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Slovene National Theatre in Ljubljana
Semela, Ladislav ; Borák, Martin (referee) ; Ruller, Ivan (advisor)
The design of the new stage of the Slovene National Theatre in Ljubljana adheres to, among other things, the motto of the “TACE” (Theatre Architecture in Central Europe) project, i.e. a search of forms and types of buildings for the "New Theatre for the 21st Century". Therefore, I confront three topics: 1/ the conventional binocular conception for the drama chorus of the National Theatre, 2/ the unconventional solution of the "TACE" and 3/ the urban conception of the location, the so-called "Southern Square", designed by Josip Plečnik. Ad1/ The serious and classical feeling of the conventional form of the theatre hall is required, for this is the National Theatre. Slovenia, as a relatively young state, strives to build and strengthen its historical and national existence; therefore, the classical conception should be preferred because most plays dealing with the national identity are written for this type of theatre. Unlike the unconventional type of “performance” theatres that tend to present international rather than national art. Ad 2/ The search for spatial forms of unconventional and interactive staging of traditional types, such as ballet, opera, musical or drama as well as new forms such as “performance” resulted in a clear conclusion - “black box”. The ideal theatre of the future is infinitely multifunctional neutral space equipped with technologies that enable using the area for virtually any purpose. The principle comes very close to that of film studios, yet equipped with theatrical and other technologies. Ad 3/ A controversial location in the centre of Ljubljana, which has been waiting for an urban conception since the 1930s. It is situated at the end of Plečnik’s “Ljubljana diameter”, with the obelisk in the French Revolution Square as the opposite pole. The unfinished axis obelisk-square-theatre is quite apparent. The location features a clearance and an inner block with a poor urban development; yet it also features the so-called Knafijev prehod, a socially well functional part. The building is divided into 2 functional units - the theatre with its halls, lounge, gallery and cafe, and a commercial passage with the theatre’s administration. The facade of the theatre is a composite of several elements: From left, a decoration consisting of a ruptured pillar with a statue of an actor with a background of the fly, as we move to the right, a “curtain” going down in a curve from a glass “heaven” of the theatre’s hall towering over the passage, out of which rises the solid pylon of the gallery made of half-transparent material LitraConTM. This composition shifts the axis of the lounge beyond the axis of the park to the axis of the diameter and makes thus room for service access. The theatre’s area with the passage beneath is linked by a number of newels which can spin and thus close and in this way enable changing the mode of the passage from a lounge to a public area. The conception of the theatre's area combines sections 1/ and 2/ mentioned above. It consists of the classical stage with a trap cellar, portal and fly, which can be used a classical opera-glasses theatre for as many as 800 persons in the audience and/or, if the iron curtain is closed, as a small scene with approximately 100 seats. The remaining area functions as experimental and consists of a revolving auditorium and 4 stages whose back walls feature panorama windows.
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User Interface for Theatre Control System
Kobza, Lukáš ; Ševcovic, Jiří (referee) ; Zemčík, Pavel (advisor)
The topic of this bachelor's thesis is the technical equipment of theatre stage. In this work is offered the overview of stage technology and its control and furthermore the overview about user interfaces. The main goal was to create a new user interface for control system of upper and bottom machinery with the intention of application possibilities in distributed control systems with several operator stations.
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"Music Scene" - a concert hall for the city of Brno
Zatloukalová, Veronika ; Marek, Jiří (referee) ; Šindlar, Jiljí (advisor)
The subject of this thesis is the design concept of the architectural study of a concert hall, namely the proposal for a "MUSIC SCENE" - the concert hall for the city of Brno. As part of this study is therefore designed a hall for 591 visitors. Hall enables performances to 90-member orchestra or choir. The solution is also operating and maintenance facilities necessary facilities like auditorium. The main emphasis was put on the acoustic solution, then the overall transparency in the operation of the building and the continuity of the building and the surrounding development mainly to the existing communication system that tries to respect.
