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Competency model for theatre acting profession
Bartoš, Vojtěch ; Kocianová, Renata (advisor) ; Mühlpachr, Pavel (referee)
My thesis discusses competencies necessary for the profession of a stage actor and requirements and demands on such professionals. The aim of my thesis is creation of generic competency model of the profession of a stage actor, which could be useful to drama oriented theatre organizations in the Czech Republic. The thesis approaches the topic of competencies and competency approach in human resources and focuses on selected acting theories. On such theoretical foundations the competencies are identified through expert panel method and the generic competency model of acting profession is assembled. Keywords: competency, competency model, competency based management, actor, acting profession, expert panel, K. S. Stanislavskij
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Action stage design In Czechoslovakia, Prague 2012
Frydlová, Veronika ; Klimešová, Marie (advisor) ; Koubská, Vlasta (referee)
"Action stage design" is a term which was originally used in the mid-70s in the connection with 1975 Prague Quadrennial. Soviet critic Viktor Berjozkin chose this term to describe a new approach which was apparent in the majority of national expositions. It was an alternative approach to dramatic space, the traditional proscenium theater was systematically abandoned. New possibilities of producing in non-traditional, mainly non- theatrical spaces which offered closer contact with audience were searched. In aesthetic approaches the action stage design abandoned rampant focus on art, illusoriness, embellishment and complicated technical solutions. On the contrary it took inspiration from "earth works" (arte povera) and pop-art. They used "poor" - which means - common and natural materials [mainly fabrics] and everyday objects. Simplicity and inventiveness became an important requirement of the new aesthetics, as well as constant confrontation of dramatic and empirical reality. Stage props were meant to be mainly polysemous. It means that a scenic element could change its meaning and function a few times during the performance thanks to actors activity. For example - a bed became a dining table, an altar, or a prison. It demanded big imagination of spectators, they often became a part of performance....
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Physical Fable
Machová, Helena ; VLASÁK, Jonáš (advisor) ; SOPROVÁ, Jana (referee)
Bachelor thesis entitled Physical Fable or Animal Character in Ritual and Theatre explores the use of animal characters in rituals of different cultures and in European theatre. It emphasizes the use of a mask for this purpose. The work draws from both the theoretical ethnological, cultural and similar sources, as well as from the texts of theatre makers, who have many years of practical experience. After introducing the concepts and linking the work to previous research, it focuses on understanding the differences and similarities between the ritual and the theater and the role of the mask in each one. It suggests the hypothesis that the ritual elements still exist in the theater among actors and theater makers, and they are therefore trying to return the ritual to the theater. There follows the exploration of various (mostly still alive) traditions including an animal character, from which a similar return could get inspired.
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Actor in regional theatre during the era of normalization and transformation
Dušáková, Veronika ; Franc, Martin (advisor) ; Krátká, Lenka (referee)
This diploma thesis aims to uncover through personal testimonies by (self)reflection of the world of one of the regional theaters and its officials. The first part is devoted to South Bohemian Theatre as a whole. Primarily presents with such ambitions and the conditions in which this regional theater actor in the cultural field. You can also find alternative scene, Revolving Theatre in Cesky Krumlov, especially in terms of repertoire and his superiority and operational limits. In the second part of the thesis is the theater, and especially the officials undergo reflection in the eyes of spectators and the "other" people. Perception is positive or negative in nature and is aware of the public need to culture and its influence on daily life or the difficulty of acting as a profession? In the third part speaks actors themselves and people from the theater and with their help it is reconstructed the art world and the reflection of ourselves and the acting craft in general. Space is also given thought to whether the difference in regionálnálním be an artist or a Prague theater and whether in the theater world has changed a lot with the year of 1989. Powered by TCPDF (www.tcpdf.org)
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Prague theatre topography
Kreyndel, Ksenia ; Dolenská, Jana (advisor) ; Hasil, Jiří (referee)
Prague's theatre topography The aim of this paper is to present and describe the theatrical life of Prague during the 18th, 19th and 20th centuries, and how it evolved, grew and changed throughout that time. The following pages describe what the theatre meant to Czech people during the National Revival, from which came the tradition of Czech puppet theatre, and look at the beginnings of professional theatre in Bohemia. This thesis will also detail the important contribution of prominent celebrities in Czech 19th century theatre, including Jan Nepomuk Štěpánek, Václav Kliment Klicpera and Josef Kajetan Tyl. Prague Theatre of the 20th century is described in the third chapter. In each individual chapter, emphasis is placed on periods with artistic and historical significance. The practical part is devoted to a list of theatre stages located in both Prague's Old and New Towns during the 18th, 19th and 20th centuries. This section outlines three walking tours with a theatrical theme, each representing a different time period and providing a trail marked on a map. Keywords Prague, history, theater, production, play, director, actor, building, guide, topography
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Competency model for theatre acting profession
Bartoš, Vojtěch ; Kocianová, Renata (advisor) ; Mühlpachr, Pavel (referee)
My thesis discusses competencies necessary for the profession of a stage actor and requirements and demands on such professionals. The aim of my thesis is creation of generic competency model of the profession of a stage actor, which could be useful to drama oriented theatre organizations in the Czech Republic. The thesis approaches the topic of competencies and competency approach in human resources and focuses on selected acting theories. On such theoretical foundations the competencies are identified through expert panel method and the generic competency model of acting profession is assembled. Keywords: competency, competency model, competency based management, actor, acting profession, expert panel, K. S. Stanislavskij
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