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The revolutionary dream Devětsil(1918-1921)
Bulíček, Jan ; Pullmann, Michal (advisor) ; Petrbok, Václav (referee)
The revolutionary dream Devětsil is about young artists and leftist intellectuals who set up the avant-gardist union of artists known as the Devětsil in october 1920. The establishment of the Devětsil was the culmination their experience and participation in events of the revolutionary era (1918 - 1920) when the realization of social revolution made great changes possible in Czechoslovakia. The idea for the Devětsil came about spring 1919 during the first bigger revolutionary wave. As the part of the avant-garde scene, members of the Devětsil wanted to create more than an artistic union, they wanted to have political and action program. However their conceptions of the revolution were very abstract in spite of their marxist convictions. Althoug one of their main goals was the abstract realization and the expression of a revolutionary actuality, they were not actually in touch with the revolution because there was a big intellectual distinction betwen members of the Devětsil and proletariansm who according to Marx were main protagonicts of the revolutionary process. When members of the Devětsil recognised this contradiction, they woke up from their revolutionary dream. Keywords revolution, dream, Avant-garde, Devětsil, Teige
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Dreams and other formations in communication with self and with others
Písecká, Petra ; Kučera, Miloš (advisor) ; Viktorová, Ida (referee)
The goal of this thesis is to accentuate the communicational aspect of dealing with unconscious manifestations, with emphasis on handling dreams. Based on the analysis of Sigmund Freud's texts, it examines the ways in which we can talk about dreams and other unconscious manifestations and what influence such talk has on the individuals participating in the communicational process. The thesis charts several of Sigmund Freud's important texts that are used as a basis to prove that thanks to the mystery surrounding it, a dream can exert significant influence on communication. Sigmund Freud's theory was chosen for this thesis, whose works about dreams and whose interest in examining unconscious manifestations, such as forgetting, slipping of the tongue, faulty acts and other, contain a communicational potential, whose surface Freud barely scratches, or which he often treats with outright neglect. The communicational aspect of Freud's works is accentuated thanks to Roman Jakobson's theory of communication. Keywords: dream, faulty acts, communication
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Synesthesia in the work of Jiří Karásek ze Lvovic in the fin de siecle
Grollová, Jana ; Vojvodík, Josef (advisor) ; Vojtěch, Daniel (referee)
This thesis should solve the mystery of the synesthesia (especially on field of the theory of literature). The explanation of selected art schools of the second half of nineteenth century should anchor this phenomenon in the history of literature. The thesis analysis the concrete cases selected from the primary texts (collection of poems Zazděná okna, prose Román o Manfredu Macmillenovi and drama Sen o říši krásy). This analysis is based on the various types od synesthesia. The analysis prooved that this phenomenon does not only exist in the world literature, but it also exists in the Czech literature of that age. The comparison of the results extracted by Sean A. Day, Ph.D. was very interesting. This thesis examines also the colours and seing of the colours in the dreams. The work of Svetozar Nevole showed up useful. Although the work is almost 50 years younger than the primary literature, there were no big problems with adaptation of this theory for the primary texts.
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Dream reflection of mental illness ...from the point of view of daseinsanalysis
Pavlovský, Pavel ; Junková, Vendula (advisor) ; Šípek, Jiří (referee)
This paper presents 12 individual case studies representing three different psychiatric diagnoses: depression, schizophrenia, and phobia. The collected data suggests that aspects of each one of the disorders covered are somehow reflected in the dreams and dream existence of the patients. Based on repeated in-depth interviews (n=48) with each of the participants (n=12), it is clear that dream content often repeats in each individual. Further phenomenological and qualitative content analysis revealed repetition of characteristic dream content (feelings, phenomenon, and existentials) in each of the three groups. While more research is needed, the results suggest dream content could be a significant tool in establishing a diagnosis and in aiding the psycho-therapeutic process.
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Dream in photography
KAMENSKÁ, Julie
This academic-practical Bachelor's thesis attempts to outline various approaches to the depiction of dream imagery through the medium of photography. The first part of the academic section juxtaposes the interpretation of the meanings of dreams with regard to two theories Sigmund Freud's depth psychology and Carl Gustav Jung's theory of optimism. Furthermore, it is concerned with imagination as such, i.e. the ability to evoke mental images of memories or entirely new visions transformed into the visual art of photography. The second part of the academic section presents diverse artistic approaches to imaginary photographies: Spanning from pictorialism, surrealism up to postmodern photographies and contemporary tendencies. The practical section of the thesis thematically continues the academic one by presenting five dream photographies. The comprehensive collection with the name "The Photographies of a Single Night" was inspired by my own dreams.
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Theoretical Bases and their Representation in Surrealist Work of Vítězslav Nezval
SVOBODA, Tomáš
The time period during which the Surrealist Group in Czechoslovakia and during which Vítězslav Nezval was creating surrealistic works has several theoretical bases in psychology and philosophy. The purpose of this thesis is to list these bases and interpret them in connection with Nezval's surrealistic works. Sources used comprise of fictional and theoretical literature and also period press and publications about surrealism.
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The dream and the image of dream in the artworks of surrealist artists
LEXOVÁ, Petra
The topic of this dissertation is the phemomenon of the dream, dreamy picture and their projection into the creation of surrealist artworks. The disertation tries to connect the basic knowledge of psychoanalysis and the history of art. The thesis attepmts to solve the questions of how the dream imagination is different from the imaginative art of the previous centuries and how the dream topics are involved in the artworks. One of the most important resources for the art work of surrealism was in the psychoanalysis and the knowledge of the work of Sigmund Freud. That is the reason why the first part of this thesis is dedicated to Freud?s The Interpretation of Dreams and the dream symbolism ? its origin, knowledge resources and reflection in the fine arts. The closing chapter uses the previously undiscovered knowledge to present the work of Jindřich Štýrský and tries to indicate how the dream imagination was projected to the artwork of this signifiant surrealist painter.
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Spatial stained sheet of glass on a dream
SOMMEROVÁ, Zuzana
This thesis deals with a dream. It is divided into two parts, theoretical and practical. The theoretical part consists of basic knowledge of the dream in terms of physiological and psychological. There is also mention the phenomenon of dreams as a source or subject in the historical development of visual arts. The theoretical part also discusses author?s personal relationship to dreams, the choice of materials, techniques and rationale for selection of space for indoor installation. Practical part of the author's realization of spatial stained glass plate combined with concrete. Workflow is completed the drawing designs and photographs.
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