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Autoportrait of the nonhuman
Trnková, Barbora ; Horáková, Jana (referee) ; Klodová, Lenka (referee) ; Ruller, Tomáš (advisor)
The work conducted through artistic-research methods, spanning across several interconnected projects and their explications, examines the proclaimed overcoming of rationalistic dualities personified in the in the cyborg metaphor. It showcases how mediated digital thinking obstructs the perception of the other, posing a risk to feminist visions inspired by this metaphor. In the spirit of glitch feminism, instances of algorithmic biases are proposed, revealing glitches within normative hegemony mediated by the outcomes of learning algorithms, to be positively perceived as opportunities for their identification and removal. Furthermore, it introduces the category of the non-human other, fabricated through dehumanizing and tabooed violence. In comparison to the nature of the pornographic and the erotic, and in the context of the concept of becoming, a path towards acquiring autonomy of the other is hinted. Alongside the creation of alternatives that disrupt dominant hegemony, a shift in focus towards subtractive strategies is suggested, acknowledging the uprising of the non-human within us, while suspending the transcendental subject in the same move. This addresses the issue of preserving the subject, which interprets the other.
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Autoportrait of the nonhuman
Trnková, Barbora ; Horáková, Jana (referee) ; Klodová, Lenka (referee) ; Ruller, Tomáš (advisor)
The work conducted through artistic-research methods, spanning across several interconnected projects and their explications, examines the proclaimed overcoming of rationalistic dualities personified in the in the cyborg metaphor. It showcases how mediated digital thinking obstructs the perception of the other, posing a risk to feminist visions inspired by this metaphor. In the spirit of glitch feminism, instances of algorithmic biases are proposed, revealing glitches within normative hegemony mediated by the outcomes of learning algorithms, to be positively perceived as opportunities for their identification and removal. Furthermore, it introduces the category of the non-human other, fabricated through dehumanizing and tabooed violence. In comparison to the nature of the pornographic and the erotic, and in the context of the concept of becoming, a path towards acquiring autonomy of the other is hinted. Alongside the creation of alternatives that disrupt dominant hegemony, a shift in focus towards subtractive strategies is suggested, acknowledging the uprising of the non-human within us, while suspending the transcendental subject in the same move. This addresses the issue of preserving the subject, which interprets the other.
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the essence of photography in the digital age
Doubek, Zdeněk ; Holeček, Tomáš (advisor) ; Váša, Ondřej (referee)
The diploma thesis solves the question of photography not only from the point of view of a work of art, but as a part of a cultural code. Photography in the digital era has the potential to become a new kind of visual language. From this perspective, the photographic universe reveals several essential questions, which we address here. These questions explore topics such as: historical development of images and text, the difference between traditional images and technical images, the cultural impact of mass production of digital devices and photographs, the essence of photography as a symbol from the point of view of semiotics and logic, the difficulties of deciphering photography, the linguistic aspects of digital photography or the meaning of photography in virtual (public) space. Due to the nature of the monitored topics, the work will address problems mainly related to language, logic, epistemology, human freedom in the context of man/device and marginally also semiotics.
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Phenomenon of Film - Information - Society
Vodrážková, Katrin ; Štogrová Jedličková, Petra (advisor) ; Vilgus, Petr (referee) ; Michalovič, Peter (referee)
The dissertation presents an analysis of film and photographic media as two specific information systems. It is based mainly on the system theory of Niklas Luhmann, the basis upon which film is understood as a social system. The phenomenon of film is further developed as an imaging technique in the contemporary information society and electronic culture. The work shows new forms of imaging in film, but also a comparison of imaging techniques in the photographic medium. The goal of the dissertation is to contribute to a more detailed understanding of moving images and to develop the possibilities of film, which has the potential to become a future information system. Powered by TCPDF (www.tcpdf.org)
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Controlled Freedom of Choice: Interaction in New Media
Jakubčáninová, Eva ; Brejcha, Jan (advisor) ; Slavíček, Daniel (referee)
This diploma thesis concerns topic of control within interactivity in the new media. It deals with concept of interactivity from the perspective of the new media and semiotics. Later on it presents insight on different mechanisms and levels of control, which are present within the interactivity. The thesis is focused only on those mechanisms that are aimed at a user. These concern for example dataveillance, data-based discrimination, disciplination, tailoring, monitoring or persuasive games. This line is extended and connected with the contributions of Roland Barthes, Michel Foucault and Vilém Flusser, who dealt with topics such as power, discipline and apparatuses. The aim of this thesis is to find out, what is the position of a user in relation to the mechanisms of control and what are her/his possibilities of action against these mechanisms (if any). Keywords: interactivity, new media, control, surveillance, semiotics, user, data, apparatus
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History of treatment of textile materials
WIMMER, Roman
This thesis is focused on the origins and development of the textile industry, the production-oriented knitwear fabrics. It deals with the beginning of knitting and the gradual development of mechanization in this field. The history of the knitting industry in Czech Republic is transferred with the company Jitex Písek which represents one of the greatest Czech textile enterprises. The thesis also contains a description of technologies and production processes in individual plants knitwear company Jitex Písek.
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