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Workers die but work lives on
Galerie výtvarného umění v Ostravě
Výstava Dělník je smrtelný, práce je živá, kterou připravila Renata Skřebská, kurátorka Galerie výtvarného umění v Ostravě (GVUO), představuje dosud nezpracované téma práce ve výtvarném umění od počátku 20. století do současnosti. Zastoupeni jsou nejen autoři již etablovaní, jako například Jan Zrzavý, Otto Gutfreund, Bohumil Kubišta, Adriena Šimotová nebo Stanislav Kolíbal, ale i střední a nejmladší generace, například Zbyněk Sedlecký (1976), Václav Buchtelík (1990) či Filip Nádvorník (1995). Výstava bude zahájena v úterý 22. září v 17 hodin. V ostravském Domě umění bude k vidění do 3. ledna 2021. Výstava byla prodloužena do 21. února 2021.
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Author children's picture book
Bímová, Šárka ; Raudenský, Martin (advisor) ; Špirk, Ivan (referee)
Bímová, Š.: Author children's picture book. [Diploma thesis] Prague 2015 - Charles University - Faculty of education, 91 s. How was perceived book in the history and today? Selection of several authors I am try to explain past and present trends in the children and children's authors book. Didactic part is mainly focuse on the status of the book in the context with art lessons and not only in the motivation part of the lesson, but also in topic of lesson. Both principles are use in the didactic project, which was built on the theoretical content of the work. Everything closes the practical part, which was applied as a result of a reaction to previous two parts. KEYWORDS author's book, children's book, book illustration, fantasy, material, imagination
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Vincenc Kramar Gallery
Micka, Alois ; Lahoda, Vojtěch (advisor) ; Wittlich, Petr (referee)
5 ABSTRACT The subject of this diploma work is the documentation and presentation of program contents of the new exhibition at "Svaz československých výtvarných umělců" in Prague 6 Dejvice between the years 1964 to 1972, which carried the name of Czech theoretic artist, Vincenc Kramář. This diploma work is divided into three distinct parts. The first part focuses on the founders of the gallery and briefly about the personality of Vincenc Kramář. The second part is devoted to the work posted in the gallery between 1964 and 1972. The final part of the work explores the question of what place and position the Vincenc Kramář Gallery holds in comparison to other galleries during the same period. The introduction of the work comments on society and politics of the 1960s in the context of "fine arts", which was an era marked by the official tendencies of the socialist realism of the decade previous. The introduction also includes the process of creating and building a new exhibition hall into this era. The first chapter is dedicated to the patron of the gallery, Vincenc Kramář, and to the founding figures of this new gallery including František Doležal, commissioner and chairman of the exhibition committee; František Rocman, typographer; secretaries and co-founders of the gallery Antonín Kulda, Alena...
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Graphic creation of Jan Jiri Balzer inspired by Norbert Grund in the collections of The National Gallery in Prague
Kadlecová, Žaneta ; Oulíková, Petra (advisor) ; Zapletalová, Jana (referee)
The target of my dissertation is to draw the character of the graphical works created by Jan Jiří Balzer which are kept in the collections of the National gallery in Prague. The resource of the graphical works of J. J. Balzer according to Norbert Grund includes more than five hundred and fifty items which remained almost non-elaborated. That's why, I would try to sort out and catalogue them. Beyond my dissertation, I would like to introduce a personality of the contemporary artist who is at the time the founder of an engraving plant and a successful businessman - who managed to interest the Czech graphical market of the second half of the 18-th century. As well as, I try to clarify, on base of the critical studying of available sources and literature, the circumstances which lead the artist to the graphical performance of the Norbert Grund's painting works. And last but not least I would like to outline the production of Jan Jiří Balzer in context of the contemporary creation and collecting of the 18-th century.
