoboda, Jonáš ; Lungová, Barbora (referee) ; Cenek, Filip (advisor)
The camera, as a creature, wanders through space, takes action. We feel tense, every moment of time. In everything. Dance of particles, screaming in unreal tempo. The spatial properties of the haptic world are given by the composition of a score for particle dance. Free notation for sysyphian eternal soul players. Playing a common song of our time and space. Wave. Space between the particles - emptiness. The shape given by the structure of particle dances. So how can you get it. Radiation, Fuse. This is the erosion of the score, the decomposition of the system. Deacon and cleaners. Treasure hunters. Is space between shapes empty? Slavery is not due to the impoverishment of man, but to his transformation into an instrument. The impoverishment of the film's medium is the transformation of the instrument from the instrument into a human being. From the apparatus - rewriting the environment of three-dimensional shapes to the surface, on the apparatus - the emulation of human experience schemes. From indifference to false experience.
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