|
|
Life 2
Maliňáková, Kamila ; Čermák, Aleš (referee) ; Artamonov, Vasil (advisor)
Diploma thesis called Life 2 is a „representation“of common situations, stories of everyday life, which essence is not entirely clear on the first view. It used to be common that the appearance of our life is not consistent with the reality. Sometimes it differs dramatically. Life 2 represents this reality, truth, which is often hidden. Disertation studie is installation, which combines painting on canvas and gingerbread stage.
|
|
|
The Bunker
Ticháčková, Helena ; Sýkora, Šimon (referee) ; Štindlová, Marie (advisor)
In my bachelor's thesis I deal with the issue of escapism - i.e.the desire to escape from reality (through computer games, daydreaming, an escape into the world of fantasy etc.). The reason I chose this theme lies in my personal desire to escape - from certain people's emotional prison, from certain types of traumas, which, within the space of years, sometimes emerge on the surface and influence my present life as well as my future. My medium of choice was large scale painting on canvas. Into these paintings, I have tried to project my feelings of indecision, anxiety and expectation. I believe the theme to be relevant int the whole socio-cultural context, and not just in the last three years, though I do feel the need to escape from reality to be more sought after by people in the context of the wider present.
|
|
|
physicality of painting
Teperová, Natálie ; Klímová, Barbora (referee) ; Kvíčala, Petr (advisor)
A Coatrobes is an object about painting, about a big body. About the mutual interweaving of color, stroke, stains with the material of linen canvas. And the most of Coats are attached on the chipboard, which copies the final shape of the canvas. The canvas is attached to the table with Velcro, which allows KH to unclip from the boards and gives the possibility of wearability.
|
|
|
State of Security
Matušková, Michaela ; Koudelová, Šárka (referee) ; Kvíčala, Petr (advisor)
The diploma thesis consists of a series of paintings recording situations that evoke experiences of security gained through the personal experience of a new family. An important role in the work is played by the expression of physicality, which is very closely connected with intimacy and security.
|
|
|
no noon on
Janechová, Lucia ; Houser, Milan (referee) ; Štindlová, Marie (advisor)
The thesis focuses on the theme of sun. We perceive the sun in many different ways according to its position on the sky, to where we are located or simply depending on our current mood. In paintings and objects I look for ways to capture it's visual form or the imprints of feelings it's capable of creating. For that I use spiky or round branch-like shapes as the variations of the sun rays, in the centre of paintings is usually a circle. I combine acrylics and oil with dry pastel, which enable more relaxed and free strokes. In effort to expand the scale of medium I included materials like copper or concrete in my work. The series is therefore finished with relief almost-objects and a copper “gate” the sun figuratively passes through at noon.
|
|
|
Toxic Relationships
Rausová, Terezie ; Rodek,, Václav (referee) ; Rathouský, Luděk (advisor)
In my work I have been working for some time with topics such as anthropocene, parasitism, symbiosis and environmental anxiety. I search for and capture the socio-ecological situation. I ironize the self-destructive behavior of modern people in terms of endangering basic life functions and warn of poisoning the environment, which plays an irreplaceable role in the lives of future generations. My source of inspiration is science fiction stories, which often deal with apocalyptic vision. The starting medium for me throughout the study is painting, which I build on strong and fluorescent colors. Formally, the paintings are made of acrylic paint and spray on canvas. The output of the bachelor's thesis is a series of large-format paintings, supplemented by smaller formats, which should attract with their neon colors and at first glance draw the viewer into a toxic zone. The installation should worry the viewer and not leave you cold in connection with the position of man within the social and natural system.
|
|
| |
|
|
TEMPORARY PARADISES
Volfová, Marika ; Sterec, Pavel (referee) ; Magid, Václav (advisor)
My diploma work is focused on topic of environmental responsibility, priviledge of mobility, nomadism, borders and dreaming of utopic un/realities. In site-specific instalation I combine sound, video, painting and text.
|
|
|
The Space for All of Us
Dobiášová, Dominika ; Poliačková, Martina (referee) ; Štindlová, Marie (advisor)
The diploma work Sanctuary for Each of Them consists of a series of objects and paintings in which I try to capture the mutual necessity and ambiguity of the individual's position in society. I am trying to bring the viewers to a strange, unsettling place where a series of plots and stories take place. Relationships develop between the characters, but also between them and the fictional world in which their stories are set. Motifs and characters from the paintings then transition into anthropomorphic objects - figures depicted in glassware and table bases. In this way, the action shifts directly into the physical space of the gallery and turns into a scenography that can be entered and interacted with on a personal level.
|
|
|
Panel Art
Váňová, Gabriela ; Magid, Václav (referee) ; Artamonov, Vasil (advisor)
The main theme of the thesis are surface mines in northern Bohemia, the Most. Grasping the subject is moving mainly in personal as well as social aspects. The basis for practical thesis served theoretical thesis. Exploring the phenomenon of a block of flats in theoretical thesis led to turn to the topic of the panel surface mines. At first glance unrelated topics, however, contains an important connection. The coal industry forms an essential part of the development of the current form of North Bohemia, a form of large prefabricated housing. Interest in the originality of the construction in the settlements led to this issue. The work consists of several authentic records and materials from surface mines in Bílina processed in painting and video.
|
guest ::
