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Arnošt Oliva (1875 - 1954) catechist, catholic journalist and editor
Romanovský, Dmytro ; Novotný, Vojtěch (advisor) ; Salvet, Ondřej (referee)
ARNOŠT OLIVA (1875 - 1954) CATECHIST, CATHOLIC JOURNALIST AND EDITOR This final work deals with a life and a work of a catechist, a catholic journalist, a contributing editor and a catholic priest, Arnošt Oliva. The aim of this work is to introduce the life of a priest, who fulfilled his life with various activities. The first chapter is dedicated to his life, I tried to introduce his family there, because it had a very large influence on his future work and activities. The chapter continues with his life as a student, his work as a chaplain and a work as a catechist, mostly in Praha-Vysočany, where he spent nearly half of his life. Then I introduced his journal activities, mostly in the periodical Vychovatel and Naše listy: orgán křesťansko - sociální strany československého lidu. The end of the chapter is dedicated to his political activities, which are divided according to topics. At the end of the work I tried to evaluate the life-work of Arnošt Oliva, I tried to point to the contribution he had to the contemporaries, and then I tried to show the influence he has to present time. Key words Arnošt Oliva (1875-1954); Shrine of the Christ the King in Praha-Vysočany; a catechist; life and work; a conrtibuting editor; a catholic journalist; Československá strana lidová; Vychovatel; Naše listy.
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The Critique of Monism in the Work of Karel Statečný
Vejvoda, Michal ; Vogel, Jiří (advisor) ; Kolář, Pavel (referee)
Summary: Kritika monismu v díle Karla Statečného The Critique of Monism in the Work of Karel Statečný Michal Vejvoda The dissertation, ''The Critique of Monism in the work of Karel Statečný'', has led to a systematic point view on the issue of monism and its outline in Karel Statečný's work. It was found out, that Karel Statečný discerned a danger in this point of view, not only for the Church and the Christianity, but also for the whole society. The biggest danger of the monistic teaching lies in the fact, that the monistic principle is based on human nature. Karel Statečný realizes, that monistic tendency is deeply rooted in human nature, and thus is also objectively correct. With regards to Karel Statečný's analysis on monistic teaching, was discerned its danger to human religious sentiments, particularly in ethics: emptying of religion, in the case of removing of the element the personal God. Further on was found out, that monistical issues elaborated by Karel Statečný, speaks also today, because this monistic tendency is natural to human thinking. Pantheism - a belief in impersonal God, is also widespread, and this have a connection with spiritual instability and empty ethics. Therefore, the study of former monistic endeavors, may be useful to contemporary theology, theological philosophy and ethics....
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Journal Dílo. Its form and meaning in 1902 - 1914
Švejstilová, Michaela ; Prahl, Roman (advisor) ; Rakušanová, Marie (referee)
This work analyses the art journal "Dílo", published monthly by the "Jednota umělců výtvarných" society. The work focuses on the time period between 1902 and 1914. Based on the examination of the annual editions, this study characterizes the journal in general and presents its focus and main themes covered by the individual issues. The art scene around the journal is portrayed as well. The analysis of the journal is divided into three chronological time periods; the same form of analysis and discussion is followed in order to allow the comparison of individual sections. The thesis positions the journal into a historical, cultural and social context while describing other art journals, art societies or short author's presentations for other journals. The relation between "Dílo" and the journal "Volné směry" published by the art society "Mánes" is briefly encompassed as well, yet this theme is not the official subject examined in this bachelor thesis. Presenting the first analysis of "Dílo" (in the years 1902 - 1914), the significant art journal from the beginning of 20th century, the primary sources are the subject of examination. Powered by TCPDF (www.tcpdf.org)
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Life and work of the South Bohemian painter Jan Kojan
Kalátová, Marie ; Půtová, Barbora (advisor) ; Hoftichová, Petra (referee)
This thesis focuses on the life and work of Jan Kojan, the painter from South Bohemia who lived and created in 1886 - 1951. The thesis is divided into seven chapters. The first six chapters are focused on the personal life of the artist - his childhood, education, marriage, influences which affected him, including war and educational stay in Paris and it is also focused on detailed description of his creative artistic activity. The final seventh chapter deals with inclusion of the Kojan's work to the wide context of the Czech landscape painting. The basic resources for writing this thesis were archives from Kojan's personal fund which is placed in State Regional Archives in Třeboň. The aim of this work is to summarize the state of the previous research and to provide for the reader as much as possible information related to Kojan's character and his visual work. Klíčová slova: Jan Kojan, painter, life, work, landscape, South Bohemia
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Johann Anton Koželuch (1738-1814) - Life and Work
Mikulášová, Ludmila ; Gabrielová, Jarmila (advisor) ; Freemanová, Michaela (referee) ; Kapsa, Václav (referee)
The aim of the dissertation is to create a monograph on the life and work of the Prague-based composer Johann Anton Koželuch (1738-1814). The first part follows the composer's journey through life and professional career, noting the background and the position that influenced his work and composition legacy. The conclusion of the first part is devoted to selected aspects of his work which is compared and contrasted with the period musical context. The second part of the dissertation contains a thematic catalogue of compositions by Johann Anton Koželuch. On the basis of musicological research it is incontestable that Johann Anton Koželuch ranks among the most important personalities of Bohemian musical life in the second half of the eighteenth and the first half of the nineteenth century and his legacy goes beyond the borders of this country. The dissertation points towards new findings about music history not only in Bohemia, but also across Central Europe.
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Time, space and matter: Process-based art
Madar, David ; Hůla, Zdenek (advisor) ; Velíšek, Martin (referee)
The Diploma thesis deals with process art research. Theoretical part is primary focused on theory of Process art, its predecessors, origins and development; resulting in contemporary art, effect of Gallery space and Art market, and controversial positions of Process art. Further it deals with theory of the creation process, artwork's existence and by the process of artifact reception. Pedagogical part is focused on the theoretic base of process in arts education, Proposal and documentation of pedagogic project, based on theoretical work. Practical part - Own project - deals with practical resulting of theoretical part into own project and its defense.
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Sebastiano Ricci and his work in the czech collections
Zářecká, Markéta ; Oulíková, Petra (advisor) ; Zlatohlávek, Martin (referee)
Sebastiano Ricci and his work in the Czech collections Bachelor thesis titled Sebastiano Ricci and his work in the Czech collections. This work deals with first a brief history and Baroque art in Venice. Then there pointed out the historical context of the Czech territory and presenting artists who came out most of the Venetian tradition. There are presented life of stories of Venetian painters Sebastiano and Marco Ricci and their mutual cooperation, and this uncle and nephew. The chapter dedicated to cooperation with Marc, and chapter discusses general works, to which Marco perhaps artistically involved. The last part is devoted to a catalog of works that are owned Czech, Moravian Gallery and locks. The catalog indicated works from international collections, which are related to follow visual documentation with captions. Keywords: Sebastiano Ricci, work, Venice, Marco Ricci, collections
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