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Mummy Mill - a Postmodern Utopia of Magical Prague
Hráchová, Michaela ; Píšová, Ina (advisor) ; Peterka, Josef (referee)
This very writing is examining the two ultimate books "Mlýn na mumie" from the talented Petr Stančík, and "Sedmikostelí" and "Lord Mord" from the extremely obscure Miloš Urban. The main and most significant purpose of this work is to find and distinguish characteristics of each author, diving deeper into their unique styles, finding possible similarities while trying to learn about one of the very few raw original writing styles. Despite the books being multi-genre, they do try to characterize the exact genres along the way, after a proper introduction of the authors themselves, of course. The genres appearing in these books are clearly shown in individual excerpts below original text. A dominant part of my work is an analysis of the time space and the main character or hero if you prefer - again shown in excerpts as key parts of novels. Towards the end you can find the so-called great myth of the nation as a frequently repeated topic. By the conclusion of this work is a final comparison of previous analyses.
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Postmondernism and Magic Realism in Forestillingen om det tyvende århundrede by Peter Høeg. An Attempt to Define the Terms
Talafantová, Kristýna ; Březinová, Helena (advisor) ; Hartlová, Dagmar (referee)
1 Abstract The thesis examines the relationship of the literary phenomena magical realism and postmodernism. The starting point of the thesis is the statement that both the terms embody various common features (ideological, thematic). The author targets the definition of both styles and their genealogical delimitation in the first part. In the second part, the author relates these two terms to the particular work - the novel The History of Danish Dreams of the danish author Peter Høeg. It is possible to find demonstrable principles of both magical realism and postmodernism in this wider prose. The author of this thesis illustrates principles and themes with examples from the novel and the interpretations.
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Feminism and Mythopoetics in Angela Carter's The Bloody Chamber and Other Stories and Nights at the Circus
Klepáčková, Michaela ; Chalupský, Petr (advisor) ; Higgins, Bernadette (referee)
The aim of this thesis is to present the specific notion of feminism and mythopoetics in the selected works of Angela Carter and demonstrate them on two selected works of Carter's, namely on the collection of re-visited traditional fairy tales The Bloody Chamber and Other Stories and the novel Nights at the Circus. The thesis also deals with chosen features of postmodernism these two works contain. In the first, theoretical part the author and her oeuvre is introduced, followed by the concept of postmodernism and its selected features. The second, practical part is focused on both books' analysis which attempts to establish whether and how the selected works show the features of postmodernism and to which extent it is possible to trace the notions of Carter's feminism and mythopoetics in them.
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The topic of the loneliness in Gabriel García Márquez's One Hundred Years of Loneliness
Iltisová, Andrea ; Poláková, Dora (advisor) ; Zaťko, Roman (referee)
(in English) The topic of this thesis is the loneliness in Gabriel García Márquez's One Hundred Years of Loneliness. It's engaging in differentiation of loneliness and solitude and the comparation of personal loneliness and the loneliness of the society, in this case the loneliness of Macondo. It's essential to mention the subject of the novel and the situation in real Latin America. It's reflected in Márquez's novel. The most important topic of the thesis is the loneliness which touches every caracter from the novel and it's the accompany of the reader. Itś accompany of the reader in real life and that's because I've chosen this topic.
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Magical Realism in Persian and Saudi Narrative Writing
Vojtíšková, Věra ; Ondráš, František (advisor) ; Nováková, Soňa (referee) ; Lišková, Iva (referee)
The dissertation Magical Realism in Persian and Saudi Narrative Writing views as essential the assumption that the phenomenon of magical realism is not restricted solely to the cultures with colonial legacy, but is transferable to literary works created under systematic and systemic violence anywhere in the world. Previous research of the dissertation's author proved the existence of parallels in the dynamics of sociopolitical development of Iran and Saudi Arabia in the 20th century, foremost in the power relation of the states to their citizens and in the status of women in the society, while there was a strong tendency towards institutionalization of the traditional patriarchal, androcentric and misogynic societal paradigms since the second half of the 20th century. In the last thirty years, women have countered this situation through increased literary activity that has turned out to be an important means of self-fulfillment and emancipation. The fact that some of the most significant Iranian and Saudi women writers use magical realism directed the research to examination of this concept's relevance for the Persian and Saudi narrative writing, inquiry into the reflection of the gender issues and their comparison in both literatures. A detailed case study of two works, each from one country, led...
