National Repository of Grey Literature 40 records found  beginprevious21 - 30next  jump to record: Search took 0.00 seconds. 
Is it possible for a theatre to become a cultural centre?
Šesták, Jiří ; Gajdoš, Július (advisor) ; Srstka, Jiří (referee) ; Herman, Josef (referee) ; Gregorini, Jindřich (referee)
This thesis ? within the efforts to research implications and range of cultural management issues employed in theatre ? attempts to answer the question in the title: Is it possible for a theatre to become a cultural centre? Gradual clarifying this aim, the connections and both immediate and oblique assumptions of such a tendency interconnected with the issues of an open-air theatre space, specifically the possibilities of Revolving Theatre based in chateau gardens in Cesky Krumlov. In my opinion the invention of the scenographer Joam Brehms owing to its original contribution to European theatre includes the possibility of how to get closer to reaching the aim I have kept thinking about through development of those which have emerged from the history of South Bohemian Theatre. The role of an artistic director and also the position of a director in South Bohemian Theatre made me consider further the issues regarding the management of a complex theatrical organism, especially on the changed market conditions.The issues of management in an artistic or cultural institution and various solutions of which I learned myself first as an actor and later on I have had to make myself in various situations in my managerial positions formed the other part of my studies.
FOREIGN POP MUSIC CONCERTS IN THE CZECH REPUBLIC
Málková, Gabriela ; Srstka, Jiří (advisor) ; Hubač, Tomáš (referee)
Abstract Organization of concerts with the uninformed observer may seem to be relatively simple productions where the entrepreneur will also appreciate meeting with the music celebrities, unaffordable for the average mortal. In fact, it is a very risky business, where the loss of organized events are not unusual. That is the perspective visitors know the concerts from. For organizers, however, moment when the singer or band enters the stage, is just the icing on the cake and ending of the long-term effort. What precedes the moment of the applauding crowds? That should cover my work with the title: FOREIGN POP MUSIC CONCERTS IN THE CZECH REPUBLIC
FOUNDATIONS SUPPORTING CULTURE
Urbánková, Monika ; Čuříková, Tamara (advisor) ; Srstka, Jiří (referee)
This bachelor thesis on topic Foundations supporting culture was from its beginnings realised with a vision to fulfill several targets. The first one is to simply describe foundation function, as majority of the Czech population agrees with the existence of such non-profit organizations; however they do not know how they work. This fact was confirmed also by a survey carried out during the process of information gathering. The thesis is enriched by another point of view where selected foundations are divided into two categories depending on the way they are financed. The first group is named ?private? foundations, second one ?corporate? foundations. Particular chapters deal with the origins of the word ?foundation?, followed by its history and law in force governing the rules up to concrete examples of well functioning foundations in the sphere of culture. I believe that the thesis Foundations supporting culture will be beneficial to future readers and will enable them to understand the basic principles of foundations and the way they function.
Lisbon Opera and Ballet
Kamenická, Kristýna ; Srstka, Jiří (advisor) ; Pokorný, Jiří (referee)
This bachelor thesis generelly describes contemporary Portuguese theatre and concretely focuses on opera and ballet. The first chapter deals with the historical development of the theatre in Portugal, contemporary cultural politics, financing of culture and with description of theatre and theatre groups (their foundation and function). The second chapter describes the organization OPART in more details. The organization was founded in 2007 and fused Teatro Nacional de São Carlos (The National opera theatre) and Companhia Nacional Bailado (The National ballet company). Apart from ballet and opera, OPART comprises of an orchestra and a chorus. It makes it the biggest cultural institution practising the Live Art in Portugal ever.
The Development of Copyright Law In Photography Since 1948
Adamovský, Michal ; Srstka, Jiří (advisor) ; Žikovská, Petra (referee)
This work is concerned with the historical development of copyright issues in the field of photography since 1948. Its goal is to search for concrete connections in the development of photographic copyrights worldwide, and in the local Czech context. Currently, photography touches all aspects of human activity, and because of the this, a historical analysis of this development of protection is necessary to completely understand photography?s current, contemporary position and direction. For this reason, several historical court cases have been included, which have been key in the fight to legitimize photography as an art, and crucial in giving legal recognition to the photographer as an author of a work, protected by law.