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CZECH AVANATGARDE AND BOOK ILLUSTRATION
Dvorná, Zuzana ; Lahoda, Vojtěch (advisor) ; Rakušanová, Marie (referee)
CZECH AVANT-GARDE AND BOOK ILLUSTRATION Diploma thesis deals with a book illustration creation of Czech avant-garde creators of 20's and 30's of 20th century. In the first chapter, there is defined a concept of avant- garde and it devotes itself relation of Czech avant-garde artists to book. There is emphasized a change of social function and visual form of book. Following chapters discuss book illustration creation of individual authors. At first there is analyzed an illustration work of Jan Zrzavý, Josef Čapek, František Muzika, František Tichý and Adolf Hoffmeister. Their creation is devided according to the main features to chapters devoted to modernist classicism, primitivism and expressionism, poetic figuration and simplification the figure to a sign. Seperate chapter is devoted to illustrations of children books. It defines a place of children book in Czech art between the wars and it devotes to main authors of illustration for children: Josef Čapek, Toyen, Milada Marešová, František Tichý and František Janoušek. In the next part this thesis deals with illustration creation of Karel Teige, Josef Šíma, Toyen and Jindřich Štyrský. Their illustration works are devided into chapters from the point of view of belonging to artistic tendency or according to thematic specialization. There are...
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František Tichý and his works in the 1940s
Micka, Alois ; Lahoda, Vojtěch (advisor) ; Wittlich, Petr (referee)
5 ANNOTATION The subject of this bachelor work is the description and presentation of the works of Mr. Frantisek Tichy. The aim is to focus on his works in the 1940s in the context of his peak of technical abilities and the development of spirituality in his works. For the purpose of organization, Mr. Tichy's artwork is classified by the date of the creation and organized accordingly. It is also divided into individual chapters in accordance to the techniques being used. The introduction of this work focuses mostly on the life of Mr. Frantisek Tichy. In particular, much is focused on his education in painting and the influential events in his life that have had an impact on his artwork. Undoubtedly, a large role in his artwork was thanks to his pedagogical role at the Fine Arts University in the 1940s. Much of his artwork also reflected the political situation and social changes of the time. Mr. Tichy did not adapt his works in favour of the principles of social realism and thus also was discharged from the university. The following chapters are devoted to his actual artwork. His artwork is clearly defined into many categories such as: painting, graphics, illustrations, practical artwork and theatre. Throughout his life, Mr. Tichy went through an entire cycle of themes, which he has continued to portray in...
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Overlaps
Golianová, Veronika ; Kopečková, Veronika (referee) ; Macháček, Mikuláš (advisor)
This thesis is focused on interconnection of literary, visual and material forms. Viktor Dyk’s work Rat Catcher has been graphically edited and completed with original paper illustrations. These were crated using three different editions of the book. They all differenciated by publising style, thypography and paper quality that has been used through 20th century. The choice of specific fragments for specific chapter s allowed for intense connection of visual and literary content.
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ILLUSTRATION X STAGE
Bartůňková, Tereza ; SMOLÍK, Robert (advisor) ; BAŽANT, Jan (referee)
The aim of this bachelor's thesis is to analyze the issue of illustration, its relationship to scenography and its function in the theatrical context. The work focuses mainly on illustration as a phase in the creative process and its transformation into language on stage. The bachelor's thesis is composed of two larger text units and an appendix containing images. The first part of the work provides an explanation of the term illustration, a historical context, a general overview of the issues related to illustration and the stage, important figures related to illustration, as well as the author's own perspective on this topic. The subjective nature of this work lends more space to the second part, in which the author's own scenographic practice serves as a demonstration and elaboration of the theoretical findings as described in the first part. Indeed, practical experience in the field can effectively represent the claims, which would not fully convey the meanings if they remained only in the theoretical realm. The bachelor's thesis is permeated with images that illustrate the written passages accordingly. Documentation of the auteurial theatre performance Korvína is attached at the end of the work.
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"Angels and Demons" (Dan Brown)
LIŠKOVÁ, Eva
This thesis deals with the book Angels and Demons both its external appearance, illustrations, and its part of the content. It is divided into theoretical and practical. In the first half of the theoretical part deals with the book and its historical context in the real world. The second addresses the development of book illustration in all stages of humanity itself, and modern developments of our time to design books. The practical part describes the materials, techniques and how to troubleshoot a thesis.
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