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Mummy Mill - a Postmodern Utopia of Magical Prague
Hráchová, Michaela ; Píšová, Ina (advisor) ; Peterka, Josef (referee)
This very writing is examining the two ultimate books "Mlýn na mumie" from the talented Petr Stančík, and "Sedmikostelí" and "Lord Mord" from the extremely obscure Miloš Urban. The main and most significant purpose of this work is to find and distinguish characteristics of each author, diving deeper into their unique styles, finding possible similarities while trying to learn about one of the very few raw original writing styles. Despite the books being multi-genre, they do try to characterize the exact genres along the way, after a proper introduction of the authors themselves, of course. The genres appearing in these books are clearly shown in individual excerpts below original text. A dominant part of my work is an analysis of the time space and the main character or hero if you prefer - again shown in excerpts as key parts of novels. Towards the end you can find the so-called great myth of the nation as a frequently repeated topic. By the conclusion of this work is a final comparison of previous analyses.
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The topic of the loneliness in Gabriel García Márquez's One Hundred Years of Loneliness
Iltisová, Andrea ; Poláková, Dora (advisor) ; Zaťko, Roman (referee)
(in English) The topic of this thesis is the loneliness in Gabriel García Márquez's One Hundred Years of Loneliness. It's engaging in differentiation of loneliness and solitude and the comparation of personal loneliness and the loneliness of the society, in this case the loneliness of Macondo. It's essential to mention the subject of the novel and the situation in real Latin America. It's reflected in Márquez's novel. The most important topic of the thesis is the loneliness which touches every caracter from the novel and it's the accompany of the reader. Itś accompany of the reader in real life and that's because I've chosen this topic.
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Postmondernism and Magic Realism in Forestillingen om det tyvende århundrede by Peter Høeg. An Attempt to Define the Terms
Talafantová, Kristýna ; Březinová, Helena (advisor) ; Hartlová, Dagmar (referee)
1 Abstract The thesis examines the relationship of the literary phenomena magical realism and postmodernism. The starting point of the thesis is the statement that both the terms embody various common features (ideological, thematic). The author targets the definition of both styles and their genealogical delimitation in the first part. In the second part, the author relates these two terms to the particular work - the novel The History of Danish Dreams of the danish author Peter Høeg. It is possible to find demonstrable principles of both magical realism and postmodernism in this wider prose. The author of this thesis illustrates principles and themes with examples from the novel and the interpretations.
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The Return of the Baroque in Hispano-American Novel of the 20th Century - Asturias, Carpentier, Roa Bastos
Doležalová, Barbora ; Činátlová, Blanka (advisor) ; Bílek, Petr (referee)
The diploma thesis "The Return of the Baroque in Hispano-American Novel of the 20th Century - Asturias, Carpentier, Roa Bastos" examines Baroque motifs and principles in the modern 20th century Hispanic-American novel. It explains how these traits alter in contrast to the historical Baroque, how they are modified or what other functions they acquire. An attempt was made to critically rethink and re-evaluate the literary theories dealing with the reappearance of the Baroque in Hispanic America, as we consider their approach to be generalising and reductive. The interpretative method is based on Josef Vojvodík's Povrch, skrytost a ambivalence and namely how it addresses the manner in which the Baroque, Mannerism and avant-garde relate to one another. A characterisation of the American Baroque as such has been drafted and an attempt to capture the differences between the European Baroque has been made. The essayistic work of Alejo Carpentier is treated with an emphasis on the relationship of the (Neo)Baroque and magic realism. Carpentier wrongly attributes to the continent what he installs through his own optics without realising that such an approach might be itself described as being Baroque. The interpretative part provides a linguistic, thematic and motivic analysis of Baroque traits in a choice...
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Feminism and Mythopoetics in Angela Carter's The Bloody Chamber and Other Stories and Nights at the Circus
Klepáčková, Michaela ; Chalupský, Petr (advisor) ; Higgins, Bernadette (referee)
The aim of this thesis is to present the specific notion of feminism and mythopoetics in the selected works of Angela Carter and demonstrate them on two selected works of Carter's, namely on the collection of re-visited traditional fairy tales The Bloody Chamber and Other Stories and the novel Nights at the Circus. The thesis also deals with chosen features of postmodernism these two works contain. In the first, theoretical part the author and her oeuvre is introduced, followed by the concept of postmodernism and its selected features. The second, practical part is focused on both books' analysis which attempts to establish whether and how the selected works show the features of postmodernism and to which extent it is possible to trace the notions of Carter's feminism and mythopoetics in them.
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