Theater as co-operative
Petrlová, Michaela ; Srstka, Jiří (advisor) ; Pokorný, Jiří (referee)
Graduation thesis ?Theater as co-operative? is researching the possibilities of using the legal form co-operative for running theater company of small size. Author is about to examine the advantages and the disadvantages of co-operative legal form, which is historically well based in the Czech Republic. We could meet here the co-operative legal form widely, not only for housing and agricultural co-op, but for many cultural organizations and activities at the end of the 19th and in the 1st half of the 20th century. This tradition was broken and unfortunately not restored after political revolution in 1989. Legal form of co-operation nowadays is nearly unknown for the theater purposes. Given that, we cannot find suitable legal form for the small theater companies in the Czech Republic, possibility of recovering co-operation legal form for theatre use seems as an interesting option. Thesis focuses on to description of characteristics of the co-operation legal form with a confrontation to others existing legal forms in the Czech Republic, which are usually used for the theatre companies. As an outcome we can see the reflection of the merits and cons of this legal form for theatrical activities and concept of the theatre co-operation regulations.
INHERITANCE PROCEEDINGS IN TERMS OF COPYRIGHT LAW
Topinka, Jan ; Srstka, Jiří (advisor) ; Vyskočil, František (referee)
This Bachelor?s Honours Thesis describes the inheritance proceedings in accordance with the current legal regulations related to the topic the principles of which are stipulated especially by the Civil Code and Judicial Code. The work also defines in detail particularities of the copyright within the inheritance proceedings. This thesis also sets itself the task to describe and explain particularities of inheriting the intellectual property as well as to make clear the principles of dealing with property rights especially during a non-complete inheritance proceeding. Within this context the author aims to research and sort out the procedures connected with gaining the rights to use an author?s work in the period when the property rights? owner shall not be legitimately sustained.
Working hours of an orchestral musician, as well as other problems associated with operation of an opera orchestra
Kaniaková, Valerie ; Srstka, Jiří (advisor) ; Bělor, Roman (referee)
This thesis presents a question of irregular working hours of an orcehstral musician, but also other problems associatedy with the operation of the opera orchestra. Orchestra as a model, I chose the Prague State Opera Orchestra. Beside the analysis of the employment of SOP also focuses on the comparison of the Labour Code with the requirements for orchetsral musicians in the said institution, the basic patterns of employment and orchestral musician schneme staffing and opera orchestras in terms of thein over-manning, or vice versa undersized in relation to the volume of their performances. His work is ended with a final summary of knowledge about the working hours of an orchestral musician, and consideration of possible improvement in the situation in opera orchestras in the country.
Chodovská fortress - history and perspectives of the multifunction facility
Blachut, Dominik ; Svobodová, Doubravka (advisor) ; Srstka, Jiří (referee)
The topic of thesis "Chodovská fortress - history and perspectives of the multifunction facility" is the analysis of cultural institution, located on the periphery of the metropolis. The aim of the author has attempted a comprehensive study involving the history of the location, characteristics of social and cultural context in which there is already two decades, and then, using the tools of project management, to analyze the existing situation of the cultural center and its prospects. To obtain more detailed results and methods of the author made use of public research. The result is a strategic plan for the cultural organization Chodovská fortress for short, medium and long term goals.
POSITION OF AGENCY DOMINIK CENTRUM s.r.o. IN PILSEN CULTURE SCENE
Košařová, Eva ; Srstka, Jiří (advisor) ; Prokop, Petr (referee)
The thesis ?the Position of agency DOMINIK CENTRUM s.r.o. in Pilsen culture scene? aims to find out true reasons why this agency has a monopol in one part of Pilsen culture sphere (life art, festivals, culture houses with continual service). In the beggining of the thesis there is an analysis of Pilsen in dependence of projects of DOMINIK CENTRUM s.r.o. This chapter shows majority position of agency DOMINIK CENTRUM s.r.o. Next part contains information about the formation of agency and there are speculations about eventualities which could possibly go along with the creation. Afterwards there are information about 4 main activities of the agency, festival of Czech films Finále, festival Smetanovské dny, festival Na ulici and running of culture house Měšťanská beseda. Then there is a description of processes which brought DOMINIK CENTRUM s.r.o. to the organizations of mentioned projects and there is even a part which deals with the idea of the unfair practices. In the next part there is a comparison of Pilsen and 4 other Czech cities. I tried to find out some analogies between the monopol role of DOMINIK CENTRUM s.r.o. The last chapter contains information about the challenge of finding ideal legal title for business which has to deal with city grants.

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