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Music Club Brno
Modlitba, Zdeněk ; Teplý, Vladimír (referee) ; Odvárka, Antonín (advisor) ; Štěpánek, Ladislav (advisor)
The theme of the project is a new music club with reharsal rooms and recording studio in the center of Brno, Obilní trh. The site is situated on the slope next to the castle Špilberk. The proposal is based on an openness to the public, trying to captivate, pull in and make a passerby the visitor. The whole complex is made of three solitary objects that escalates its scale from view and trying not to create a barrier, but rather give the impression of accessibility. The site of this complex, along with trees, creates a park enviroment which enables the views to the castle Špilberk. The buildings are partially buried in the hillside terrain and directly connected to the extensive green roof, which creates a friendly terrace where you can watch the street or the artists inside the building. Functional content is divided into three objects. The largest one is a music club, including foyer, 2 music halls, terrace allowing views to the Obilní trh, backstages for musicians and garages. The second, single-storey building with a courtyard includes ateliers, reharsal rooms and a sociable relax corridors. The last, two-storey building includes a recording studio, which is situated right inside the courtyard.
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Methodology Development and Validation of Software for Safety-Related Parts of Control Systems in Theater Technique
Drlík, Michal ; Suchánek, Rostislav (referee) ; Sinay, Juraj (referee) ; Blecha, Petr (advisor)
This thesis describes what the theatre is and what types of machinery can be found there. Then the issue of stage technical machinery is presented into the czech context, respectively into the Europian legislation with the emphasis on the technical norms usage, which are necessary to fulfil in order to reach this aim. In the next part of the thesis is made the analysis of control systems, which are used in the stage technics with the emphasis on the functionality of these control systems, since this functionality determines number and range of possible danger and dangerous events, later on. These dangerous situations are named and specified in detail, thereby their existence, importance and necessity of solution is being emphasized. There is also a possible solution outlined that these dangerous events can be solved in many cases by using of these programmable systems relating to the safety, thereby safety functions realized by these functions. Then the single steps are described into V-model with appropriate documents of these V-model steps. Outcome of this thesis will be suggested model of method and its development and software validation for programmable and control systems in theatre technology.
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Visualization and User Interface for Theatre Stage Control System
Kobza, Lukáš ; Ševcovic, Jiří (referee) ; Zemčík, Pavel (advisor)
This thesis deals with questions of modelling and 3D visualization. Also, it involves an overview of technical equipment on a theatre stage and control systems of this machinery with accent on user interface and all the interaction with staff. Afterwards, the main topic is the investigation of 3D visualization utilization technology in the field of theatre stage control systems and then the proposal and implementation of the theatre stage 3D visualization application follows in order to increase a clearness and safety of operation with the theatre control system.
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Influence of Disposition of Opera Stage and Orchestra Pit on Theatre Acoustics
Berky, Martin ; Balík, Miroslav (referee) ; Schimmel, Jiří (advisor)
This semestral thesis describes messurement of reverberation time, monaural and binaural impluse response Divadlo na Orlí during positioning of sound-source in orchestra pit and on the stage. Theoretical part describes messurement of reverberation time and objectiv criteria of soundfield quality in concert and opera. The practical part describes messurement in Divadlo na Orlí and computations in program Matlab. The thesis compares results in various configuration of theratre hall and describes common advices for operas in Divadlo na Orlí.
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Theatre Stage Technology Control System
Melo, Damián ; Ševcovic, Jiří (referee) ; Zemčík, Pavel (advisor)
The topic of the diploma thesis is control of theatre stage devices. The basic types of control, methods for description and identification of systems and properties of regulators are discussed. Project includes description of theatre technogy and proposal for an appropriate control system. Also, a axis controller was implemented and tested on a real stage device.
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Baths +
Svoboda, Marek ; Foretník, Jan (referee) ; Kristek, Jan (advisor)
Spas are designed on the principle of stage and auditorium, where the visitor becomes either actor or observer; actor or spectator. Fragmenting each "act" active activities through a carefully programmed observation sites and vistas is needed to create tension between actor and observer. "Story" is is revealed gradually, and his understanding is necessary to move the proposed space and rotate each "Auditorium". Achieve a comprehensive sensation viewer is associated with the need to crawl space spa. Act is repeated. From the viewer becomes an actor and the actor spectator. The body is in motion and mental marches are a reflection of observation of physical events. (google translator)
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